Mawgaine Tarrant-Cornish's Posts - National Theatre Wales Community2024-03-28T22:52:03ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornishhttps://storage.ning.com/topology/rest/1.0/file/get/1074850907?profile=RESIZE_48X48&width=48&height=48&crop=1%3A1https://community.nationaltheatrewales.org/profiles/blog/feed?user=1dpl5ek65502p&xn_auth=noCASTING / CASTIO - National Theatre Walestag:community.nationaltheatrewales.org,2022-03-31:3152760:BlogPost:3395262022-03-31T09:30:00.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p>CASTING a new production from National Theatre Wales, to be created and directed by Gavin Porter.</p>
<p> </p>
<p>This devised project will deal with death, memory, loss and how music forms part of the healing process.</p>
<p> </p>
<p>The process will be supportive and explorative. The work will be fuelled by the lead artist’s own documentary footage, delving into the way we celebrate lives once they have been lived.</p>
<p> </p>
<p>This production will be created, rehearsed and performed in…</p>
<p>CASTING a new production from National Theatre Wales, to be created and directed by Gavin Porter.</p>
<p> </p>
<p>This devised project will deal with death, memory, loss and how music forms part of the healing process.</p>
<p> </p>
<p>The process will be supportive and explorative. The work will be fuelled by the lead artist’s own documentary footage, delving into the way we celebrate lives once they have been lived.</p>
<p> </p>
<p>This production will be created, rehearsed and performed in Butetown.</p>
<p> </p>
<p>To complete our multidisciplinary company, we are seeking three performers who may;</p>
<p> </p>
<p>Act</p>
<p>Move</p>
<p>Dance</p>
<p>Play instruments</p>
<p>Sing</p>
<p>Be any age, ethnicity or gender</p>
<p>Be D/eaf, disabled, neurodiverse and/or disabled</p>
<p>Be inspired by the themes of this project</p>
<p>Be Welsh, Wales based or trained in Wales</p>
<p> </p>
<p>We are especially interested in meeting performers who identify as female, from multicultural, working-class communities.<br/><span>We are especially interested in working with a musician / multi instrumentalist.</span></p>
<p></p>
<p>If some of the above resonate with you, please get in touch.</p>
<p></p>
<p><strong><u>Casting:</u></strong></p>
<p> </p>
<p><strong>To be considered as a performer</strong>, please send your headshot and CV or a 3 minute video to tell us about your experience as a performer to Mawgaine, <a href="mailto:mawgaine@nationaltheatrewales.org">mawgaine@nationaltheatrewales.org</a> <strong>before 10<sup>th</sup> April.</strong></p>
<p>If you have any questions relating to the audition process please contact Glesni Price-Jones <a href="mailto:glesnipricejones@nationaltheatrewales.org">glesnipricejones@nationaltheatrewales.org</a> / 07968644062</p>
<p> </p>
<p>Short-listed performers will be invited to a group workshop audition on <strong>Wednesday 13<sup>th</sup> April 2022</strong> at Grangetown Pavilion, Grange Gardens, Cardiff CF11 7LJ.</p>
<p>We will be working in a ground floor, wheelchair-accessible space.</p>
<p> </p>
<p>The workshop will be fluid and fun, offering you an insight into the process and ideas.</p>
<p> </p>
<p><strong><u>Engagement dates:</u></strong></p>
<p> </p>
<p><strong>Research and development workshop: 25<sup>th</sup> – 29<sup>th</sup> of April 2022</strong></p>
<p><strong> </strong></p>
<p><strong>Rehearsal and production: 23<sup>rd</sup> May – 29<sup>th</sup> of June 2022</strong></p>
<p> </p>
<p>Please note that it is preferable but not essential that performers be available for the workshop.</p>
<p> </p>
<p><strong><u>Access:</u></strong></p>
<p> </p>
<p>Please contact us if you have any access requirements and we will endeavour to meet them. This includes flexibility for people with caring responsibilities whenever possible.</p>
<p><strong> </strong></p>
<p><strong><u>Pay:</u></strong></p>
<p></p>
<p>This is a <strong>6 week engagement</strong> at <strong>£596.76 a week</strong></p>
<p>If required, travel, relocation and/or touring allowances will be provided in line with Equity rates.</p>
<p></p>
<p></p>
<p style="text-align: center;"><strong>CASTIO National Theatre Wales</strong><span> </span></p>
<p> </p>
<p>Cynhyrchiad newydd gan National Theatre Wales, i’w greu a’i gyfarwyddo gan Gavin Porter.</p>
<p> </p>
<p>Bydd y prosiect dyfeisiedig hwn yn ymdrin â marwolaeth, cof, colled a sut mae cerddoriaeth yn rhan o'r broses iacháu.</p>
<p> </p>
<p>Bydd y broses yn gefnogol ac yn archwiliadol. Bydd y gwaith yn cael ei arwain gan ffilmiau dogfen y prif artist ei hun, gan ymchwilio i'r ffordd yr ydym yn dathlu bywydau unwaith y byddant wedi cael eu byw.</p>
<p> </p>
<p>Bydd y cynhyrchiad hwn yn cael ei greu, ei ymarfer a’i berfformio ym Butetown.</p>
<p> </p>
<p>I gwblhau ein cwmni amlddisgyblaethol, rydym yn chwilio am <strong>dri pherfformiwr</strong> a allai;</p>
<p> </p>
<p>Actio</p>
<p>Symud</p>
<p>Dawnsio</p>
<p>Chwarae offerynnau</p>
<p>Canu</p>
<p>O unrhyw oedran, ethnigrwydd neu ryw</p>
<p>Yn F/yddar, anabl neu niwroamrywiol anabl<span> </span></p>
<p>Wedi'u hysbrydoli gan themâu'r prosiect hwn</p>
<p>Yn Gymro/Cymraes, yn byw yng Nghymru neu wedi'u hyfforddi yng Nghymru</p>
<p> </p>
<p>Mae gennym ddiddordeb arbennig mewn cyfarfod â pherfformwyr sy’n ystyried eu hunain yn fenywaidd, o gymunedau dosbarth gweithiol, amlddiwylliannol.</p>
<p><span>Mae gennym ddiddordeb penodol mewn gweithio gyda cherddor neu rywun sy’n chwarae sawl offeryn.</span></p>
<p> </p>
<p>Os yw rhai o'r uchod yn atseinio gyda chi, cysylltwch â ni.</p>
<p> </p>
<p><strong><u>Castio:</u></strong></p>
<p> </p>
<p><strong>I gael eich ystyried fel perfformiwr</strong>, anfonwch eich llun pen a CV neu fideo 3 munud i ddweud wrthym am eich profiad fel perfformiwr at Mawgaine, <span><a href="mailto:mawgaine@nationaltheatrewales.org">mawgaine@nationaltheatrewales.org</a></span></p>
<p><strong>cyn 10<sup>fed</sup> Ebrill</strong></p>
<p>Os hoffech drafod proses y clyweliad neu os oes gennych unrhyw gwestiynau yn ymwneud â phroses y clyweliad cysylltwch â Glesni Price-Jones <span><a href="mailto:glesnipricejones@nationaltheatrewales.org">glesnipricejones@nationaltheatrewales.org</a></span> / 07968644062</p>
<p> </p>
<p>Bydd perfformwyr ar y rhestr fer yn cael eu gwahodd i glyweliad gweithdy grŵp</p>
<p><strong>ddydd Mercher 13<sup>eg</sup> Ebrill 2022, amseroedd i'w cadarnhau</strong></p>
<p>Pafiliwn Grangetown, Gerddi Grange, Caerdydd CF11 7LJ</p>
<p> </p>
<p>Byddwn yn gweithio mewn gofod ar y llawr gwaelod sy'n hygyrch i gadeiriau olwyn.</p>
<p> </p>
<p>Bydd y gweithdy yn hylif ac yn hwyl, gan gynnig cipolwg i chi ar y broses a'r syniadau.</p>
<p> </p>
<p><strong><u> </u></strong></p>
<p><strong><u>Dyddiadau'r gwaith:</u></strong></p>
<p> </p>
<p><strong>Gweithdy ymchwil a datblygu: 25<sup>ain –</sup> 29<sup>ain</sup></strong> <strong>Ebrill 2022</strong></p>
<p><strong> </strong></p>
<p><strong>Ymarfer a chynhyrchiad: 23<sup>ain</sup> Mai – 29<sup>ain</sup> Mehefin 2022</strong></p>
<p> </p>
<p>Sylwch y byddai'n ddymunol ond nid yn hanfodol bod perfformwyr ar gael ar gyfer y gweithdy.</p>
<p> </p>
<p><strong><u>Mynediad:</u></strong></p>
<p> </p>
<p>Cysylltwch â ni os oes gennych unrhyw ofynion mynediad a byddwn yn ymdrechu i gwrdd â hwy. Mae hyn yn cynnwys hyblygrwydd ar gyfer pobl â chyfrifoldebau gofalu lle bynnag y bo'n bosibl.</p>
<p><strong> </strong></p>
<p><strong><u>Tâl:</u></strong></p>
<p></p>
<p>Cyfnod cyflogaeth o <strong>6 wythnos yw hwn am</strong> <strong>£596.76 yr wythnos</strong></p>
<p>Os bydd angen, darperir lwfansau teithio, adleoli a/neu daith yn unol â chyfraddau Equity.</p>
<p></p>Casting / Castio: PETULAtag:community.nationaltheatrewales.org,2021-10-08:3152760:BlogPost:3378312021-10-08T11:30:00.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p style="text-align: center;"><strong>PETULA</strong></p>
<p></p>
<p>August 012, National Theatre Wales and Theatr Genedlaethol Cymru bring you a brand-new adaptation of Fabrice Melquiot’s extraordinary play, Wanted Petula.</p>
<p> </p>
<p>Directed by Mathilde Lopez, with a blistering script by Daf James blending Welsh, English and a little French, this production promises to be a giddy fairy tale and a surreal visual feast.</p>
<p>Petula is a dark, playful and piercing show about growing up,…</p>
<p style="text-align: center;"><strong>PETULA</strong></p>
<p></p>
<p>August 012, National Theatre Wales and Theatr Genedlaethol Cymru bring you a brand-new adaptation of Fabrice Melquiot’s extraordinary play, Wanted Petula.</p>
<p> </p>
<p>Directed by Mathilde Lopez, with a blistering script by Daf James blending Welsh, English and a little French, this production promises to be a giddy fairy tale and a surreal visual feast.</p>
<p>Petula is a dark, playful and piercing show about growing up, family and love.</p>
<p>Touring throughout Wales in Spring 2022.</p>
<p> </p>
<p>We are casting the following roles to complete our company of adventurous, flexible and playful performers. </p>
<p> </p>
<p><strong>Pwdin,</strong> a boy, playing age 12 – 16 (actual age must be 17+, i.e. not in need of a young performers' license)</p>
<p>It’s essential that this actor speak Welsh</p>
<p> </p>
<p>A young boy struggling with the loss of his beloved cousin. His grief sets him off, in search for her, on a journey departing with reality.<br/></p>
<p>We welcome suggestions of disabled performers and performers of all ethnicities for this role.</p>
<p> </p>
<p><strong>Amethyst Crappp</strong>, a woman, playing age 35 - 50</p>
<p>This performer needn’t speak Welsh.</p>
<p> </p>
<p>We are casting a woman of colour in this role (so would love suggestions of actors of African and Caribbean heritage, of South Asian or East Asian or Southeast Asian heritage, those who have a Middle East or North African heritage, and actors of mixed heritage or from other minority ethnic communities)</p>
<p> </p>
<p>Pwdin’s step mother, she is an ex-vampire, or she used to be famous for playing a vampire in a London stage show. Additionally plays The Little Prince and Amy Winehouse.</p>
<p></p>
<p>We welcome suggestions of disabled performers for this role.</p>
<p> </p>
<p><strong>Mam,</strong> a woman, playing age 35 – 50</p>
<p>It’s essential that this actor speak Welsh</p>
<p><strong> </strong></p>
<p>Pwdin’s loving and chaotic mother. Additionally plays Gillian Anderson/Jean Millburn</p>
<p></p>
<p>We welcome suggestions of disabled performers and performers of all ethnicities for this role.<strong> </strong></p>
<p></p>
<p><strong>Audition</strong></p>
<p> </p>
<p>Meetings for these roles will be in late October 2021. Please get in touch now to express interest or suggest your client.<br/> </p>
<p><strong>Engagement dates</strong></p>
<p> </p>
<p>7th February 2022 - 10th April 2022. </p>
<p> </p>
<p><strong>Remuneration</strong></p>
<p><strong> </strong></p>
<p>£590.85/ week. <br/> <br/> As required, travel, relocation and/or touring allowances will be provided in line with Equity rates.</p>
<p> </p>
<p><strong>Access</strong></p>
<p> </p>
<p>Please contact us if you have any access requirements and we will endeavour to meet them. This includes flexibility for people with caring responsibilities.</p>
<p> </p>
<p><strong>Want to get in touch?</strong></p>
<p> </p>
<p>This breakdown has been shared via Spotlight with all UK agents, who are invited to submit their clients for consideration. We will work with the productions’ lead creatives to select actors to invite to audition.</p>
<p>If you’re an unrepresented professional actor and/or you would like to speak directly to us about this project, please contact Mawgaine, in your choice of English or Welsh: mawgaine@nationaltheatrewales.org</p>
<p></p>
<p style="text-align: center;">---------------------------------------</p>
<p></p>
<p style="text-align: center;"><strong>PETULA</strong></p>
<p></p>
<p>National Theatre Wales, Theatr Genedlaethol Cymru ac August 012 yn cyflwyno addasiad newydd sbon o ddrama ryfeddol Fabrice Melquiot, Wanted Petula.</p>
<p> </p>
<p>Wedi'i gyfarwyddo gan Mathilde Lopez, gyda sgript drawiadol gan Daf James yn asio Cymraeg, Saesneg ac ychydig o Ffrangeg, mae'r cynhyrchiad hwn yn addo bod yn stori dylwyth teg hudolus ac yn wledd weledol swrrealaidd.</p>
<p>Sioe dywyll, chwareus a threiddgar am dyfu i fyny, teulu a chariad yw Petula.</p>
<p>Yn teithio ledled Cymru yn ystod Gwanwyn 2022.</p>
<p> </p>
<p>Rydym yn castio'r rolau canlynol i gwblhau ein cwmni o berfformwyr anturus, hyblyg a chwareus. </p>
<p> </p>
<p><strong>Pwdin,</strong> bachgen, oed perfformio 12 - 16 (oed go iawn 17+)</p>
<p>Mae'n hanfodol bod yr actor hwn yn siarad Cymraeg</p>
<p> </p>
<p>Bachgen ifanc sy'n cael trafferth â cholli ei gefnder annwyl. Mae ei alar yn ei anfon i chwilio amdani, ar daith yn ymadael â realiti.</p>
<p></p>
<pre class="tw-data-text tw-text-large XcVN5d tw-ta" id="tw-target-text" dir="ltr"><span class="Y2IQFc" lang="cy" xml:lang="cy">Rydym yn croesawu awgrymiadau ar gyfer perfformwyr anabl a pherfformwyr o bob ethnigrwydd ar gyfer y rôl hon.</span></pre>
<p> </p>
<p><strong>Amethyst Crappp</strong>, menyw, oed perfformio 35 - 50 oed</p>
<p>Nid oes angen i'r perfformiwr hwn siarad Cymraeg.</p>
<p> </p>
<p>Rydyn ni'n castio menyw groenliw yn y rôl hon (felly byddem wrth ein bodd ag awgrymiadau am actorion o dreftadaeth Affricanaidd a Charibïaidd, o dreftadaeth De Asiaidd neu Ddwyrain Asiaidd neu Dde-ddwyrain Asia, y rhai sydd â threftadaeth y Dwyrain Canol neu Ogledd Affrica, ac actorion treftadaeth gymysg neu o gymunedau lleiafrifoedd ethnig eraill)</p>
<p> </p>
<p>Llys-fam i Pwdin, mae hi'n gyn-fampir, neu efallai ei bod hi'n arfer bod yn enwog am chwarae fampir mewn sioe lwyfan yn Llundain. </p>
<p></p>
<p><span>Rydym yn croesawu awgrymiadau ar gyfer perfformwyr anabl ar gyfer y rôl hon</span></p>
<p> </p>
<p><strong>Mam</strong>, menyw, oed perfformio 35 - 50 oed</p>
<p>Mae'n hanfodol bod yr actor hwn yn siarad Cymraeg</p>
<p><strong> </strong></p>
<p>Mam gariadus ac anhrefnus Pwdin.</p>
<p></p>
<p><span class="Y2IQFc" lang="cy" xml:lang="cy">Rydym yn croesawu awgrymiadau ar gyfer perfformwyr anabl a pherfformwyr o bob ethnigrwydd ar gyfer y rôl hon.</span></p>
<p> </p>
<p><strong>Clyweliadau</strong></p>
<p> </p>
<p>Bydd cyfarfodydd ar gyfer y rolau hyn ddiwedd mis Hydref 2021. Cysylltwch nawr i fynegi diddordeb neu awgrymu eich cleient.</p>
<p><strong>Dyddiadau'r gwaith</strong></p>
<p> </p>
<p>7fed Chwefror 2022 - 10fed Ebrill 2022 </p>
<p> </p>
<p><strong>Tâl</strong></p>
<p><strong> </strong></p>
<p>£ 590.85/ wythnos. <br/> <br/> Os bydd angen, darperir lwfansau teithio, adleoli a/neu gymudo yn unol â chyfraddau Equity.</p>
<p> </p>
<p><strong>Mynediad</strong></p>
<p> </p>
<p>Cysylltwch â ni os oes gennych unrhyw ofynion mynediad a byddwn yn ymdrechu i gwrdd â hwy. Mae hyn yn cynnwys hyblygrwydd ar gyfer pobl â chyfrifoldebau gofalu.</p>
<p> </p>
<p><strong>Am gysylltu?</strong></p>
<p> </p>
