21 members
38 members
25 members
45 members
34 members
Today is the final day of work for our legendary Executive Producer Lucy Davies before she heads off to her new role at London's Royal Court. Streams of people have been coming through our offices to say goodbye, and there will be a lot more well-wishing and happy reminiscing tonight. Lucy produced 24 shows in the first three years of NTW, as well as providing inspiring leadership and support to a huge range of people. Her ability to help artists reach their very best work, to…
ContinuePosted on April 19, 2013 at 16:00 — 1 Comment
Here’s a picture of the theatre space yesterday – as the designers and crew worked to construct our ‘in the round’ set, with 360˚ video projection. It’s the first time the space has been used this way at the New National Theatre in Tokyo, so everyone is very excited to see the set go in. The design…
ContinuePosted on April 3, 2013 at 9:00 — 3 Comments
I’m writing this on the Toyoko Line train to Motomachi-Chukagai, where I’m heading to see an interesting-sounding performance by Chiten company at the Kanagawa Arts Theatre. It’s my day off and I’ve decided to do a theatre splurge – I spend four and a half hours this afternoon at the National Noh…
ContinuePosted on March 24, 2013 at 15:54 — 3 Comments
At the centre of The Opportunity of Efficiency is the character Ken Lomax – a business consultant who measures the effectiveness and efficiency of companies’ processes and makes recommendations for re-structuring (usually involving a lot of people getting sacked). The method Ken uses to assess a business’s…
ContinuePosted on March 18, 2013 at 2:54 — 9 Comments
It was interesting to read Lyn Gardner’s blog in The Guardian today on community theatre and how we judge it, inspired partly by the fact that, sadly, she had not enjoyed NTW’s recent production De Gabay at all.
Her main question was whether we should judge…
ContinuePosted on March 14, 2013 at 15:30
My job at National Theatre Wales is to build a community of theatre makers and theatre goers who together can create performances that change the way we look at the world. That's what great theatre does, sometimes for a moment and sometimes for a lifetime. And that's what we want to do here in Wales.
I've been a theatre director since my early twenties. The first ever show I directed (excluding embarrassing bossing around of family members and friends) was Trevor Griffith's extraordinary play 'Comedians' when I was a student. I felt that it was a play that talked about a world I understood. I loved it's punky energy as well as its real life relevance. During the interval we ran bingo games for the audience and I also realised that theatre feels best when great writing and performance combine with an audience who are alive and kicking!
I went on to work back in my hometown of Liverpool during the 80s, and I feel that there were many reflections of Wales (where I was born but only lived for a few years) in that time of desolating poverty and creative anger on Merseyside. Then I escaped to New York for a year, to train properly as a theatre director, and ended up staying for almost a decade in a city that stole my heart! I worked with some extraordinary performers and companies there and New York is the place that shaped me as a theatre director.
But it was when I arrived at Contact Theatre in Manchester in 1999 that all the bits of my life came together into an epic adventure - recreating a theatre for a young urban audience, working with artists from all over the world and, it sometimes felt, reinventing theatre on a daily basis.
In Wales, I want to apply the lessons I've learned in Liverpool, New York and Manchester in a whole new environment. I hope that the people I meet here online and throughout Wales will share ideas with me, argue with me, inspire me and challenge me, and that together we will create a new national theatre that is like nothing anyone has seen before!
I'm on twitter @john_ntw
Jan Miller said… Hi John - didn't get a chance to say hello or even goodbye yesterday... we'd had a punishing journey down on the rugby train and were under pressure to shove back on to get home again - 2 carriages! can you believe it??? we survived standing for 2 hours and got seats around Ludlow... despite that, Film Team had an amazing time - thanks again to you all for a fantastic party!
Ray Thomas said… Hello John,
Really interested in getting more involved with NTW, despite my age! Any advice about Group/s to join please? Acting and Directing work to date mainly with schools, Colleges, and some Adult groups, but keen to do more and to network! Have offered to work on a voluntary basis at NTW if appropriate and required.
Many thanks John
Wendy
Kelly Jones said…
Carys Eleri said… Can't wait for spring. Spring glamour plans looking so good. Hugs :)xx
Thank you John. I'm so pleased to have discovered this community, as living in London has often made me feel so remote from welsh roots and connections. It's great to see such lively creativity being used which I hope I can contribute to, both as an Actress and writer . Here's to a good year ahead for all
Good letter about Freedom Theatre John, thanks!
I thought people might be interested in this poem I've drafted for Jacob....Apologies if this isn't the right place to post it.
F.X .
A poem for Jacob Gough 31st July 2011.
Midnight chimes. Moist air carries the clangs
and the rattle-roar of the dark train that mends
the track between here and your old home, Aber.
No stranger to small hours, you work on
after rehearsals to make effects, cue sound
and light and programme visions.
At The Barmouth Assembly we asked,
What’s left after the summer tides?
And stormed the ice cream parlour
with music, words and war games
from Play Station conscripts. Barmouth’s band
of back bedroom snipers fire at screens of empty towns.
Now, manager of Freedom Theatre in Jenin,
your Call of Duty at 3.30 a.m. is to witness
the humiliation of your technician,
to squat in broken glass and become hostage
with young children whilst arrests are made.
Real IDF commandos with real guns,
pledged to uphold the impossible
‘Purity of Arms’ code to, “maintain
humanity even in combat.”
Earlier, on a level patch of Welsh hillside,
I reeled through a martial form: slow, elegant,
designed only to deflect unarmed attack.
The energy ball I held was an imagined globe
one hand on Wales, the other on Palestine.
Special ops were the hand-over of sky-
screaming swifts to soft fluttering bats.
Whilst turning the tides of Tai Chi
I focused on your impeccable sense
of timing, sharp ability to read cues
and hope this keeps you safe as gun
muzzles bore and silence.
Kit Lambert said…
Sarah Jones said… Hi John,
Peri and I are in Cardiff on Wed morning if you have any time for a cup of tea and a chat? No worries if not. Let us know if your over this way or we'll try you again next time we are in the big smoke, Sarah
Sarah Jones said… Hi John,
How you doing? Am back from my travels with the Strangers project and was hoping maybe we could meet sometime soon? Am actually in Cardiff tomorrow but am thinking that is too short notice... I could come in to Cardiff on the 2nd of March or if you are over this way doing anything for Passion then let us know or if you fancy a visit to one of our youth theatre sessions Peri could always hold the fort while we chat. Anyway let me know what you think. Hope all is great with you all at NTW, Sarah
© 2013 Created by National Theatre Wales.