<p>Rhannwyd y manylion hyn drwy Spotlight â holl asiantau'r DU, y'u gwahoddir i gyflwyno eu cleientiaid i'w hystyried. Byddwn yn gweithio gyda gweithwyr creadigol arweiniol y cynhyrchiad i ddewis actorion i'w gwahodd i glyweliad.</p>
<p>Os ydych chi'n actor proffesiynol heb gynrychiolaeth a/neu os hoffech siarad â ni'n uniongyrchol am y prosiect hwn, os gwelwch yn dda cyswlltwch â Mawgaine, yn eich dewis o Saesneg neu Gymraeg: mawgaine@nationaltheatrewales.org</p>
<p></p>
<p></p>
<p></p>
<p></p>
<p></p>
<p></p>
<p> </p>
<p> </p>Go Tell the Bees CASTING / CASTIOtag:community.nationaltheatrewales.org,2021-03-09:3152760:BlogPost:3352002021-03-09T17:07:03.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p>GO TELL THE BEES - CASTING</p>
<p> </p>
<p>Over the last four years National Theatre Wales has been embedded in the communities of Pembrokeshire, West Wales, working with the people of the county on creative projects exploring climate change and the environment.</p>
<p> </p>
<p>This Spring, the work is culminating in Go Tell The Bees, a new short film for families, co-created with the Pembrokeshire community, that will tell a moving story of our human connection to nature and to each other.…</p>
<p>GO TELL THE BEES - CASTING</p>
<p> </p>
<p>Over the last four years National Theatre Wales has been embedded in the communities of Pembrokeshire, West Wales, working with the people of the county on creative projects exploring climate change and the environment.</p>
<p> </p>
<p>This Spring, the work is culminating in Go Tell The Bees, a new short film for families, co-created with the Pembrokeshire community, that will tell a moving story of our human connection to nature and to each other. Our story follows Dryw, a young boy on a journey to find out what the future holds, meeting people along the way.</p>
<p> </p>
<p>We’re casting the following roles, each of which will connect with the director and rehearse from home, via Zoom, followed by rehearsal and filming on location in Pembrokeshire.</p>
<p> </p>
<p><strong>YWEN, a man, 60 – 80</strong></p>
<p> </p>
<p>Ywen, is the Gardener, he's wise and charming. He knows the joy of getting your hands dirty and the patience of waiting for new growth. He imparts sage advice to our young protagonist and gifts him a seed to take on his journey.</p>
<p> </p>
<p><strong>ZEPHYR, a woman, 40 - 60</strong></p>
<p> </p>
<p>We meet Zephyr in the forest. She's wary and poised. She has an affinity with the birds and teaches Dryw about them.</p>
<p> </p>
<p>A performer who is fluent, learning or familiar with Welsh is desirable, as Zephyr delivers a short part of her story in Welsh.</p>
<p> </p>
<p><strong>Engagement:</strong></p>
<p> </p>
<p><strong>Production dates:</strong> Each engagement will be 4 days, including online prep and rehearsal, and work in-person on location, to be scheduled between 22nd March and 11th April 2021.</p>
<p><strong><br/> Production location:</strong> Pembrokeshire, West Wales</p>
<p><strong><br/> Directors:</strong> Naomi Chiffi and Sita Thomas</p>
<p> </p>
<p>Each performer will deliver a monologue to camera, on location in Pembrokeshire. All activity will be outdoors and socially distanced.</p>
<p> </p>
<p>Each artist will be engaged for 4 days, to include online prep and rehearsal and filming on location. A day rate of £100, plus usage for non-commercial streaming and screening of the film will be offered. If required, travel or accommodation will be provided.</p>
<p></p>
<p><strong>National Theatre Wales Casting Policy</strong></p>
<p> </p>
<p>When possible and appropriate, NTW considers and casts performers who are Welsh, based in Wales or professionally trained in Wales.</p>
<p>We are committed to casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</p>
<p> </p>
<p>To suggest yourself or your client for a role or find out more please contact Mawgaine this week (commencing 8th March). If you’re shortlisted she’ll provide self-tape material asap.</p>
<p><a href="mailto:Mawgaine@nationaltheatrewales.org">Mawgaine@nationaltheatrewales.org</a></p>
<p> </p>
<p><strong>GO TELL THE BEES - CASTIO</strong></p>
<p> </p>
<p>Dros y pedair blynedd diwethaf mae National Theatre Wales wedi ei ymgorffori yng nghymunedau Sir Benfro, Gorllewin Cymru, gan weithio gyda phobl y sir ar brosiectau creadigol sy'n archwilio newid yn yr hinsawdd a'r amgylchedd.</p>
<p> </p>
<p>Y gwanwyn hwn, daw penllanw'r gwaith gyda Go Tell the Bees, ffilm fer newydd i deuluoedd, a gyd-grëwyd â chymuned Sir Benfro, a fydd yn adrodd stori deimladwy am ein cysylltiad dynol â natur ac â'n gilydd. Mae ein stori yn dilyn Dryw, bachgen ifanc ar daith i ddarganfod beth sydd i ddod yn y dyfodol, gan gwrdd â phobl ar hyd y ffordd.</p>
<p> </p>
<p>Rydym yn castio'r rolau canlynol, y bydd pob un ohonynt yn cysylltu â'r cyfarwyddwr ac yn ymarfer gartref, trwy Zoom, ac yna'n ymarfer a ffilmio ar leoliad yn Sir Benfro.</p>
<p> </p>
<p><strong>YWEN, dyn, 60 - 80</strong></p>
<p> </p>
<p>Ywen yw'r Garddwr, mae'n ddoeth ac yn ddymunol. Mae'n gwybod am lawenydd cael eich dwylo'n fudr ac amynedd aros am dwf newydd. Mae'n rhoi cyngor doeth i'n prif gymeriad ifanc ac yn rhoi hedyn iddo fel anrheg i fynd ar ei daith.</p>
<p> </p>
<p><strong>ZEPHYR, menyw, 40 - 60</strong></p>
<p> </p>
<p>Rydym yn cwrdd â Zephyr yn y goedwig. Mae hi'n wyliadwrus ac yn hunanfeddiannol. Mae ganddi gysylltiad â'r adar ac mae'n dysgu Dryw amdanynt.</p>
<p> </p>
<p>Byddai perfformiwr sy'n rhugl yn y Gymraeg, yn ei dysgu neu'n gyfarwydd â'r iaith yn ddymunol, gan fod Zephyr yn cyflwyno rhan fer o'i stori yn Gymraeg.</p>
<p> </p>
<p><strong>Cyfnodau gwaith:</strong></p>
<p> </p>
<p><strong>Dyddiadau'r cynhyrchiad:</strong> Bydd pob cyfnod am 4 diwrnod, gan gynnwys paratoi ac ymarfer ar-lein, a gwaith yn bersonol ar leoliad, i'w trefnu rhwng 22 Mawrth ac 11 Ebrill 2021.</p>
<p><strong><br/> Lleoliad y cynhyrchiad:</strong> Sir Benfro, Gorllewin Cymru</p>
<p><strong><br/> Cyfarwyddwyr:</strong> Naomi Chiffi a Sita Thomas</p>
<p> </p>
<p>Bydd pob perfformiwr yn cyflwyno monolog i'r camera, ar leoliad yn Sir Benfro. Bydd yr holl ffilmio yn yr awyr agored ac yn dilyn rheolau cadw pellter cymdeithasol.</p>
<p> </p>
<p>Bydd pob artist yn gweithio am 4 diwrnod, yn cynnwys paratoi ar-lein ac ymarfer a ffilmio ar leoliad. Cynigir cyfradd ddyddiol uwchlaw isafswm Equity, ynghyd â defnydd ar gyfer ffrydio a sgrinio'r ffilm yn anfasnachol. Os bydd angen, darperir teithio neu lety.</p>
<p></p>
<p><strong>Polisi Castio National Theatre Wales</strong></p>
<p> </p>
<p>Lle y bo'n bosibl ac yn briodol, mae NTW yn ystyried ac yn castio perfformwyr sy'n Gymry, sy'n byw yng Nghymru neu sydd wedi derbyn hyfforddiant proffesiynol yng Nghymru.</p>
<p>Mae NTW yn ymrwymedig i gastio'n gynhwysol, gan hyrwyddo cyfle cyfartal yn y celfyddydau a chynrychioli cymunedau amrywiol Cymru yn ddilys.</p>
<p> </p>
<p>I awgrymu eich hun neu'ch cleient ar gyfer rôl neu i gael gwybod rhagor, cysylltwch â Mawgaine yr wythnos hon (yn dechrau 8 Mawrth). Os byddwch yn cyrraedd y rhestr fer, bydd hi'n darparu deunydd hunan-dapio cyn gynted â phosib.</p>
<p><span><a href="mailto:Mawgaine@nationaltheatrewales.org">Mawgaine@nationaltheatrewales.org</a></span></p>
<p><strong> </strong></p>
<p></p>
<p> </p>
<p> </p>
<p><span> </span></p>
<p> </p>Bye bye 2020.tag:community.nationaltheatrewales.org,2020-12-18:3152760:BlogPost:3316682020-12-18T16:04:17.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p>And so this is Christmas</p>
<p>and what have we done?</p>
<p>Another year over.</p>
<p> </p>
<p>One of the best things about my 2020 (it’s a short list) is that I’ve managed to start volunteering, in a kitchen for a charity in Cardiff. Beyond my millennial propensity for virtue signalling, I mention this because it really has felt like a shot in the arm in a year in which our industry has been paralysed and purpose and meaning have not been the easiest things to keep a grip…</p>
<p>And so this is Christmas</p>
<p>and what have we done?</p>
<p>Another year over.</p>
<p> </p>
<p>One of the best things about my 2020 (it’s a short list) is that I’ve managed to start volunteering, in a kitchen for a charity in Cardiff. Beyond my millennial propensity for virtue signalling, I mention this because it really has felt like a shot in the arm in a year in which our industry has been paralysed and purpose and meaning have not been the easiest things to keep a grip on.</p>
<p> </p>
<p>I am masked, I wear a hairnet, I scrub pans, clean fridges and chop vegetables, I once spent 4 hours peeling garlic cloves. But being part of a team, working against the clock to make hundreds of meals, meeting people I otherwise never would, has thrown into sharp focus how much I need this. I need to work with other people, in the same place. I need the pressure, satisfaction and relief of making something happen, together. And even on this little scale, it feels great.</p>
<p> </p>
<p>I bet you miss that adrenaline too. We’re an industry of people who need to be together to make work and to thrive. When we’re not making theatre, we’re often working in settings where people gather in other ways; events, festivals, education, bars and restaurants. Many of our second, third or ‘back up’ jobs and passions have gone dark too.</p>
<p> </p>
<p>No zoom call, even last thing on a Friday with a big glass of wine, gives me the buzz of coming together with people and making shows. No deadline is as motivating (and, ok, as dementing) as an opening night, no payoff as exhilarating as a full house bubbling to a hush as the lights go down. For each production NTW swells as freelancers flood in to make incredible things possible. For our biggest projects, the company doubles or triples in size. The vision and ambition of freelance artists and theatre makers fuels theatre, it <em>is</em> theatre. We miss you.</p>
<p> </p>
<p>Whilst 2020 is almost over, I know the difficulty faced by many in our industry is not over yet. Here’s a reminder of some of the places to seek support. Freelancers Make Theatre Work have a really well-researched list</p>
<p> </p>
<p>It includes government support you may be entitled to but also details of specific funds like The Actors’ Children’s Trust for actor-parents, The Directors’ Charitable Foundation and Acting For Others, who provide financial and emotional support to all theatre workers</p>
<p><a href="https://freelancersmaketheatrework.com/financial-support/">https://freelancersmaketheatrework.com/financial-support/</a></p>
<p> </p>
<p>Some funds set up specifically to help theatre freelancers this year are currently closed but do keep an eye out for future rounds, from places like Theatre Artists Funds, who are still fund raising. <strong>The Fleabag Support Fund</strong>, which provides small crisis grants and <strong>will reopen on 2<sup>nd</sup> January</strong>. Read about eligibility here <a href="https://www.trtf.com/fleabag-support-fund">https://www.trtf.com/fleabag-support-fund</a><br/></p>
<p><strong>The Theatre Helpline</strong> is a free, independent and confidential 24-hour phone and email service is available 365 days a year for a range of personal and professional support.</p>
<p>Callers can talk to friendly, knowledgeable, trained staff about everything from mental health and wellbeing to debt and financial issues. Theatre Helpline staff can also signpost a range of useful external resources and support services if necessary. <a href="https://theatrehelpline.org/" target="_blank" rel="noopener">https://theatrehelpline.org/</a><br/><br/></p>
<p><strong>Shout</strong> is another great free service available to anyone in the UK. Just text ‘shout’ to 85258 and you’ll be connected (usually within 5 minutes) to a trained volunteer who you can message back and forth with. The aim of the conversation is to help you through a moment of anxiety and feeling overwhelmed, to reach a calm and safe place with a plan of how to support yourself going forwards. Sometimes just writing out everything on your mind can be incredibly helpful. They have some wide-ranging resources on their website too, from lockdown and loneliness to help dealing with a miscarriage or planning an autism-friendly Christmas. <a href="https://giveusashout.org/" target="_blank" rel="noopener">https://giveusashout.org/</a></p>
<p></p>
<p>You can see <a href="https://twitter.com/NTWtweets/status/1339884879958433792?s=20" target="_blank" rel="noopener">what we’ve been up to this year here</a>, but we’ve also been laying foundations that we believe will take us through a wonderful season of work next year and into a bright, exciting future that we hope you’ll be a part of.</p>
<p> </p>
<p>As some glimmer of hope finally feels like it might be on the horizon, we cannot wait to once again share stages and to create new ones with you, from the hearts of our cities to the sands of our beaches to the cobbles of our small towns.</p>
<p> </p>
<p>So at the risk of sounding like an insta caption (oh, to have back the time I’ve spent on instagram this year) if 2020 has felt like a setback, you’re not alone in that. If you’ve experienced loss and hardship, better times are coming. We’re not going ‘back to normal’. This year has shown us that’s impossible and unconscionable. We’re going somewhere else. There’s going to be some incredible art and some fucking great parties. And we’ll make it all happen together.</p>GRADDEDIGION ACTIO 2020 ACTING GRADUATEStag:community.nationaltheatrewales.org,2020-04-06:3152760:BlogPost:2885972020-04-06T15:01:12.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p><span style="font-size: 10pt;">Hello 2020 graduating actors, (s<span>groliwch i lawr ar gyfer y Gymraeg!)</span><br></br><br></br>I've been loving all the self-tapes, zoom duologues and musical numbers I've seen online. Just this afternoon <a href="https://showcase2020.co.uk/" rel="noopener" target="_blank">Showcase 2020</a> launched, where graduates can upload their work and directors and casting directors can watch them all (it's free). </span><span style="font-size: 13.3333px;">You, and your…</span></p>
<p><span style="font-size: 10pt;">Hello 2020 graduating actors, (s<span>groliwch i lawr ar gyfer y Gymraeg!)</span><br/><br/>I've been loving all the self-tapes, zoom duologues and musical numbers I've seen online. Just this afternoon <a href="https://showcase2020.co.uk/" target="_blank" rel="noopener">Showcase 2020</a> launched, where graduates can upload their work and directors and casting directors can watch them all (it's free). </span><span style="font-size: 13.3333px;">You, and your drama schools and unis, are doing a wonderful and creative job of showcasing your talent right now.</span><br/><br/></p>
<p><span style="font-size: 10pt;">Still, we’re so sorry that we won’t be filling the stalls for the productions you’ve been working on. We’re sorry that you’re missing the thrill of making something together and inviting people in, but there is so much more of that to come. </span><br/><br/></p>
<p><span style="font-size: 10pt;">Showcase might be off but this is just the beginning. In Wales, we can’t wait to see you grow as actors, into varied and successful careers. You’ll make all kinds of work, all over the world, with incredible people.</span></p>
<p></p>
<p><span style="font-size: 10pt;">Now though, in lieu of showcase, if you are graduating in acting this year in Wales, or if you’re from Wales and graduating in acting anywhere else, we’re inviting you to introduce yourself.</span></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 10pt;">Take a look at the schedule of industry professionals below and sign up to connect with them using the link. If sessions reach capacity, we’ll let you know and do our best arrange more.</span> <br/> <br/> <span style="font-size: 10pt;">Meetings will be 10 to 15 minutes, you could perform a showcase piece (or something similar), we’d love that, but you absolutely don’t have to. It would be great to hear a bit about you and we’re all happy to answer any questions you have for us.</span></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 10pt;">Croeso and welcome to the industry!</span></p>
<p></p>
<p><span style="font-size: 10pt;">Schedule:</span></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 10pt;"><strong>Sarah Bickerton, Associate Director</strong></span></p>
<p><span style="font-size: 10pt;"><strong>Theatr Genedlaethol Cymru</strong></span></p>
<p><span style="font-size: 10pt;">Sarah would like to connect with new graduates fluent in Welsh.</span></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 10pt;">Thursday 9th 1pm – 2pm</span></p>
<p><span style="font-size: 10pt;">Thursday 16<sup>th</sup> 1pm – 2pm</span></p>
<p><span style="font-size: 10pt;">Thursday 23<sup>rd</sup> 1pm – 2pm</span></p>
<p></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 10pt;"><strong>Gethin Evans</strong></span></p>
<p><span style="font-size: 10pt;"><strong>Artistic Director, Frân Wen</strong></span></p>
<p><span style="font-size: 10pt;">Gethin speaks Welsh.</span></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 10pt;">Tuesday 14<sup>th</sup> April 10am – 12:30pm</span></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 10pt;"><strong>Janine Grayshon</strong></span><br/> <span style="font-size: 10pt;"><strong>Artistic Programme & Casting Coordinator, Torch Theatre</strong></span></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 10pt;">Tuesday 7<sup>th</sup> April 2pm – 3pm</span></p>
<p><span style="font-size: 10pt;">Tuesday 14<sup>th</sup> April 2pm – 3pm</span><br/> <br/><br/></p>
<p><span style="font-size: 10pt;"><strong>Tamara Harvey, Artistic Director</strong></span></p>
<p><span style="font-size: 10pt;"><strong>With Francesca Goodridge and Eleri Jones, Trainee Directors</strong></span></p>
<p><span style="font-size: 10pt;"><strong>Theatre Clwyd</strong><br/><br/></span></p>
<p><span style="font-size: 10pt;">Wednesday 15<sup>th</sup> April 10am – 11:30am</span></p>
<p><span style="font-size: 10pt;">Friday 17<sup>th</sup> April 10am – 11:30am</span></p>
<p></p>
<p><span style="font-size: 10pt;"><strong>Matthew Holmquist, Associate Director</strong></span></p>
<p><span style="font-size: 10pt;"><strong>The Other Room<br/><br/></strong>Wednesday 8th 10am - 1pm</span></p>
<p></p>
<p><span style="font-size: 10pt;"><strong>Dan Jones, Artistic Director</strong></span></p>
<p><span style="font-size: 10pt;"><strong>The Other Room</strong></span></p>
<p><span style="font-size: 10pt;">Dan speaks Welsh.</span></p>
<p></p>
<p><span style="font-size: 10pt;">Thursday 9th April 10am - 1pm</span></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 10pt;"><strong>Gemma McAvoy</strong></span></p>
<p><span style="font-size: 10pt;"><strong>Agent, Emptage Hallett</strong></span><br/></p>
<p><span style="font-size: 10pt;">Tuesday 7<sup>th</sup> April 3pm – 4pm</span></p>
<p><span style="font-size: 10pt;">Tuesday 14<sup>th</sup> April 3pm – 4pm</span></p>
<p><span style="font-size: 10pt;">Tuesday 21<sup>st</sup> April 3pm – 4pm</span></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 10pt;"><strong>Joe Murphy</strong></span></p>
<p><span style="font-size: 10pt;"><strong>Artistic Director, Sherman Theatre</strong></span></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 10pt;">Monday 13<sup>th</sup> April 2:30pm -3:30pm</span></p>
<p><span style="font-size: 10pt;">Monday 20<sup>th</sup> April 2:30pm -3:30pm</span></p>
<p><span style="font-size: 10pt;">Monday 27<sup>th</sup> April 2:30pm -3:30pm</span></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 10pt;"><strong>Louisa Palmer</strong></span></p>
<p><span style="font-size: 10pt;"><strong>Agent at Shelley Norton Management</strong></span></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 10pt;">Thursday 9<sup>th</sup> April 1pm – 2pm</span></p>
<p><span style="font-size: 10pt;">Thursday 16<sup>th</sup> April 1pm – 2pm</span></p>
<p><span style="font-size: 10pt;">Thursday 23<sup>rd</sup> April 1pm – 2pm</span></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 10pt;"><strong>Mawgaine Tarrant-Cornish</strong></span></p>
<p><span style="font-size: 10pt;"><strong>Casting Associate, National Theatre Wales</strong></span></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 13.3333px;">Thursday 9th April 2pm - 4pm</span></p>
<p><span style="font-size: 13.3333px;">Thursday 16th April <span>2pm - 4pm</span></span></p>
<p><span style="font-size: 13.3333px;">Thursday 23rd April <span>2pm - 4pm</span></span></p>
<p></p>
<p><span style="font-size: 10pt;"><strong>Jeremy Turner</strong></span><br/> <span style="font-size: 10pt;"><strong>Cyfarwyddwr Artistig / Artistic Director Cwmni Theatr Arad Goch</strong></span></p>
<p><span style="font-size: 10pt;">Jeremy would like to connect with new graduates fluent in Welsh.</span></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 10pt;">Wednesday 8<sup>th</sup> April 2pm – 5pm</span></p>
<p><span style="font-size: 10pt;"> </span></p>
<p><span style="font-size: 10pt;"><strong>Debi Maclean, Ffion Evans and Oliver Williams, at Regan Management, will run a group session and take your questions on finding and working with an agent.</strong></span></p>
<p><br/> <span style="font-size: 10pt;">Thursday 9<sup>th</sup> April 12pm<br/><br/></span></p>
<p><strong>Betsan Llwyd, Arts Director at Theatr Bara Caws, is inviting CVs and expressions of interest from new graduates fluent in Welsh. Please send her your details to betsan@theatrbaracaws.com</strong></p>
<p></p>
<p><a href="https://forms.gle/t7zPRvvYLbrsgAYaA" target="_blank" rel="noopener">SIGN UP FORM.</a></p>
<p></p>
<p style="text-align: center;">------------------------------------------------------------------------------------------</p>
<p style="text-align: center;"></p>
<p>Rydym mor flin na fyddwn yn llenwi'r theatrau ar gyfer eich sioeau terfynol a'r holl gynyrchiadau rydych chi wedi bod yn gweithio arnynt. Mae'n ddrwg gennym eich bod yn colli'r wefr o wneud rhywbeth gyda'ch gilydd a gwahodd pobl i mewn, ond mae cymaint mwy o hynny i ddod.</p>
<p><span> </span></p>
<p>Efallai na fydd eich sioe derfynol yn digwydd, ond dim ond y dechrau yw hyn. Yng Nghymru, rydym yn edrych ymlaen at eich gweld yn tyfu fel actorion, i yrfaoedd amrywiol a llwyddiannus. Byddwch yn gwneud pob math o waith, ar draws y byd, gyda phobl anhygoel.</p>
<p><span> </span></p>
<p>Nawr, fodd bynnag, yn lle eich sioeau terfynol, os ydych yn graddio mewn actio eleni yng Nghymru, neu os ydych yn dod o Gymru ac yn graddio mewn actio yn unrhyw le arall, rydym yn eich gwahodd i gyflwyno eich hun:</p>
<p><span> </span></p>
<p>Mynnwch olwg ar y rhestr o weithwyr proffesiynol y diwydiant isod a chofrestrwch i gysylltu â hwy gan ddefnyddio'r linc. Os bydd y sesiynau'n llenwi, byddwn yn rhoi gwybod i chi ac yn gwneud ein gorau i drefnu rhagor. <br/> <br/> Bydd y cyfarfodydd yn 10 i 15 munud, gallech berfformio darn arddangos (neu rywbeth tebyg), byddem wrth ein boddau gyda hynny, ond nid oes rhaid i chi wneud hynny o gwbl. Byddai'n wych clywed ychydig amdanoch ac rydym i gyd yn hapus i ateb unrhyw gwestiynau sydd gennych ar ein cyfer.</p>
<p><span> </span></p>
<p>Croeso i'r diwydiant!</p>
<p><span> </span></p>
<p>Rhestr:</p>
<p><span> </span></p>
<p><strong>Sarah Bickerton, Cyfarwyddwr Cyswllt</strong></p>
<p><strong>Theatr Genedlaethol Cymru</strong></p>
<p>Hoffai Sara gysylltu â graddedigion newydd sy'n rhugl yn y Gymraeg.</p>
<p></p>
<p></p>
<p>Dydd Iau 9<sup>fed</sup> Ebrill 1pm – 2pm</p>
<p>Dydd Iau 16<sup>eg</sup> Ebrill 1pm – 2pm</p>
<p>Dydd Iau 23<sup>ain</sup> Ebrill 1pm – 2pm</p>
<p><span> </span></p>
<p><strong>Gethin Evans</strong></p>
<p><strong>Cyfarwyddwr Artistig, Frân Wen</strong></p>
<p>Mae Gethin yn siarad Cymraeg.</p>
<p><span> </span></p>
<p>Dydd Mawrth 14<sup>eg</sup> Ebrill 10am – 12:30pm</p>
<p><span> </span></p>
<p><strong>Janine Grayshon</strong><br/> <strong>Cydlynydd y Rhaglen Artistig a Chastio, Theatr y Torch</strong></p>
<p><span> </span></p>
<p>Dydd Mawrth 7<sup>fed</sup> Ebrill 2pm – 3pm</p>
<p>Dydd Mawrth 14<sup>fed</sup> Ebrill 2pm – 3pm<br/> <br/><br/></p>
<p><strong>Tamara Harvey, Cyfarwyddwr Artistig</strong></p>
<p><strong>Gyda Francesca Goodridge ac Eleri Jones, Cyfarwyddwyr dan Hyfforddiant</strong></p>
<p><strong>Theatr Clwyd</strong></p>
<p><span> </span></p>
<p>Dydd Mercher 15<sup>fed</sup> Ebrill 10am - 11:30am</p>
<p>Dydd Gwener 17<sup>eg</sup> Ebrill 10am – 11:30am</p>
<p></p>
<p><span><strong>Matthew Holmquist, Cyfarwyddwr Cyswllt</strong></span></p>
<p><span><strong>The Other Room<br/><br/></strong>Dydd Mercher 8<sup>fed</sup> Ebrill 10am -1pm<br/></span></p>
<p></p>
<p><span><strong>Dan Jones, Cyfarwyddwr Artistig</strong></span></p>
<p><span><strong>The Other Room<br/></strong>Mae Dan yn siarad Cymraeg.<strong><br/></strong></span></p>
<p><span>Dydd Iau 9<sup>fed</sup> Ebrill 10am - 1pm</span></p>
<p><span> </span></p>
<p><strong>Gemma McAvoy</strong></p>
<p><strong>Asiant, Emptage Hallett</strong><br/></p>
<p>Dydd Mawrth 7<sup>fed</sup> Ebrill 3pm – 4pm</p>
<p>Dydd Mawrth 14<sup>eg</sup> Ebrill 3pm – 4pm</p>
<p>Dydd Mawrth 21<sup>ain</sup> Ebrill 3pm – 4pm</p>
<p><span> </span></p>
<p><strong>Joe Murphy</strong></p>
<p><strong>Cyfarwyddwr Artistig, Theatr y Sherman</strong></p>
<p><span> </span></p>
<p>Dydd Llun 13<sup>eg</sup> Ebrill 2:30pm -3:30pm</p>
<p>Dydd Llun 20<sup>fed</sup> Ebrill 2:30pm -3:30pm</p>
<p>Dydd Llun 27<sup>ain</sup> Ebrill 2:30pm -3:30pm</p>
<p><span> </span></p>
<p><strong>Louisa Palmer</strong></p>
<p><strong>Asiant gyda Shelley Norton Management</strong></p>
<p><span> </span></p>
<p>Dydd Iau 9<sup>fed</sup> Ebrill 1pm – 2pm</p>
<p>Dydd Iau 16<sup>eg</sup> Ebrill 1pm – 2pm</p>
<p>Dydd Iau 23<sup>ain</sup> Ebrill 1pm – 2pm</p>
<p><span> </span><span> </span></p>
<p><strong>Mawgaine Tarrant-Cornish</strong></p>
<p><strong>Cydymaith Castio, National Theatre Wales</strong></p>
<p><span> </span></p>
<p><span>Dydd Iau 9<sup>fed</sup> Ebrill 2pm - 4pm</span></p>
<p><span>Dydd Iau 16<sup>eg</sup> Ebrill 2pm - 4pm</span></p>
<p><span>Dydd Iau 23<sup>ain</sup> Ebrill 2pm - 4pm</span></p>
<p></p>
<p><strong>Jeremy Turner</strong><br/> <strong>Cyfarwyddwr Artistig Cwmni Theatr Arad Goch</strong></p>
<p>Hoffai Jeremy gysylltu â graddedigion newydd sy'n rhugl yn y Gymraeg.</p>
<p><span> </span></p>
<p>Dydd Mercher 8<sup>fed</sup> Ebrill 2pm - 5pm</p>
<p><span> </span><span> </span></p>
<p><strong>Bydd Debi Maclean, Ffion Evans ac Oliver Williams, yn Regan Management, yn cynnal sesiwn grŵp ac yn ateb eich cwestiynau ynghylch dod o hyd i asiant a gweithio gyda hwy.</strong></p>
<p><br/> Dydd Iau 9<sup>fed</sup> Ebrill 12pm</p>
<p></p>
<p style="text-align: left;"><strong>Mae Betsan Llwyd, Cyfarwyddwr Artistig yn Theatr Bara Caws, yn gwahodd CVs a mynegiannau o ddiddordeb gan raddedigion newydd sy'n rhugl yn y Gymraeg. Anfonwch eich manylion i betsan@theatrbaracaws.com</strong></p>
<p style="text-align: left;"></p>
<p style="text-align: left;"><a href="https://forms.gle/t7zPRvvYLbrsgAYaA" target="_blank" rel="noopener">FFURFLEN GOFRESTRU</a></p>
<p><span style="font-size: 10pt;"> </span></p>Theatre in the time of Coronatag:community.nationaltheatrewales.org,2020-03-18:3152760:BlogPost:2886642020-03-18T11:00:00.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p>Shakespeare wrote King Lear in plague quaranti... yeah, we know, thanks Twitter!</p>
<p>Of course, Will didn’t have facebook, rolling news, Netflix, Ticktock, Pornhub (who’ve rolled out the faintest of silver linings and made their premium service free in Italy), Instagram, podcasts or any pets that we know of. And there was almost certainly a woman providing the sustenance, housekeeping and encouragement while he settled in to write another play about a king.</p>
<p><br></br> So if your social…</p>
<p>Shakespeare wrote King Lear in plague quaranti... yeah, we know, thanks Twitter!</p>
<p>Of course, Will didn’t have facebook, rolling news, Netflix, Ticktock, Pornhub (who’ve rolled out the faintest of silver linings and made their premium service free in Italy), Instagram, podcasts or any pets that we know of. And there was almost certainly a woman providing the sustenance, housekeeping and encouragement while he settled in to write another play about a king.</p>
<p><br/> So if your social distancing so far consists of anxious-eating your stockpile, watching Love is Blind and swearing every time you touch your face, don’t feel bad. This is scary and unprecedented and the added pressure of being a freelancer or a student, in an industry dependent on gathering and events, is huge. </p>
<p> </p>
<p>Everyone is worried about their health, and that of their loved ones. Everyone is worried about the pressure on the NHS and our other vital services. On top of that, freelance friends and colleagues are worried about paying rent and bills as work is cancelled. Here’s some of the industry advice available; <br/> <br/> <a href="http://irus-advice-to-equity-members/" target="_blank" rel="noopener"><strong>Equity</strong> </a>and <strong><a href="https://bectu.org.uk/topic/covid-19-coronavirus/" target="_blank" rel="noopener">BECTU</a></strong> have issued guidance, which is useful even if you’re not a member. <br/> You might want to follow your Organiser for up to date news. In Wales and the South West, it’s <a href="https://twitter.com/SimonJCurtis69" target="_blank" rel="noopener">Simon Curtis</a>. <br/> <br/> <strong>Arts Council Wales</strong> have <a href="https://arts.wales/news-jobs-opportunities/coronavirus-covid-19-update-16-march" target="_blank" rel="noopener">published information</a> for those working as artists, freelancers and in publicly funded cultural organisations. You can find the latest from them here or on social channels. </p>
<p><br/> <strong>Arts Council England</strong> have announced that they’ll refocus some grant programmes to help compensate individual artists and freelancers for lost earnings. They’re working out how, and you can find <a href="https://www.artscouncil.org.uk/covid19#section-1" target="_blank" rel="noopener">their updates here</a>. <br/><br/><a href="https://covid19freelanceartistresource.wordpress.com/" target="_blank" rel="noopener">Covid-19 & Freelance Artists</a> this is a list of free resources, opportunities, and financial relief options available to artists of all disciplines.<br/> <br/> There’s a <a href="https://www.facebook.com/groups/489300505097902/" target="_blank" rel="noopener">facebook group</a> for the UK theatre industry. And there's lots of peer to peer advice and support out there on socials, from agents, casting directors and more. Francesca Moody is working with others on producers online meet ups. <a href="https://twitter.com/JimDeanAsh/status/1239985125007462403" target="_blank" rel="noopener">Details here.</a><br/> <br/> Wales Arts Review are fundraising to provide <a href="https://www.walesartsreview.org/help-wales-arts-review-raise-emergency-funds-for-artists/" target="_blank" rel="noopener">emergency bursaries</a> to artists and arts professionals. <br/> <br/> Inspired by <a href="https://www.theguardian.com/stage/2020/mar/16/uk-theatre-coronavirus-cancellations?CMP=Share_iOSApp_Other" target="_blank" rel="noopener">Bryony Kimmings’ initiative</a> to match established artists to those who’re struggling. </p>
<p>Unions and organisations are lobbying the government to act to offer security to the entertainment and hospitality industries and individuals losing earnings. Kevin Brennan MP, for example, has urged the UK Government to consider a Universal Basic Income for freelancers, you can <a href="https://edm.parliament.uk/early-day-motion/56765/temporary-universal-basic-income" target="_blank" rel="noopener">read more here and ask your MP to support it.</a> </p>
<p>Here at National Theatre Wales, we’ve taken the difficult decision not to open HAIL CREMATION! Our wonderful company have worked incredibly hard on this show for a long time and we’re already thinking about how we might be able to share it with you in the future. I know that lots of you will be in a similar, painful position. We are, of course, honouring payment of every contract we have with artists and freelancers.</p>
<p> </p>
<p>The rest of this year’s season, including the work of our Collaboration and Creative Development teams, will undoubtedly be impacted. We’re in dialogue with the artists, taking advice and watching how this situation unfolds.</p>
<p> </p>
<p>NTW is agile and flexible, we’re used to working miles apart, all over Wales, and we’re determined to be a source of support, community and, when we can, employment in the coming weeks and months. Lorne, our new artistic director, started on Monday (most surreal first week ever?) and he’s leading us in finding the opportunities for creation and collaboration. More on that soon.</p>
<p> </p>
<p>I don’t need to say ‘look out for each other’, that’s instinctive to this industry and community, but coming together when you, er, can’t come together, keeping our families and communities strong and safe when circumstances feel so beyond our control is a daunting prospect.</p>
<p>It’s going to be important to look after your mental health. Here’s a <a href="https://www.mind.org.uk/information-support/coronavirus-and-your-wellbeing/" target="_blank" rel="noopener">great resource from MIND</a> on managing anxiety and isolation. </p>
<p> </p>
<p>And here are some of the lovely ways that people are making positive contributions and welcome distractions;</p>
<p> </p>
<p>Exuent Magazine have <a href="http://exeuntmagazine.com/features/covid-19-resources-uk-theatre-freelancers/" target="_blank" rel="noopener">compiled advice</a> as well as a great list of distractions, inspiration and projects, including theatre shows you can watch online for free.<br/> <br/> <a href="https://twitter.com/ClubCoronavirus" target="_blank" rel="noopener">Coronavirus Theatre Club</a> is facilitating playwrights and actors to record and share new writing.<br/> <br/> Noel Fielding has started the <a href="https://twitter.com/noelfielding11" target="_blank" rel="noopener">art club</a> you never knew you needed.<br/> <br/> Amber Massie-Blomfield has started 'Homework', <a href="https://homework.substack.com/p/homework-how-it-works?utm_medium=email&utm_campaign=cta" target="_blank" rel="noopener">a new online creative nonfiction group</a> led for writers of all levels of experience, providing weekly writing prompts from guest authors.</p>
<p><br/> David Jays has started <a href="https://twitter.com/mrdavidjays/status/1239663485786771458" target="_blank" rel="noopener">#LockdownTheatreClub</a> </p>
<p><br/> Lucy Prebble created this <a href="https://twitter.com/lucyprebblish/status/1238935541615407105" target="_blank" rel="noopener">thread of recommendations</a> for great film, TV and more. </p>
<p></p>
<p>If you’re looking for a way to be useful in your neighbourhood, you could offer your support to your local foodbank or to isolating neighbours.</p>
<p> </p>
<p>If you have other thoughts, ideas, resources to share, please comment below, email, or tweet me. If you’d like to chat anything through with someone at NTW, say hello. We’re all working away at home (some between childcare and home schooling, like many of you, I’m sure!) and sending love and solidarity to you all.</p>
<p><br/> If you are going to attempt your Lear, I look forward to seeing the fruits of your isolation, but if you write a play about a contagious virus it had better be VERY funny.</p>
<p> </p>
<p>Take care</p>
<p>Mawgaine x</p>Casting / Castio HAIL CREMATION!tag:community.nationaltheatrewales.org,2019-12-03:3152760:BlogPost:2879142019-12-03T16:42:38.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p style="text-align: center;">Casting Breakdown<br></br><strong><a href="https://www.nationaltheatrewales.org/ntw_shows/hail-cremation/" rel="noopener" target="_blank">HAIL CREMATION!</a></strong></p>
<p style="text-align: center;"><strong>By Jon Tregenna, directed by Adele Thomas<br></br><br></br></strong></p>
<p>A psychedelic musical about Llantrisant’s most eccentric doctor who became known as the ‘father of cremation’. Staged at Newbridge Memo, HAIL CREMATION! Tells the story of the extraordinary life…</p>
<p style="text-align: center;">Casting Breakdown<br/><strong><a href="https://www.nationaltheatrewales.org/ntw_shows/hail-cremation/" target="_blank" rel="noopener">HAIL CREMATION!</a></strong></p>
<p style="text-align: center;"><strong>By Jon Tregenna, directed by Adele Thomas<br/><br/></strong></p>
<p>A psychedelic musical about Llantrisant’s most eccentric doctor who became known as the ‘father of cremation’. Staged at Newbridge Memo, HAIL CREMATION! Tells the story of the extraordinary life of Dr. William Price, a Welsh visionary and an eccentric of Victorian society.</p>
<p> </p>
<p><strong>Roles</strong></p>
<p><strong> </strong></p>
<p>We are now seeking to complete our cast of exceptional performers who’ll be the heart of this psychedelic musical odyssey. We are looking for adventurous, flexible and playful performers who will create a panoply of characters, creatures and spirits. We welcome suggestions of all ethnicities for all roles, except where we indicate otherwise.</p>
<p> </p>
<ul>
<li><strong>GWEN</strong>, woman, playing age 20 – 30, singing required<br/> Formidable, magnetic and rebellious. The love of Dr Price’s life.</li>
</ul>
<p> </p>
<ul>
<li><strong>CELEBRANT +</strong> other roles, man, playing age 30+, singing required<br/> Roles include a charismatic, effusive Celebrant, a rousing political activist, an affluent Victorian gentleman and more.</li>
</ul>
<p><strong> </strong></p>
<ul>
<li><strong>REV PRICE +</strong> other roles, man, playing age 30+<strong><br/></strong> Roles include the commanding, dangerous, possibly deranged, Rev. Price, a sharp metropolitan prosecutor, Nicholas, Dr Price’s shy and awkward son, and more.</li>
</ul>
<p> </p>
<ul>
<li><strong>DANCER</strong>, man of colour, singing required<br/>This performer will complete our chorus of flexible and playful physical performers who will create a panoply of characters, creatures and spirits throughout the show. </li>
</ul>
<p><br/> The performance world, which will evolve in rehearsal with the chorus, currently draws upon a huge range of forms from drag to Bob Fosse from The Mighty Boosh to Beyonce via Welsh clog dancing. </p>
<p> </p>
<p>Meetings for this role will be in January 2020. Please get in touch now to express interest or suggest your client.<br/></p>
<p><strong>Audition</strong></p>
<p> </p>
<p>We will be meeting actors on the 11<sup>th</sup>, 19<sup>th</sup> and 20<sup>th</sup> December and may find further dates if required.<br/> <br/> We will meet dancers in January 2020.</p>
<p> </p>
<p><strong>Engagement dates</strong></p>
<p> </p>
<p>Rehearsals commence Monday 10<sup>th</sup> February 2020</p>
<p>Previews from 23<sup>rd</sup> March 2020</p>
<p>Engagement concludes 4<sup>th</sup> April 2020</p>
<p> </p>
<p><strong>Remuneration</strong></p>
<p><strong> </strong></p>
<p>Our company wage is £585 / week. </p>
<p> </p>
<p>If required, travel, relocation and/or commuting allowances will be provided in line with Equity rates.</p>
<p> </p>
<p><strong>Access</strong></p>
<p> </p>
<p>Please contact us if you have any access requirements and we will endeavour to meet them. This includes flexibility for people with caring responsibilities and we are a member of Parents in Performing Arts. </p>
<p> </p>
<p><strong>Want to get in touch?</strong></p>
<p> </p>
<p>This breakdown has been shared via Spotlight with all UK agents, who are invited to submit their clients for consideration. We will work with the productions’ lead creatives to select actors to invite to audition.</p>
<p> </p>
<p>If you’re an unrepresented professional actor and/or you would like to speak directly to us about this project, please contact Mawgaine: <a href="mailto:casting@nationaltheatrewales.org">casting@nationaltheatrewales.org</a></p>
<p> </p>
<p><strong>National Theatre Wales Casting Policy</strong></p>
<p> </p>
<p>When possible and appropriate, NTW considers and casts performers who are Welsh, based in Wales or professionally trained in Wales.</p>
<p>NTW is committed to casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</p>
<p></p>
<p style="text-align: center;">Manylion Castio</p>
<p style="text-align: center;"><strong>HAIL CREMATION!</strong></p>
<p style="text-align: center;"><strong>Gan Jon Tregenna, cyfarwyddwyd gan Adele Thomas</strong></p>
<p><strong> </strong></p>
<p>- Sioe gerdd seicedelig am feddyg mwyaf ecsentrig Llantrisant a ddaeth yn adnabyddus fel 'tad amlosgi'. Yn cael ei llwyfannu yn Neuadd Goffa Trecelyn, mae HAIL CREMATION! yn adrodd hanes bywyd rhyfeddol Dr William Price, gweledigaethwr Cymreig ac ecsentrig yn y gymdeithas Fictoraidd.</p>
<p> </p>
<p><strong>Rolau</strong></p>
<p><strong> </strong></p>
<p>Rydym nawr yn ceisio cwblhau ein cast o berfformwyr eithriadol a fydd yn greiddiol i'r sioe gerdd seicedelig hon. Rydym yn chwilio am berfformwyr anturus, hyblyg a chwareus a fydd yn creu amrywiaeth o gymeriadau, creaduriaid ac ysbrydion. Rydym yn croesawu awgrymiadau ar gyfer pob ethnigrwydd ar gyfer pob rôl, ac eithrio lle'r ydym yn nodi fel arall.</p>
<p> </p>
<ul>
<li><strong>GWEN</strong>, menyw, oed chwarae 20 – 30, canu yn ofynnol<br/> Cryf, magnetig a gwrthryfelgar. Cariad perffaith Dr Price.</li>
</ul>
<p> </p>
<ul>
<li><strong>OFFEIRIAD +</strong> rolau eraill, dyn, oed chwarae 30+, canu yn ofynnol<br/> Rolau yn cynnwys offeiriad carismataidd, teimladol, ymgyrchydd gwleidyddol pwerus, bonheddwr Fictoraidd cefnog a mwy.</li>
</ul>
<p><strong> </strong></p>
<ul>
<li><strong>PARCH PRICE +</strong> rolau eraill, dyn, oed chwarae 30+<strong><br/></strong> Rolau yn cynnwys y Parch Price awdurdodol, peryglus ac o bosibl gwallgof, erlynydd Metropolitan craff, Nicholas, mab swil a lletchwith Dr Price, a mwy.</li>
</ul>
<p> </p>
<ul>
<li><strong>DAWNSWRAIG</strong>, dyn croendywyll, canu yn ofynnol<br/>Bydd y perfformiwr hwn yn cwblhau ein corws o berfformwyr corfforol hyblyg a chwareus a fydd yn creu amrywiaeth o gymeriadau, creaduriaid ac ysbrydion. </li>
</ul>
<p><br/> Mae'r byd perfformio, a fydd yn esblygu mewn ymarferion gyda'r corws, ar hyn o bryd yn tynnu ar amrywiaeth enfawr o ffurfiau, o drag i Bob Fosse i The Mighty Boosh i Beyonce heb anghofio clocsio Cymreig. <br/></p>
<p><strong>Clyweliadau</strong></p>
<p> </p>
<p>Byddwn yn cyfarfod â pherfformwyr ar 11<sup>eg</sup>, 19<sup>eg</sup> ac 20<sup>fed</sup> o Ragfyr a gallem ddod o hyd i ragor o ddyddiadau os oes angen.</p>
<p> </p>
<p><strong>Dyddiadau'r gwaith</strong></p>
<p> </p>
<p>Ymarferion yn dechrau ddydd Llun 10<sup>fed</sup> Chwefror 2020</p>
<p>Rhagddangosiadau o 23<sup>ain</sup> Mawrth 2020</p>
<p>Daw'r gwaith i ben ar 4<sup>ydd</sup> Ebrill 2020</p>
<p> </p>
<p><strong>Tâl</strong></p>
<p><strong> </strong></p>
<p>Cyflog y cwmni yw £585 yr wythnos. </p>
<p> </p>
<p>Os bydd angen, darperir lwfansau teithio, adleoli a/neu gymudo yn unol â chyfraddau Equity.</p>
<p> </p>
<p><strong>Mynediad</strong></p>
<p> </p>
<p>Cysylltwch â ni os oes gennych unrhyw ofynion mynediad a byddwn yn ymdrechu i gwrdd â hwy. Mae hyn yn cynnwys hyblygrwydd ar gyfer pobl â chyfrifoldebau gofalu, ac rydym yn aelod o Parents in Performing Arts. <span><a href="mailto:mawgaine@nationaltheatrewales.org">mawgaine@nationaltheatrewales.org</a></span></p>
<p> </p>
<p><strong>Am gysylltu?</strong></p>
<p> </p>
<p>Rhannwyd y manylion hyn drwy Spotlight â holl asiantau'r DU, y'u gwahoddir i gyflwyno eu cleientiaid i'w hystyried. Byddwn yn gweithio gyda gweithwyr creadigol arweiniol y cynhyrchiad i ddewis actorion i'w gwahodd i glyweliad.</p>
<p> </p>
<p>Os ydych chi'n actor proffesiynol heb gynrychiolaeth a/neu os hoffech siarad yn uniongyrchol â ni am y prosiect hwn, cysylltwch â Mawgaine: <a href="mailto:casting@nationaltheatrewales.org">casting@nationaltheatrewales.org</a></p>
<p> </p>
<p><strong>Polisi Castio National Theatre Wales</strong></p>
<p> </p>
<p>Lle y bo'n bosibl ac yn briodol, mae NTW yn ystyried ac yn castio perfformwyr sy'n Gymry, sy'n byw yng Nghymru neu sydd wedi derbyn hyfforddiant proffesiynol yng Nghymru.</p>
<p>Mae NTW yn ymrwymedig i gastio'n gynhwysol, gan hyrwyddo cyfle cyfartal yn y celfyddydau a chynrychioli cymunedau amrywiol Cymru yn ddilys.</p>CASTING / CASTIO: Workshop for new production / Gweithdy ar gyfer cynhyrchiad newyddtag:community.nationaltheatrewales.org,2019-09-10:3152760:BlogPost:2861002019-09-10T17:33:26.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p><strong>Engagement</strong></p>
<p><br></br> National Theatre Wales is casting an upcoming workshop, which will take place in south Wales between 28<sup>th</sup> October and 2<sup>nd</sup> November.</p>
<p> </p>
<p>This workshop is for the development of a new musical production, which will be produced in Spring 2020. We are currently engaging performers just for the Autumn ’19 period but are interested to know whether performers currently have availability 10<sup>th</sup> February –…</p>
<p><strong>Engagement</strong></p>
<p><br/> National Theatre Wales is casting an upcoming workshop, which will take place in south Wales between 28<sup>th</sup> October and 2<sup>nd</sup> November.</p>
<p> </p>
<p>This workshop is for the development of a new musical production, which will be produced in Spring 2020. We are currently engaging performers just for the Autumn ’19 period but are interested to know whether performers currently have availability 10<sup>th</sup> February – 4<sup>th</sup> April 2020.</p>
<p> </p>
<p><strong>Performers</strong></p>
<p> </p>
<p>We are looking to put together a chorus of exceptional performers <strong>predominately from movement and dance backgrounds</strong> to form the core of our new psychedelic musical odyssey.</p>
<p> </p>
<p>We welcome dancers from all dance backgrounds, and actors with strong dance and movement skills.</p>
<p> </p>
<p>We are looking for adventurous, flexible and playful performers who will create a panoply of characters, creatures and spirits. The performance world, which will evolve in rehearsal with the chorus, currently draws upon a huge range of forms from drag to Bob Fosse from The Mighty Boosh to Beyonce via Welsh clog dancing. </p>
<p> </p>
<p>While dance and movement forms the core of the role, we will ask everyone to sing, but a virtuosic singing voice is not essential.</p>
<p> </p>
<p>What is essential is a willingness to throw yourself into a playful and dynamic rehearsal process and be committed to excellent storytelling through chorus and dance. </p>
<p> </p>
<p><strong>Audition</strong></p>
<p> </p>
<p>Workshop auditions run by the director and choreographer will be held on 29th September in Cardiff.</p>
<p> </p>
<p><strong>Engagement dates</strong></p>
<p> </p>
<p>Week commencing 28<sup>th</sup> October 2019, Monday – Saturday, concluding 2<sup>nd</sup> November.</p>
<p> </p>
<p><strong>Remuneration</strong></p>
<p><strong> </strong></p>
<p>Our R&D rate is £100 / day</p>
<p> </p>
<p>If required, travel, relocation and/or commuting allowances will be provided in line with Equity rates.</p>
<p> </p>
<p><strong>Expression of interest</strong></p>
<p> </p>
<p>Please send your CV or Spotlight link to <a href="mailto:casting@nationaltheatrewales.org">casting@nationaltheatrewales.org</a> on or before 20<sup>th</sup> September to be considered for audition.</p>
<p> </p>
<p><strong>Access</strong></p>
<p> </p>
<p>If you're invited to audition we will endeavour to meet= any access requirements.</p>
<p></p>
<p><strong>National Theatre Wales Casting Policy</strong></p>
<p></p>
<p>When possible and appropriate, NTW considers and casts performers who are Welsh, based in Wales or professionally trained in Wales.</p>
<p>NTW is committed to casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</p>
<p></p>
<p></p>
<p style="text-align: center;"><strong>Manylion Castio</strong><br/> <strong> Gweithdy ar gyfer cynhyrchiad newydd</strong></p>
<p> </p>
<p><strong>Ymgysylltu</strong></p>
<p><br/> Mae National Theatre Wales yn castio gweithdy sydd ar y gweill, i'w gynnal yn ne Cymru rhwng 28 Hydref a 2 Tachwedd.</p>
<p> </p>
<p>Mae'r gweithdy hwn ar gyfer datblygu cynhyrchiad sioe gerdd newydd, a fydd yn cael ei gynhyrchu yng ngwanwyn 2020. Ar hyn o bryd, rydym yn ymgysylltu â pherfformwyr ar gyfer cyfnod yr Hydref '19 yn unig, ond rydym yn awyddus i wybod a yw perfformwyr ar gael rhwng 10 Chwefror – 4 Ebrill 2020.</p>
<p> </p>
<p><strong>Perfformwyr</strong></p>
<p> </p>
<p>Rydym yn bwriadu creu corws o berfformwyr eithriadol <strong>yn bennaf o gefndiroedd</strong> <strong>symud a dawns</strong> i ffurfio craidd ein sioe gerdd seicadelig newydd, Odyssey.</p>
<p> </p>
<p>Rydym yn croesawu dawnswyr o bob cefndir dawns, ac actorion gyda sgiliau dawns a symud cryf.</p>
<p> </p>
<p>Rydym yn chwilio am berfformwyr anturus, hyblyg a chwareus a fydd yn creu amrywiaeth o gymeriadau, creaduriaid ac ysbrydion. Mae'r byd perfformio, a fydd yn esblygu mewn ymarferion gyda'r corws, ar hyn o bryd yn tynnu ar amrywiaeth enfawr o ffurfiau, o drag i Bob Fosse i The Mighty Boosh i Beyonce heb anghofio clocsio Cymreig. </p>
<p> </p>
<p>Er mai dawns a symud yw craidd y rôl, byddwn yn gofyn i bawb ganu, ond nid yw llais canu rhagorol yn hanfodol.</p>
<p> </p>
<p>Yr hyn sy'n hanfodol yw parodrwydd i daflu eich hun i broses ymarfer chwareus a deinamig a bod yn ymrwymedig i adrodd straeon rhagorol drwy gorws a dawns. </p>
<p> </p>
<p><strong>Clyweliadau</strong></p>
<p> </p>
<p>Cynhelir clyweliadau gweithdy gan y cyfarwyddwr a'r coreograffydd i'w cynnal ar (insert date) Medi yng Nghaerdydd.</p>
<p> </p>
<p><strong>Dyddiadau'r Gwaith</strong></p>
<p> </p>
<p>Yr wythnos yn dechrau 28 Hydref 2019, Llun – Sadwrn, yn dod i ben ar 2 Tachwedd.</p>
<p> </p>
<p><strong>Tâl</strong></p>
<p><strong> </strong></p>
<p>Ein cyfradd R&D yw £100 / dydd</p>
<p> </p>
<p>Os bydd angen, darperir lwfansau teithio, adleoli a/neu gymudo yn unol â chyfraddau Equity.</p>
<p> </p>
<p><strong>Mynegi diddordeb</strong></p>
<p> </p>
<p>Anfonwch eich CV neu linc Spotlight i <span><a href="mailto:casting@nationaltheatrewales.org"> casting@nationaltheatrewales.org</a></span> ar neu cyn 20 Medi i gael eich ystyried ar gyfer clyweliad.</p>
<p> </p>
<p><strong>Mynediad</strong></p>
<p> </p>
<p>Cysylltwch â ni os oes gennych unrhyw ofynion mynediad a byddwn yn ymdrechu i gwrdd â hwy. Mae hyn yn cynnwys hyblygrwydd ar gyfer pobl â chyfrifoldebau gofalu, ac rydym yn aelod o Parents in Performing Arts. <span><a href="mailto:mawgaine@nationaltheatrewales.org">mawgaine@nationaltheatrewales.org</a></span></p>
<p><strong>Polisi Castio National Theatre Wales</strong></p>
<p>Lle y bo'n bosibl ac yn briodol, mae NTW yn ystyried ac yn castio perfformwyr sy'n Gymry, sy'n byw yng Nghymru neu sydd wedi derbyn hyfforddiant proffesiynol yng Nghymru.</p>
<p>Mae NTW yn ymrwymedig i gastio'n gynhwysol, gan hyrwyddo cyfle cyfartal yn y celfyddydau a chynrychioli cymunedau amrywiol Cymru yn ddilys.</p>
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</ol>CASTING / CASTIO: MISSION CONTROLtag:community.nationaltheatrewales.org,2019-08-06:3152760:BlogPost:2856632019-08-06T16:06:19.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p style="text-align: center;">Casting Breakdown</p>
<p> </p>
<p><strong>Production</strong></p>
<p style="text-align: center;">MISSION CONTROL <br></br> Hijinx & National Theatre Wales</p>
<p><br></br> Directed by Kully Thiarai & Ben Pettitt-Wade, and created with Seiriol Davies </p>
<p> </p>
<p>Half a century on from the first moon landing, join us at an iconic Cardiff location for MISSION CONTROL. </p>
<p> </p>
<p>The planet Earth is overheating and under-resourced for the next chapter of…</p>
<p style="text-align: center;">Casting Breakdown</p>
<p> </p>
<p><strong>Production</strong></p>
<p style="text-align: center;">MISSION CONTROL <br/> Hijinx & National Theatre Wales</p>
<p><br/> Directed by Kully Thiarai & Ben Pettitt-Wade, and created with Seiriol Davies </p>
<p> </p>
<p>Half a century on from the first moon landing, join us at an iconic Cardiff location for MISSION CONTROL. </p>
<p> </p>
<p>The planet Earth is overheating and under-resourced for the next chapter of humanity, but a new hope is just above the horizon. Who will get to set a course for a new beginning? This brand-new production, with a neuro-diverse cast of over 70, explores truth, technology and our lust for taking up space.</p>
<p> </p>
<p><strong>Performers</strong></p>
<p> </p>
<p>We are now casting 5 performers of any age and gender to complete our core cast of 12 actors. We will prioritise actors who are born in Wales, based in Wales or professionally trained in Wales, so it is essential that you please indicate your client’s connection to Wales.</p>
<p> </p>
<p>We’re seeking collaborative performers with keen sensitivity and an ability to play, to join us for this celebratory and irreverent look at our obsession with technology and an ever-new frontier.</p>
<p> </p>
<p>The core cast will bring the world of Mission Control to life, playing roles including Dr Matthews, genius technologist, Honey, omnipotent AI companion and Joanne, trying to take control of her destiny.</p>
<p> </p>
<p>This will be an inclusive company.</p>
<p> </p>
<p><strong>Audition</strong></p>
<p> </p>
<p>Workshop auditions will be held on Tuesday 3<sup>rd</sup> September and Wednesday 4<sup>th</sup> September at Tabernacle Chapel, The Hayes, Cardiff.</p>
<p> </p>
<p>Actors will be invited to a 2-hour workshop audition on either 3<sup>rd</sup> or 4<sup>th</sup> September and will also be asked to prepare a short piece of provided text to read at a pre-arranged time that afternoon.</p>
<p> </p>
<p>In the workshops, auditionees will be invited to work with some of the actors already cast, in small groups, to explore some key themes and moments of the show.<br/><br/></p>
<p><strong>Production dates</strong></p>
<p> </p>
<p>Rehearsals commence 28<sup>th</sup> October 2019</p>
<p>Tech week commences 18<sup>th</sup> November</p>
<p>Show dates 22<sup>nd</sup> – 24<sup>th</sup> November</p>
<p> </p>
<p><strong>Location</strong></p>
<p> </p>
<p>Rehearsals will be based at the Tabernacle Chapel, The Hayes, Cardiff CF10 1AJ</p>
<p>The production will be performed at an iconic Cardiff venue.</p>
<p> </p>
<p><strong>Remuneration</strong></p>
<p><strong> </strong></p>
<p>Company wage is £585 per week.</p>
<p>Travel, relocation and commuting allowances will be provided in line with Equity rates.</p>
<p>Holiday pay and pension contributions will be made as per the UK Theatre / Equity Subsidised Agreement.</p>
<p> </p>
<p><strong>Want to get in touch?</strong></p>
<p> </p>
<p>This breakdown has been shared via Spotlight with all UK agents, who are invited to submit their clients for consideration. We will work with the productions’ lead creatives to select actors to invite to audition.</p>
<p> </p>
<p>If you’re an unrepresented professional actor and/or you would like to speak directly to us about this project, please contact Mawgaine: <u><a href="mailto:casting@nationaltheatrewales.org">casting@nationaltheatrewales.org</a></u></p>
<p>Please contact us if you have any access requirements and we will endeavour to meet them. This includes flexibility for people with caring responsibilities and we are a member of Parents in Performing Arts.</p>
<p></p>
<p><strong>National Theatre Wales Casting Policy</strong></p>
<p>When possible and appropriate, NTW considers and casts performers who are Welsh, based in Wales or professionally trained in Wales.</p>
<p>NTW is committed to casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</p>
<p></p>
<p style="text-align: center;">-----------------------------------------------------------------------------------------------------------------------</p>
<p style="text-align: center;"></p>
<p></p>
<p style="text-align: center;">Manyleb Castio</p>
<p> </p>
<p><strong>Cynhyrchiad</strong></p>
<p style="text-align: center;">MISSION CONTROL <br/> Hijinx a National Theatre Wales</p>
<p><br/> Cyfarwyddwyd gan Kully Thiarai a Ben Pettitt-Wade, a’i greu gyda Seiriol Davies </p>
<p> </p>
<p>Hanner canrif wedi glaniad cyntaf dyn ar y lleuad, ymunwch â ni mewn lleoliad adnabyddus yng Nghaerdydd ar gyfer MISSION CONTROL. </p>
<p>Mae ddaear yn gor-boethi a heb ddigon o adnoddau ar gyfer pennod nesaf dynoliaeth, ond mae ‘na obaith newydd ar y gorwel. Pwy fydd yn gosod y trywydd ar gyfer y dechreuad newydd hwn? Mae’r cynhyrchiad newydd sbon hwn, sydd â chast o dros 70 o actorion niwro-amrywiol, yn archwilio’r gwir, technoleg a’n trachwant am lenwi gofod.</p>
<p> </p>
<p><strong>Perfformwyr</strong></p>
<p> </p>
<p>Rydym yn awr yn dymuno castio 5 perfformiwr o ba ryw ac oedran bynnag, er mwyn llenwi’n cast creiddiol o 12 actor. Byddwn yn rhoi blaenoriaeth i actorion a aned yng Nghymru, sydd wedi eu lleoli yng Nghymru ynteu wedi eu hyfforddi’n broffesiynol yng Nghymru, felly’n mae’n allweddol eich bod yn nodi cyswllt eich cleient â Chymru.</p>
<p> </p>
<p>Rydym yn chwilio am berfformwyr sy’n hynod sensitif ac â’r gallu i chwarae, er mwyn ymuno â ni ar gyfer yr olwg ddathliadol a chwareus hon ar ein hobsesiwn â thechnoleg a’r gorwel bythol newydd.</p>
<p> </p>
<p>Bydd y cast creiddiol yn dod â Mission Control yn fyw, gan chwarae rhannau megis Dr Matthews, y technolegydd athrylithgar, Honey, y cydymaith AI hollalluog a Joanne, sy’n ceisio cael rheolaeth dros ei dyfodol.</p>
<p> </p>
<p>Bydd hwn yn gwmni cynhwysol.</p>
<p> </p>
<p><strong>Clyweliad</strong></p>
<p> </p>
<p>Bydd gweithdai clyweld yn cael eu cynnal dydd Mawrth 3ydd Medi a Mercher 4ydd Medi yng Nghapel Tabernacl, Yr Ais, Caerdydd.</p>
<p> </p>
<p>Gwahoddir actorion i weithdy clyweld 2 awr o hyd naill ai ar 3ydd ynteu’r 4ydd Medi ac yn cael gwahoddiad hefyd i ddarparu darn byr o destun a ddarperir ar adeg a fydd wedi ei drefnu rhag blaen y prynhawn hwnnw.</p>
<p> </p>
<p>Yn ystod y gweithdai, bydd y rhai a fydd yn mynychu yn derbyn gwahoddiad i weithio gyda rhai o’r actorion sydd eisoes yn y cast, o fewn grwpiau bach, er mwyn archwilio rhai o’r themâu allweddol a’r eiliadau allweddol o fewn y sioe.</p>
<p> </p>
<p><strong>Dyddiadau cynhyrchu</strong></p>
<p> </p>
<p>Ymarferion yn cychwyn 28<sup>ain</sup> Hydref 2019</p>
<p>Wythnos Tech yn cychwyn 18fed Tachwedd</p>
<p>Dyddiadau’r sioe 22<sup>ain</sup> – 24<sup>ain</sup> Tachwedd</p>
<p> </p>
<p><strong>Lleoliad</strong></p>
<p> </p>
<p>Cynhelir ymarferion yng Nghapel Tabernacl, Yr Aes, Caerdydd CF10 1AJ</p>
<p>Bydd y cynhyrchiad yn cael ei berfformio mewn lleoliad eiconig yng Nghaerdydd.</p>
<p> </p>
<p><strong>Cyflog</strong></p>
<p><strong> </strong></p>
<p>Cyflog y Cwmni yw £585 yr wythnos.</p>
<p>Bydd ad-daliadau teithio, ail-leoli a chymudo yn cael eu talu yn unol â chyfraddau Equity.</p>
<p>Bydd tal gwyliau a chyfraniadau pensiwn yn cael eu talu yn unol â Chytundeb Sybsideiddio Equity/UK Theatre</p>
<p> </p>
<p><strong>Eisiau cysylltu?</strong></p>
<p> </p>
<p>Mae’r amlinelliad hwn wedi ei rannu trwy gyfrwng Spotlight gyda holl asiantau’r DU, a wahoddir i gyflwyno eu cleientiaid i’w hystyried. Byddwn yn gweithio gydag unigolion creadigol amlycaf y cynhyrchiad er mwyn dethol actorion i’w gwahodd i’r clyweliad.</p>
<p> </p>
<p>Os ydych yn actor proffesiynol heb gynrychiolaeth a / ynteu yn dymuno siarad yn uniongyrchol â ni ynghylch y prosiect yna cysylltwch â Mawgaine: <u><a href="mailto:casting@nationaltheatrewales.org">casting@nationaltheatrewales.org</a></u></p>
<p>Os gwelwch yn dda cysylltwch â ni os oes gennych unrhyw anghenion mynediad arbennig ac fe wnawn ein gorau i’w bodloni. Mae hyn yn cynnwys bod yn hyblyg ar gyfer pobl sydd â chyfrifoldebau gofalu ac rydym yn aelod o Parents in Performing Arts.<br/><br/></p>
<p><strong>Polisi castio National Theatre Wales</strong></p>
<p>Lle bo hynny yn bosib ac addas, bydd NTW yn ystyried castio perfformwyr sy’n Gymry, wedi eu lleoli yng Nghymru ynteu wedi eu hyfforddi yn broffesiynol yng Nghymru.</p>
<p>Mae gan NTW ymrwymiad i gastio yn gynhwysol, er mwyn hyrwyddo cyfleoedd cyfartal yn y celfyddydau a chynrychioli cymunedau amrywiol Cymru mewn ffordd ddilys.</p>Casting / Castio : FOR ALL I CAREtag:community.nationaltheatrewales.org,2019-05-08:3152760:BlogPost:2848192019-05-08T13:04:03.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p><em>For All I Care,</em> a one-woman show by Alan Harris</p>
<p>Directed by Jac Ifan Moore</p>
<p> </p>
<p>Clara and Nyri. Two very different women. Two complicated lives. Both having a very bad day. </p>
<p>Mental health nurse Nyri’s woken up hungover with a younger man. Meanwhile, Clara has developed a compulsive wink and can’t remember if she’s taken her meds.</p>
<p>Nyri needs to get to Ebbw Vale Hospital via Greggs, and Clara is dodging signs telling her - rather rudely - to kill…</p>
<p><em>For All I Care,</em> a one-woman show by Alan Harris</p>
<p>Directed by Jac Ifan Moore</p>
<p> </p>
<p>Clara and Nyri. Two very different women. Two complicated lives. Both having a very bad day. </p>
<p>Mental health nurse Nyri’s woken up hungover with a younger man. Meanwhile, Clara has developed a compulsive wink and can’t remember if she’s taken her meds.</p>
<p>Nyri needs to get to Ebbw Vale Hospital via Greggs, and Clara is dodging signs telling her - rather rudely - to kill herself, so she can get cracking with her shoplifting list for The Devil.</p>
<p>Two lives collide in this fast-moving, touchingly funny one-woman show by Alan Harris.</p>
<p> </p>
<p><strong>For All I Care is one story told by Clara and Nyri, one actor plays both women.</strong></p>
<p><strong><br/></strong> Clara.</p>
<p>A young woman who is slipping through the cracks in the system – and doesn’t know how to stop what’s happening to her. Sees “signs” in everyday objects. Has been in and out of the mental health care system all her adolescent life. Knows when things are wrong but feels powerless to change them. Good at shoplifting. In a different life she’d be a wonderful poet or songwriter. In this one, she’s up against it. Described as having “a streetwise innocence” by one reviewer.</p>
<p> </p>
<p>Nyri.</p>
<p>A nurse who is fed up of people slipping through the cracks in the system. Wants to make up for the guilt she feels about her own mum’s death, but doesn’t know how you go about that. Has a 15-year-old son. Can be impulsive. Has a bubbling resentment of people who stick by the rules even if they are in the wrong. Described as being made of “steel and love” by one reviewer.</p>
<p> </p>
<p> </p>
<p>Schedule:</p>
<p> </p>
<p>Rehearsals start: 8<sup>th</sup> July 2019, in Cardiff</p>
<p>Chapter Arts Centre, Cardiff previews: 23<sup>rd</sup> and 24<sup>th</sup> July </p>
<p>Technical rehearsal 28<sup>th</sup> July</p>
<p>Edinburgh previews 31<sup>st</sup> July & 1<sup>st</sup> August</p>
<p>Edinburgh: 2<sup>nd</sup> – 25<sup>th</sup> August</p>
<p>Mondays as nominated day off throughout the run. </p>
<p> </p>
<p>Wage: £700 / week</p>
<p>Holiday pay and pension contributions will be made as per the UK Theatre / Equity Subsidised Agreement.</p>
<p> </p>
<p>Travel, accommodation and a touring allowance will be provided.</p>
<p> </p>
<p>Auditions will be held in Cardiff in the week commencing 20 May. </p>
<p> </p>
<p>We will strive to meet any access requirements, at audition and at work, to ensure that everyone has equal access to this opportunity. This includes flexibility for people with caring responsibilities. Get in touch to discuss what that might mean for you.</p>
<p> </p>
<p><strong>NTW Casting Policy</strong></p>
<p> </p>
<p>Every project is unique and NTW auditions to discover the most talented performers who connect to the company’s values and can help us to create extraordinary work.</p>
<p>When possible and appropriate, NTW considers and casts performers who are Welsh, based in Wales or professionally trained in Wales.</p>
<p>NTW is committed to casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</p>
<p> </p>
<p>To suggest yourself or a client for this role please contact Mawgaine on or before 14<sup>th</sup> May 2019: casting@nationaltheatrewales.org</p>
<p>This role has been advertised via Spotlight.</p>
<p style="text-align: center;">-------------------------------</p>
<p><strong><em>For All I Care,</em> sioe un fenyw gan Alan Harris</strong></p>
<p>Cyfarwyddwyd gan Jac Ifan Moore</p>
<p> </p>
<p>Clara a Nyri. Dwy fenyw wahanol iawn. Dau fywyd cymhleth. Y ddwy yn cael diwrnod gwael iawn.</p>
<p> </p>
<p>Mae'r nyrs iechyd meddwl Nyri wedi deffro â phen mawr gyda dyn iau. Yn y cyfamser, mae Clara wedi datblygu winc cymhellol ac nid yw'n gallu cofio os yw wedi cymryd ei meddyginiaeth.</p>
<p> </p>
<p>Mae angen i Nyri fynd i Ysbyty Glynebwy gan alw yn Greggs, ac mae Clara yn osgoi arwyddion - rhai anghwrtais iawn - sy'n dweud wrthi am ladd ei hun, fel y gall hi fwrw iddi gyda'i rhestr siopa i'r Diafol.</p>
<p> </p>
<p>Mae dau fywyd yn gwrthdaro yn y sioe un fenyw deimlady a doniol hon sy'n symud yn gyflym, gan Alan Harris.</p>
<p> </p>
<p> </p>
<p><strong>Mae For All I Care yn un stori sy'n cael ei hadrodd gan Clara a Nyri, a bydd ein perfformiwr yn chwarae'r ddwy fenyw.</strong></p>
<p><strong><br/></strong> CLARA.</p>
<p>Dynes ifanc yn llithro drwy'r craciau yn y system – ac nad yw'n gwybod sut i atal yr hyn sy'n digwydd iddi hi. Gweld "arwyddion" mewn gwrthrychau bob dydd. Wedi bod i mewn ac allan o'r system gofal iechyd meddwl drwy gydol ei bywyd ifanc. Yn gwybod pan fydd pethau yn anghywir ond yn teimlo'n ddi-rym i'w newid. Da yn dwyn o siopau. Mewn bywyd gwahanol byddai'r fardd neu'n gyfansoddwr gwych. Yn y bywyd hwn, mae hi'n wynebu problemau. Wedi'i disgrifio fel un â "diniweidrwydd gwybodus" gan un adolygydd.</p>
<p> </p>
<p>Nyri.</p>
<p>Nyrs sydd wedi blino ar weld pobl yn llithro drwy'r craciau yn y system. Yn awyddus i wneud yn iawn am yr euogrwydd y mae hi'n ei deimlo am farwolaeth ei mam ei hun, ond nad yw'n gwybod sut ydych chi'n gwneud hynny. Mae ganddi fab 15 mlwydd oed. Yn gallu bod yn fyrbwyll. Mae'n teimlo drwgdeimlad parhaus tuag at bobl sydd yn glynu wrth y rheolau hyd yn oed os ydynt yn anghywir. Wedi'i disgrifio fel un a wnaed o "ddur a chariad" gan un adolygydd.</p>
<p> </p>
<p> </p>
<p>Amserlen:</p>
<p> </p>
<p>Mae'r ymarferion yn cychwyn: 8<sup>fed</sup>Gorffennaf 2019, yng Nghaerdydd</p>
<p>Canolfan Celfyddydau Chapter, Caerdydd rhagddangosiadau: 23– 24 Gorffennaf</p>
<p>Ymarfer technegol 28 Gorffennaf</p>
<p><span>Rhagddangosiadau Caeredin: 31 Gorffennaf a 1 Awst</span></p>
<p>Caeredin: 2– 25 Awst </p>
<p> </p>
<p> </p>
<p>Cyflog: £700 yr wythnos</p>
<p>Bydd tâl gwyliau a chyfraniadau pensiwn yn cael eu gwneud yn ôl Cytundeb Cymhorthdal UK Theatre / Equity.</p>
<p> </p>
<p>Darperir teithio, llety a lwfans teithio.</p>
<p> </p>
<p>Cynhelir clyweliadau yng Nghaerdydd y mis hwn.</p>
<p> </p>
<p>Byddwn yn ymdrechu i fodloni unrhyw ofynion mynediad, yn y clyweliad ac yn y gwaith, er mwyn sicrhau bod pawb yn cael mynediad cyfartal at y cyfle hwn. Mae hyn yn cynnwys hyblygrwydd ar gyfer pobl â chyfrifoldebau gofalu. Cysylltwch â ni i drafod yr hyn y gallai hynyn ei olygu i chi.</p>
<p> </p>
<p><strong>Polisi Castio NTW</strong></p>
<p> </p>
<p>Mae pob prosiect yn unigryw ac mae NTW yn cynnal clyweliadau i ddarganfod y perfformwyr mwyaf talentog sy'n cysylltu â gwerthoedd y cwmni a all ein helpu i greu gwaith anhygoel.</p>
<p>Lle y bo'n bosibl ac yn briodol, mae NTW yn ystyried ac yn castio perfformwyr sy'n Gymry, sy'n byw yng Nghymru neu sydd wedi derbyn hyfforddiant proffesiynol yng Nghymru.</p>
<p>Mae NTW yn ymrwymedig i gastio'n gynhwysol, gan hyrwyddo cyfle cyfartal yn y celfyddydau a chynrychioli cymunedau amrywiol Cymru yn ddilys.</p>
<p> </p>
<p>I awgrymu eich hun neu gleient ar gyfer y rôl hon, cysylltwch â Mawgaine ar neu cyn 11<sup>eg</sup> Mai 2019: casting@nationaltheatrewales.org</p>
<p>Mae'r rôl hon wedi'i hysbysebu drwy Spotlight.</p>
<p> </p>Casting / Castio : ON BEAR RIDGEtag:community.nationaltheatrewales.org,2019-04-18:3152760:BlogPost:2841972019-04-18T17:16:23.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p><em><a href="https://storage.ning.com/topology/rest/1.0/file/get/2060303783?profile=original" rel="noopener" target="_blank"><img class="align-center" src="https://storage.ning.com/topology/rest/1.0/file/get/2060303783?profile=RESIZE_710x"></img></a></em></p>
<p></p>
<p><strong><em>ON BEAR RIDGE</em></strong></p>
<p>A National Theatre Wales and Royal Court Theatre co-production</p>
<p>Written by Ed Thomas</p>
<p>Co-directed by Vicky Featherstone & Ed Thomas</p>
<p> </p>
<p><em>“One minute we had customers, the next minute there was no-one.”</em></p>
<p><em> </em></p>
<p>In a lost village, blurred…</p>
<p><em><a href="https://storage.ning.com/topology/rest/1.0/file/get/2060303783?profile=original" target="_blank" rel="noopener"><img src="https://storage.ning.com/topology/rest/1.0/file/get/2060303783?profile=RESIZE_710x" class="align-center"/></a></em></p>
<p></p>
<p><strong><em>ON BEAR RIDGE</em></strong></p>
<p>A National Theatre Wales and Royal Court Theatre co-production</p>
<p>Written by Ed Thomas</p>
<p>Co-directed by Vicky Featherstone & Ed Thomas</p>
<p> </p>
<p><em>“One minute we had customers, the next minute there was no-one.”</em></p>
<p><em> </em></p>
<p>In a lost village, blurred by redrawn borders, hidden under a crumb on the map, Bear Ridge Stores still stands.</p>
<p>After a hundred years, the family butchers and grocers – a place for odds and ends, contraband goods, and the last petrol pump for 30 miles – is now silent.</p>
<p>But owners John Daniel and Noni are going nowhere.</p>
<p>They are defiantly drinking the remaining whiskey and remembering good times, when everyone was on the same side and the old language shone.</p>
<p>Outside in the dark, a figure is making their way towards them…</p>
<p></p>
<p>One of Wales’ most celebrated writers, Ed Thomas (co-creator of <em>Hinterland</em>) makes a momentous return to the stage with this semi-autobiographical story about the places we leave behind, the indelible marks they make on us, and the unreliable memories we hold onto.</p>
<p> </p>
<p><strong>ROLES</strong></p>
<p> </p>
<p>The role of JOHN DANIEL has been cast.</p>
<p> </p>
<p><strong>NONI, Female, Age 50.</strong> A leading role.</p>
<p>Robust, authentic butcher, farmer and mother who’s lived in the hills forever and knows and breathes the land. Kind, tough, resilient, joyful, warm, wily and wise. As capable as any man of using a shotgun, she is the fabric that holds things together in a fast-changing world.</p>
<p> </p>
<p><strong>THE CAPTAIN, Male, Age 45.</strong> A leading role.</p>
<p>War-hardened soldier, brutal and brutalised, a physical presence, used to a position of authority but inside is struggling to hold things together. He’s haunted, vulnerable and lived with death for so long he neither fears it nor welcomes it.</p>
<p> </p>
<p><strong>IFAN WILLIAM, Male, Age 30.</strong> A fantastic supporting role.</p>
<p>A hard, soft, tough, vulnerable, damaged, eccentric, withdrawn slaughter man. It takes a special breed to kill.</p>
<p> </p>
<p>We welcome suggestions of all ethnicities for all roles.</p>
<p>We will strive to meet any access requirements, at audition and at work, to ensure that everyone has equal access to this opportunity. This includes flexibility where possible for people with caring responsibilities.</p>
<p> </p>
<p>Venue: Main house at the Sherman Theatre, Cardiff and the Jerwood Theatre Downstairs at the Royal Court, London</p>
<p> </p>
<p>Rehearsals commence 19<sup>th</sup> August 2019, in Cardiff</p>
<p> </p>
<p>Press night: 24<sup>th</sup> September 2019</p>
<p> </p>
<p>Transfer to the Royal Court in the week commencing 21<sup>st</sup> October 2019</p>
<p> </p>
<p>Conclusion of engagement: 23<sup>rd</sup> November 2019</p>
<p> </p>
<p>Auditions will be held in Wales and London.</p>
<p>Please specify where you / your client is based.</p>
<p> </p>
<p><strong>National Theatre Wales Casting Policy</strong></p>
<p> </p>
<p>When possible and appropriate, NTW considers and casts performers who are Welsh, based in Wales or professionally trained in Wales.</p>
<p>NTW is committed to casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</p>
<p> </p>
<p><strong>To suggest yourself or a client for a role</strong> please contact Mawgaine on or before 29<sup>th</sup> April: casting@nationaltheatrewales.org</p>
<p>Please indicate whether you are Welsh, Wales-based or trained in Wales and let us know where you're now based, as we're auditioning in Cardiff and London.</p>
<p></p>
<p>This role has been advertised via Spotlight.</p>
<p></p>
<p style="text-align: center;"><em>-------------------------------------------------</em></p>
<p> </p>
<p><strong>ON BEAR RIDGE</strong></p>
<p>Cyd-gynhyrchiad gan National Theatre Wales a’r Royal Court Theatre</p>
<p>Wedi ei ysgrifennu gan Ed Thomas</p>
<p>Cyd-gynhyrchwyd gan Vicky Featherstone ac Ed Thomas</p>
<p> </p>
<p><em>“Un munud roedd cwsmeriaid ‘da ni, y munud nesaf doedd yna’r un.”</em></p>
<p><em> </em></p>
<p>Mewn pentref coll, wedi ei bylu gan ffiniau a ail-osodwyd, ac wedi ei guddio gan friwsionyn ar y map, saif Siop Bear Ridge o hyd.</p>
<p>Ar ôl canrif, mae siop y cigyddion teuluol a’r groser – y lle i gael hwn a’r llall, nwyddau sydd ddim yn hollol gyfreithiol, a’r pwmp petrol olaf am 30 milltir – bellach yn dawel.</p>
<p>Ond dyw’r perchnogion, John Daniel a Noni yn mynd i nunlle.</p>
<p>Maent yno yn yfed y whisgi sydd ar ôl yn herfeiddiol ac yn cofio’r dyddiau da, pan yr oedd pawb ar yr un ochr ac yr oedd yr heniaith yn pefrio.</p>
<p>Allan yn y tywyllwch, mae ffigwr ar ei ffordd tuag atynt …</p>
<p> </p>
<p>Dyma ddychweliad nodedig i’r llwyfan gan un o ysgrifenwyr mwyaf nodedig Cymru, Ed Thomas (cyd-grëwr <em>Hinterland</em>) gyda stori lled-fywgraffyddol ynghylch y llefydd yr ydym yn eu gadael o’n hôl, y marciau annileadwy y maent yn eu gadael arnom, a’r atgofion y daliwn ein gafael arnynt hyd yn oed os nad oes modd dibynnu arnynt.</p>
<p> </p>
<p><strong>Rhannau</strong></p>
<p> </p>
<p>Mae rhan JOHN DANIEL eisoes wedi ei gastio.</p>
<p><strong> </strong></p>
<p><strong>NONI, Benyw, Oed 50.</strong> Rhan arweiniol.</p>
<p>Cadarn, cigydd o’r iawn ryw, ffermwr a mam sydd wedi byw ar y bryniau erioed ac yn adnabod a meddiannu’r tir o’i mewn. Caredig, digyfaddawd, dygn, llawen, cynnes, cyfrwys a doeth. Llawn mor abl ag unrhyw ddyn wrth ddefnyddio gwn, hi yw’r ffabrig sy’n cadw pethau ynghyd mewn byd sy’n prysur newid.</p>
<p> </p>
<p><strong>Y CAPTEN, Gwryw, Oed 45.</strong> Rhan arweiniol.</p>
<p>Milwr wedi ei dymheru gan ryfel, creulon ond wedi ei droi’n fwystfilaidd, presenoldeb corfforol, wedi arfer bod mewn sefyllfa awdurdodol ond mewn gwirionedd yn cael trafferth i gadw’r ddysgl yn wastad yn bersonol. Wedi ei boenydio gan ddrychiolaethau, yn teimlo’n fregus ac wedi byw gyda marwolaeth ers cyhyd fel nad yw bellach yn ei ofni na’i groesawu.</p>
<p><strong> </strong></p>
<p><strong>IFAN WILLIAM, Gwryw, Oed 30.</strong> Rhan gefnogol fendigedig.</p>
<p>Dyn caled, bregus, clwyfedig, echreiddig ac ynysig sy’n gweithio yn y lladd-dy. Mae’n cymryd rhywun arbennig i ladd.</p>
<p> </p>
<p>Croesawn awgrymiadau o ran pob ethnigrwydd ar gyfer pob rhan.</p>
<p>Gwnawn bob ymdrech i fodloni unrhyw anghenion mynediad, yn y clyweliad ac yn ystod y cyfnod gwaith, er mwyn sicrhau bod pawb â mynediad cyfartal o ran y cyfle hwn. Mae hyn yn cynnwys hyblygrwydd lle bo hynny’n bosib o ran pobl â chyfrifoldebau gofalu.</p>
<p> </p>
<p>Lleoliad: Prif awditoriwm Theatr y Sherman, Caerdydd a Theatr Jerwood i lawr llawr yn y Royal Court, Llundain</p>
<p> </p>
<p>Ymarferion yn cychwyn 19<sup>eg</sup> Awst 2019, yng Nghaerdydd</p>
<p> </p>
<p>Noson y wasg: 24<sup>ain</sup> Medi 2019</p>
<p> </p>
<p>Trosglwyddo i’r Royal Court yn ystod yr wythnos yn dechrau 21<sup>ain</sup> Hydref 2019</p>
<p> </p>
<p>Diwedd y cytundeb: 23<sup>ain</sup> Tachwedd 2019</p>
<p> </p>
<p>Cynhelir clyweliadau yng Nghymru ac yn Llundain.</p>
<p>Os gwelwch yn dda nodwch lle yr ydych chi / lle mae eich cleient wedi ei leoli/lleoli.</p>
<p> </p>
<p><strong>Polisi Castio National Theatre Wales</strong></p>
<p> </p>
<p>Lle bo hynny’n bosib ac addas, mae NTW yn ystyried ac yn castio perfformwyr sydd yn Gymry, wedi eu lleoli yng Nghymru ynteu wedi eu hyfforddi yn broffesiynol yng Nghymru.</p>
<p>Mae NTW wedi ei ymrwymo ei hun i gastio yn gynhwysol, hyrwyddo cyfleoedd cyfartal ac yn cynrychioli mewn ffordd ddilys gymunedau amrywiol Cymru.</p>
<p> </p>
<p>Er mwyn eich cynnig eich hun ynteu un o’ch cleientiaid ar gyfer y rhan yna cysylltwch â Mawgaine cyn 29<sup>ain</sup> Ebrill: casting@nationaltheatrewales.org</p>
<p>Hysbysebwyd y rhannau hyn trwy Spotlight.</p>What is our dream for theatre in Wales over the next ten years?tag:community.nationaltheatrewales.org,2019-03-05:3152760:BlogPost:2830052019-03-05T18:00:00.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p><a href="https://storage.ning.com/topology/rest/1.0/file/get/1269543355?profile=original" rel="noopener" target="_blank"><img class="align-center" src="https://storage.ning.com/topology/rest/1.0/file/get/1269543355?profile=RESIZE_710x"></img></a></p>
<p>Hi everyone, </p>
<p>Here’s a list of the 70 conversations that were called on Sunday. Several merged, lots evolved into something different and some never happened because people were pulled in other directions. </p>
<p></p>
<p>If you’ve got notes in your bag, on your phone or in your head, you can still email them to us, until the end of the week,…</p>
<p><a href="https://storage.ning.com/topology/rest/1.0/file/get/1269543355?profile=original" target="_blank" rel="noopener"><img src="https://storage.ning.com/topology/rest/1.0/file/get/1269543355?profile=RESIZE_710x" class="align-center"/></a></p>
<p>Hi everyone, </p>
<p>Here’s a list of the 70 conversations that were called on Sunday. Several merged, lots evolved into something different and some never happened because people were pulled in other directions. </p>
<p></p>
<p>If you’ve got notes in your bag, on your phone or in your head, you can still email them to us, until the end of the week, and we’ll include them here and in the report we’re compiling right now. That report will be bilingual and include some reflections and plans from Kully and the NTW team. Bear with us, it's a lot to translate and digest so we’ll share that in the coming couple of weeks.</p>
<p></p>
<p>Want to continue a conversation or start putting ideas into practice? Let us know if we can help; by linking you up with the author or a particular session, amplifying your shout-out for collaborators, hosting you in our meeting room, or something else entirely. </p>
<p></p>
<p>There are still some really vital sessions without notes so please send them to: creativeconversation@nationaltheatrewales.org</p>
<p></p>
<p>Thanks<br/> Mawgaine x</p>
<p> </p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-how-do-we-support-our-out-of-work-practitioners" target="_blank" rel="noopener">How do we support our out-of-work practitioners?</a></p>
<p></p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-deaf-access" target="_blank" rel="noopener">What not to do to the Deaf! Access.</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-how-should-portfolio-companies-engage-with-fringe-c" target="_blank" rel="noopener">How should portfolio companies engage with fringe companies?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-theatr-gen-ntw-one-company" target="_blank" rel="noopener">Theatr Gen and NTW – one company with both budgets?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-where-is-the-mid-scale-work" target="_blank" rel="noopener">Where is the midscale work?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-how-do-we-want-welsh-theatre-to-be-seen-internation" target="_blank" rel="noopener">How do we want our theatre to be seen internationally in the next ten years?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-producers-2029" target="_blank" rel="noopener">Producers 2029</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-platforms-for-performance-and-networks-between-venu" target="_blank" rel="noopener">Platforms for performance and networks between venues.</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-what-does-it-mean-to-be-welsh-in-2019" target="_blank" rel="noopener">What does it mean to be Welsh in 2019?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-how-do-we-meaningfully-and-realistically-engage-wit" target="_blank" rel="noopener">How do we meaningfully and realistically engage with audiences (develop new audiences) in a sustainable and mutually beneficial way?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-this-room-is-really-white" target="_blank" rel="noopener">This room is really white.</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-how-can-theatre-develop-the-potential-of-communitie" target="_blank" rel="noopener">How can theatre help people and communities to achieve their potential?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-experimental-radical-and-like-no-one-s-ever-seen-be" target="_blank" rel="noopener">Experimental, radical and like something I’ve never seen.</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-what-is-the-role-of-the-playwright" target="_blank" rel="noopener">What is the role of the playwrights and is there a route from amateur to professional writing?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-where-have-all-the-audiences-gone" target="_blank" rel="noopener">Where have all the audiences gone?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-welsh-language-theatre-preservation-vs-evolution" target="_blank" rel="noopener">Welsh language theatre – preservation vs evolution</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-working-parents-what-do-we-need-to-be-able-to-work" target="_blank" rel="noopener">Working parents – what do we need to be able to work?</a></p>
<p> </p>
<p>What is a Welsh story?</p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-in-2029-do-we-still-have-time-to-define-theatre-as-" target="_blank" rel="noopener">In 2029 do we still have to define theatre as one only art form?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-young-people-theatre-makers-audience" target="_blank" rel="noopener">Young people as theatre makers and audiences.</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-rural-voices-and-rural-engagement-in-theatreland" target="_blank" rel="noopener">Rural voices in Theatreland.</a></p>
<p> </p>
<p>Theatre and environment: What do we make when the world is dying?</p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-theatre-and-environmental-sustainability" target="_blank" rel="noopener">Theatre and sustainability in the next ten years.</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-if-wales-is-to-step-onto-the-world-stage-we-need-to" target="_blank" rel="noopener">We need to stop apologising for being Welsh.</a></p>
<p> </p>
<p>How can we tell stories that make all people want to go to the theatre?</p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-how-can-we-tell-stories-that-al-people-want-to-go-t" target="_blank" rel="noopener">Let’s stop making theatre for ‘theatre people’ and start making theatre for people. What are the possibilities?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-equality-yes-but-are-the-white-men-ready-for-a-pay-" target="_blank" rel="noopener">Equality, yes, but are the white men ready for a pay cut?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-how-can-we-support-each-other-and-rather-than-compe" target="_blank" rel="noopener">How can we support each other, rather than compete?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-how-do-we-make-theatre-more-accessible-for-blind-an" target="_blank" rel="noopener">How do we make theatre more accessible to blind and visually impaired audiences?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-no-longer-emerging-what-next" target="_blank" rel="noopener">No longer emerging. What next?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-valleys-theatre" target="_blank" rel="noopener">Local theatre in the Valleys – saving the local community centres.</a></p>
<p> </p>
<p>Class.</p>
<p></p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-touring-theatre-is-broken-how-do-we-fix-it-do-peopl" target="_blank" rel="noopener">Touring theatre is broken. How do we fix it?<br/> Do people want to go to theatre? Netflix is £5.99 a month.</a></p>
<p></p>
<p> </p>
<p>Playwrighting is dead. Long live playwrights.</p>
<p> </p>
<p>Dwi isho gwitho da pobol anhebyg ifi.</p>
<p>I want to work with people dissimilar to me.</p>
<p> </p>
<p>Where are the next generation of disabled performers coming from?</p>
<p> </p>
<p>2029 Arweinwyr Celfyddydol wedi ei hyfforddi yma.</p>
<p>2029 Creative leaders who’ve been trained here.</p>
<p> </p>
<p>North Wales?</p>
<p> </p>
<p>Digital theatre – the future?</p>
<p> </p>
<p>Arts on prescription – positive or damaging?</p>
<p> </p>
<p>Public arts funding is dead. Where next?</p>
<p> </p>
<p>Should the state fund the arts?</p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-how-can-more-established-artists-pass-on-the-baton-" target="_blank" rel="noopener">How can more established artists pass on the baton to the next generation?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-queer-theatre" target="_blank" rel="noopener">Queer Theatre?</a></p>
<p> </p>
<p>How do we create work that isn’t tokenistic for under-represented groups?</p>
<p> </p>
<p>When will there be a Welsh Artistic Director of a major theatre?</p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-playwriting-is-dead-long-live-playwrights" target="_blank" rel="noopener">Playwriting is dead. Long live the playwrights.</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-old-people-young-people-theatre-as-a-vehicle" target="_blank" rel="noopener">Old people, young people - theatre as a bridge?</a></p>
<p> </p>
<p>How do we make theatre more accessible for new theatre artists and theatre practitioners?</p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-note-sustainable-backstage-careers-volunteering-unpaid-wo" target="_blank" rel="noopener">Sustainable backstage careers<br/> All who get it made should be fairly paid.<br/> Volunteering / unpaid work and class.</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-how-can-we-create-a-culture-of-honest-and-timely-cr" target="_blank" rel="noopener">How can we create a culture of timely and honest feedback and criticism?</a></p>
<p> </p>
<p>“Children need theatre as much as they need fresh air” Philip Pullman. Discuss.</p>
<p> </p>
<p>Wales & artistic excellence.</p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-note-what-do-we-want-from-a-theatre-festival-as-makers-au" target="_blank" rel="noopener">What would we want from a theatre festival – as makers, audiences and as a community.</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-what-does-ntw-getting-it-right-look-like-in-2029" target="_blank" rel="noopener">What does NTW getting right look like in 2029?</a></p>
<p> </p>
<p>Dissolve the arts council and start again?</p>
<p> </p>
<p>Opportunity for emerging creatives over next ten years.</p>
<p> </p>
<p>There is plenty of indoor theatre. We need more outdoor theatre.</p>
<p> </p>
<p>Put Wales on the map. Its multicultural. Its people. Cast in Wales. Crew in Wales.</p>
<p> </p>
<p>Do the people outside this room really care about theatre.</p>
<p> </p>
<p>How to support / survive as a theatre artist in Wales?</p>
<p> </p>
<p>Should we pay any more attention to squabbling artists than to squabbling politicians?</p>
<p> </p>
<p>Whose job is it / whose do we want it to be to develop playwrighting in Wales?</p>
<p> </p>
<p>How can theatre help people who don’t know it can help them / don’t know anything about theatre?</p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-gogledd-cymru-north-wales-where-are-we" target="_blank" rel="noopener">Lle mae gogledd Cymru? Cwmni theatr a cwmni tren?<br/> Where is North Wales? Theatre company and train company?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-how-might-digital-advancements-change-the-identity-" target="_blank" rel="noopener">How might digital advancements change the identity of theatre?</a></p>
<p> </p>
<p><a href="https://community.nationaltheatrewales.org/profiles/blogs/session-notes-ntw-a-fringe-festival-on-the-west-end-of-wales" target="_blank" rel="noopener">A fringe festival on the West end of Wales?</a></p>Everything starts with a conversation...tag:community.nationaltheatrewales.org,2019-03-03:3152760:BlogPost:2826292019-03-03T11:16:14.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p>And we’re off!</p>
<p> </p>
<p>We’ve gathered in Portland House with colleagues and friends, and we’re asking WHAT IS OUR DREAM FOR THEATRE IN WALES OVER THE NEXT TEN YEARS?</p>
<p> </p>
<p>Everyone here will have a hand in setting the agenda for the day.</p>
<p>We’ll timetable what each person wants to talk about, between now and 5pm, so the big hall here will be abuzz with many conversations at once, for the rest of the afternoon.</p>
<p> </p>
<p>People will make notes to capture those…</p>
<p>And we’re off!</p>
<p> </p>
<p>We’ve gathered in Portland House with colleagues and friends, and we’re asking WHAT IS OUR DREAM FOR THEATRE IN WALES OVER THE NEXT TEN YEARS?</p>
<p> </p>
<p>Everyone here will have a hand in setting the agenda for the day.</p>
<p>We’ll timetable what each person wants to talk about, between now and 5pm, so the big hall here will be abuzz with many conversations at once, for the rest of the afternoon.</p>
<p> </p>
<p>People will make notes to capture those conversations and we’ll be posting them here on the Community, as we go. They’ll be rough and ready so please bear with us.</p>
<p> </p>
<p>If you’d like to comment and add to a topic here, go ahead! After the event, we’ll give a few days for people to elaborate, clarify, correct and comment, then we’ll draw all of the notes together into one big report, which we’ll make available to you in the coming couple of weeks. </p>
<p> </p>
<p>There will be actions and ideas for further meet-ups and conversations, so if you read something that you’d like to get involved with, let us know and we’ll link you up with the author.</p>
<p> </p>
<p>We’re really delighted that so many people have joined us today and thank you to those who couldn’t but have sent good wishes from afar. If you’re not here now and you’d like to come along, you can join us at any time throughout the day. Someone will show you the timetable when you get here.</p>
<p> </p>
<p>It’s great to be dreaming big with you all – watch this space!</p>
<p>Mawgaine x</p>CASTING / CASTIO: COTTON FINGERStag:community.nationaltheatrewales.org,2019-02-15:3152760:BlogPost:2824882019-02-15T12:59:50.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p><a href="https://www.nationaltheatrewales.org/ntw_shows/cotton-fingers-tour/" rel="noopener" target="_blank">COTTON FINGERS</a>, a one-woman show by Rachel Trezise</p>
<p>Directed by Julia Thomas</p>
<p> </p>
<p>Written by award-winning writer Rachel Trezise at the time of the historic referendum of the 8th amendment in Ireland, Cotton Fingers takes us on journey from Belfast to Wales.</p>
<p>This bold, coming-of-age story was originally commissioned as part of National Theatre Wales’ NHS70…</p>
<p><a href="https://www.nationaltheatrewales.org/ntw_shows/cotton-fingers-tour/" target="_blank" rel="noopener">COTTON FINGERS</a>, a one-woman show by Rachel Trezise</p>
<p>Directed by Julia Thomas</p>
<p> </p>
<p>Written by award-winning writer Rachel Trezise at the time of the historic referendum of the 8th amendment in Ireland, Cotton Fingers takes us on journey from Belfast to Wales.</p>
<p>This bold, coming-of-age story was originally commissioned as part of National Theatre Wales’ NHS70 Festival in July 2018. It has been redeveloped to call in to question the political upheaval of a post Brexit Europe. This is a timely, politically-charged and vividly written show made by an exceptionally talented, all-female creative team.</p>
<p> </p>
<p><strong>ROLE:</strong> <strong>Aoife, female,</strong> <strong>18-24 </strong></p>
<p><strong><br/></strong> A native or highly proficient Belfast accent is essential</p>
<p>We are looking for an actor who has a natural ease, a great sense of comic timing and the capacity to go on an emotional and charged journey with this character.</p>
<p>Aoife is bright and smart and knows there is more out there than the estate she was brought up on. She has left school to work at the omniplex, enjoys nights out and puts up with fumbles in her boyfriend’s bed. She is a carer for her mother and sister, and although compassionate she isn’t a push over. She does the right thing but has guts.</p>
<p>She observes the world around her, sharp and witty in her comments. She says it as it is, finds the humour in the simplest of things, and is sceptical about the superstition that her mother inflicts on her. We meet Aoife at a cross-roads in her life; how will she take control of her future? </p>
<p></p>
<p><strong>Schedule</strong>: Initially, exclusivity required 6<sup>th</sup> May – 8<sup>th</sup> June 2019</p>
<p> </p>
<p>Rehearsals, location tbc:</p>
<p>w/c 6<sup>th</sup> May 2019</p>
<p>w/c 13<sup>th</sup> May 2019</p>
<p> </p>
<p>Performances:</p>
<p> </p>
<p>22<sup>nd</sup> & 23<sup>rd</sup> May - MAC, Belfast</p>
<p>24<sup>th</sup> & 25<sup>th</sup> May – Playhouse, Derry</p>
<p>29<sup>th</sup> – 31<sup>st</sup> May Samuel Beckett Theatre, Dublin</p>
<p>1<sup>st</sup> June Mermaid Arts Centre, Bray</p>
<p>5<sup>th</sup> – 8<sup>th</sup> June – Sherman Theatre, Cardiff</p>
<p> </p>
<p>Further UK opportunities, including Edinburgh and London venues, are being explored for August – October 2019</p>
<p> </p>
<p>Wage: £700 / week</p>
<p>Holiday pay and pension contributions will be made as per the UK Theatre / Equity Subsidised Agreement.</p>
<p> </p>
<p>Travel, accommodation and a touring allowance will be provided.</p>
<p> </p>
<p>Auditions: during the week commencing 25<sup>th</sup> February 2019, location tbc</p>
<p> </p>
<p>We will strive to meet any access requirements, at audition and at work, to ensure that everyone has equal access to this opportunity. This includes flexibility for people with caring responsibilities. Get in touch to discuss what that might mean for you.</p>
<p> </p>
<p><strong>NTW Casting Policy</strong></p>
<p> </p>
<p>Every project is unique and NTW auditions to discover the most talented performers who connect to the company’s values and can help us to create extraordinary work.</p>
<p>When possible and appropriate, NTW considers and casts performers who are Welsh, based in Wales or professionally trained in Wales.</p>
<p>NTW is committed to casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</p>
<p> </p>
<p>To suggest yourself or a client for this role please contact Mawgaine on or before 20<sup>th</sup> February 2019: casting@nationaltheatrewales.org</p>
<p>This role has been advertised via Spotlight.</p>
<p></p>
<p><a href="https://www.nationaltheatrewales.org/cy/ntw_shows/taith-cotton-fingers/" target="_blank" rel="noopener">COTTON FINGERS</a>, sioe un fenyw gan Rachel Trezise</p>
<p>Cyfarwyddwyd gan Julia Thomas</p>
<p> </p>
<p>Wedi'i hysgrifennu gan yr awdur arobryn Rachel Trezise ar adeg refferendwm hanesyddol yr 8fed gwelliant yn Iwerddon, mae Cotton Fingers yn mynd â ni ar daith o Belfast i Gymru.</p>
<p>Comisiynwyd y stori dod i oed feiddgar hon yn wreiddiol fel rhan o ŵyl NHS70 National Theatre Wales ym mis Gorffennaf 2018. Mae wedi'i hailddatblygu er mwyn cwestiynu'r chwyldro gwleidyddol yn Ewrop yn dilyn Brexit. Mae hon yn sioe amserol, wleidyddol a bywiog wedi'i chreu gan dîm creadigol eithriadol o dalentog, pob un ohonynt yn fenywod.</p>
<p> </p>
<p><strong>RÔL: Aoife, benyw, 18-24 </strong></p>
<p><strong><br/></strong>Mae acen Belfast frodorol neu hynod fedrus yn hanfodol</p>
<p>Rydym yn chwilio am actores sy'n naturiol o gyfforddus, ag ymdeimlad gwych o amseru comig a'r gallu i fynd ar daith emosiynol a heriol gyda'r cymeriad hwn.</p>
<p>Mae Aoife yn glyfar ac yn ddeallus ac yn gwybod bod mwy i'r byd na'r ystâd lle y cafodd ei magu. Mae wedi gadael yr ysgol i weithio yn yr omniplex, mae'n mwynhau nosweithiau allan ac yn goddef yr ymbalfalu yng ngwely ei chariad. Mae hi'n gofalu am ei mam a'i chwaer, ac er ei bod yn dosturiol nid yw'n gadael i neb gymryd mantais ohoni. Mae hi'n gwneud y peth iawn ond mae'n dewr.</p>
<p>Mae hi'n sylwi ar y byd o'i chwmpas, ac mae ei geiriau yn finiog ac yn ffraeth. Mae hi'n dweud y gwir am bethau, yn canfod yr hiwmor yn y pethau symlaf, ac yn amheus ynghylch yr ofergoeledd y mae ei mam yn gorfodi arni. Rydyn ni'n cyfarfod Aoife ger croesffordd yn ei bywyd; sut y bydd hi'n cymryd rheolaeth dros ei dyfodol?</p>
<p> </p>
<p><strong>Amserlen:</strong> I ddechrau, rhaid bod ar gael yn llwyr 6<sup>ed</sup> Mai – 8<sup>fed</sup> Mehefin 2019</p>
<p> </p>
<p>Ymarferion, lleoliad i'w gadarnhau:</p>
<p>w/d 6<sup>ed</sup> Mai 2019</p>
<p>w/d 13<sup>eg</sup> Mai 2019</p>
<p> </p>
<p>Perfformiadau:</p>
<p> </p>
<p>22<sup>ain</sup> a 23<sup>ain</sup> Mai - MAC, Belfast</p>
<p>24<sup>ain</sup> a 25<sup>ain</sup> Mai - Playhouse, Derry</p>
<p>29<sup>ain</sup> – 31<sup>ain</sup> Mai - Theatr Samuel Beckett, Dulyn</p>
<p>1<sup>af</sup> Mehefin - Canolfan Celfyddydau Mermaid, Bray</p>
<p>5<sup>ed</sup> – 8<sup>fed</sup> Mehefin – Theatr Sherman, Caerdydd</p>
<p> </p>
<p>Mae cyfleoedd pellach yn y DU, gan gynnwys lleoliadau yng Nghaeredin a Llundain, yn cael eu hymchwilio ar gyfer Awst - Hydref 2019</p>
<p> </p>
<p>Cyflog: £700 yr wythnos</p>
<p>Bydd tâl gwyliau a chyfraniadau pensiwn yn cael eu gwneud yn ôl Cytundeb Cymhorthdal UK Theatre / Equity.</p>
<p> </p>
<p>Darperir teithio, llety a lwfans deithiol.</p>
<p> </p>
<p>Clyweliadau: yn ystod yr wythnos yn dechrau 25<sup>ain</sup> Chwefror 2019, lleoliad i'w gadarnhau</p>
<p> </p>
<p>Byddwn yn ymdrechu i fodloni unrhyw ofynion mynediad, yn y clyweliad ac yn y gwaith, er mwyn sicrhau bod pawb yn cael mynediad cyfartal at y cyfle hwn. Mae hyn yn cynnwys hyblygrwydd ar gyfer pobl â chyfrifoldebau gofalu. Cysylltwch â ni i drafod yr hyn y gallai hynny ei olygu i chi.</p>
<p> </p>
<p><strong>Polisi Castio NTW</strong></p>
<p> </p>
<p>Mae pob prosiect yn unigryw ac mae NTW yn cynnal clyweliadau i ddarganfod y perfformwyr mwyaf talentog sy'n cysylltu â gwerthoedd y cwmni a all ein helpu i greu gwaith anhygoel.</p>
<p>Lle y bo'n bosibl ac yn briodol, mae NTW yn ystyried ac yn castio perfformwyr sy'n Gymry, sy'n byw yng Nghymru neu sydd wedi derbyn hyfforddiant proffesiynol yng Nghymru.</p>
<p>Mae NTW yn ymrwymedig i gastio'n gynhwysol, gan hyrwyddo cyfle cyfartal yn y celfyddydau a chynrychioli cymunedau amrywiol Cymru yn ddilys.</p>
<p> </p>
<p>I awgrymu eich hun neu gleient ar gyfer y rôl hon, cysylltwch â Mawgaine ar neu cyn 20<sup>fed</sup> Chwefror 2019: casting@nationaltheatrewales.org</p>
<p>Mae'r rôl hon wedi'i hysbysebu drwy Spotlight.</p>CASTING / CASTIOtag:community.nationaltheatrewales.org,2018-11-30:3152760:BlogPost:2803422018-11-30T17:45:40.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p><strong>Production</strong></p>
<p style="text-align: center;">STORM 3<br></br></p>
<p>National Theatre Wales’ <em>Storm Cycle</em> is a series of multimedia works, performed at different locations across Wales, exploring two key themes; truth and testimony.</p>
<p> </p>
<p>Following <a href="https://www.nationaltheatrewales.org/ntw_shows/storm-1-nothing-remains/" rel="noopener" target="_blank">STORM 1: Nothing Remains the Same</a> and…</p>
<p><strong>Production</strong></p>
<p style="text-align: center;">STORM 3<br/></p>
<p>National Theatre Wales’ <em>Storm Cycle</em> is a series of multimedia works, performed at different locations across Wales, exploring two key themes; truth and testimony.</p>
<p> </p>
<p>Following <a href="https://www.nationaltheatrewales.org/ntw_shows/storm-1-nothing-remains/" target="_blank" rel="noopener">STORM 1: Nothing Remains the Same</a> and <a href="https://www.nationaltheatrewales.org/ntw_shows/storm-2-things-come-apart/" target="_blank" rel="noopener">STORM 2: Things Come Apart</a>, theatre maker Mike Brookes will lead the next instalment of <em>Storm Cycle</em> in Newport, South Wales.</p>
<p> </p>
<p><strong>Performers</strong></p>
<p> </p>
<p>We are casting a company of 10 performers, actors and spoken word artists, aged 18 - 28, from Newport and South East Wales.</p>
<p> </p>
<p>Both spoken word performers and professional actors with an interest in spoken word should apply.</p>
<p>You should be interested in collaborating with a company and working with a director.</p>
<p>This work will be made in Newport so we’re especially interested in meeting people from or now living there.</p>
<p> </p>
<p><strong>Audition</strong></p>
<p> </p>
<p>Auditions: Sunday 9<sup>th</sup> and Monday 10<sup>th</sup> December, location TBC</p>
<p> </p>
<p>At audition we’ll ask you to perform any piece of spoken word poetry you’d like to share with us, of approx. 3-5 minutes. We’ll also ask you to prepare and read a piece of text we’ve selected.</p>
<p> </p>
<p><strong>Production dates</strong></p>
<p> </p>
<p>Rehearsals commence 4<sup>th</sup> March</p>
<p> </p>
<p>Performances 21<sup>st</sup> – 23<sup>rd</sup> March 2019 </p>
<p> </p>
<p> </p>
<p><strong>Location</strong></p>
<p> </p>
<p>Newport, venue to be confirmed.</p>
<p> </p>
<p><strong>Remuneration</strong></p>
<p><strong> </strong></p>
<p>Company wage is £585 per week.</p>
<p> </p>
<p>Holiday pay and pension contributions will be made as per the UK Theatre / Equity Subsidised Agreement.</p>
<p> </p>
<p><strong>Apply</strong></p>
<p> </p>
<p>To be considered for this project, please send us:</p>
<ul>
<li>A headshot or selfie with a true likeness.</li>
<li>A short paragraph about yourself. Please include where you are from or living in South East Wales. No more than around 200 words please.</li>
<li>Indicate if you are unavailable to audition on either date<br/></li>
</ul>
<p>Email this to <strong><a href="mailto:casting@nationaltheatrewales.org">casting@nationaltheatrewales.org</a></strong> with the subject line “STORM” <br/> before midday on 6<sup>th</sup> December.<br/></p>
<p><strong>This opportunity is open to everyone,</strong> please contact us if you have any access requirements and we will endeavour to meet them. This includes flexibility for people with caring responsibilities. We are a member of Parents in Performing Arts.</p>
<p> </p>
<p><strong>NTW Casting Policy</strong></p>
<p> </p>
<p>Every project is unique and NTW auditions to discover the most talented performers who connect to the company’s values and can help us to create extraordinary work. In doing so, NTW is flexible but committed in pursuit of the following priorities across each project:</p>
<ul>
<li>Creating enriching opportunities for performers who are Welsh, based in Wales or professionally trained in Wales.</li>
<li>Casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</li>
</ul>
<p></p>
<p></p>
<p style="text-align: center;">---------------------------------------------------</p>
<p><strong>Cynhyrchiad</strong></p>
<p style="text-align: center;">STORM 3<br/></p>
<p>Mae <em>Storm Cycle</em> National Theatre Wales yn gyfres o weithiau amlgyfrwng, wedi'u perfformio mewn gwahanol leoliadau ar draws Cymru, sy'n ymchwilio i ddwy thema allweddol; gwirionedd a thystiolaeth.</p>
<p> </p>
<p>Yn dilyn <a href="https://www.nationaltheatrewales.org/ntw_shows/storm-1-nothing-remains/" target="_blank" rel="noopener">STORM 1: Nothing Remains the Same</a> a <a href="https://www.nationaltheatrewales.org/ntw_shows/storm-2-things-come-apart/" target="_blank" rel="noopener">STORM 2: Things Come Apart</a>, bydd y gwneuthurwr theatr Mike Brookes yn arwain y rhan nesaf o'r <em>Storm Cycle</em> yng Nghasnewydd, De Cymru.</p>
<p> </p>
<p><strong>Perfformwyr</strong></p>
<p> </p>
<p>Rydym yn castio cwmni o 10 o berfformwyr, actorion ac artistiaid y gair llafar, rhwng 18-28 oed, o Gasnewydd a De-ddwyrain Cymru.</p>
<p> </p>
<p>Dylai perfformwyr y gair llafar ac actorion proffesiynol gydag diddordeb wneud cais.</p>
<p>Dylech fod â diddordeb mewn cydweithio gyda chwmni a gweithio gyda chyfarwyddwr.</p>
<p>Gwneir y gwaith hwn yng Nghasnewydd, felly mae gennym ddiddordeb penodol mewn cwrdd â phobl o'r fan honno neu sy'n byw yno.</p>
<p> </p>
<p><strong>Clyweliad</strong></p>
<p> </p>
<p>Clyweliadau: Dydd Sul 9<sup>fed</sup> a dydd Llun 10<sup>fed</sup> Rhagfyr, lleoliad yw gadarnhau</p>
<p> </p>
<p>Yn y clyweliad byddwn yn gofyn ichi berfformio unrhyw ddarn o farddoniaeth gair llafar yr hoffech ei rannu gyda ni, sy'n para tua 3-5 munud. Byddwn hefyd yn gofyn ichi baratoi a darllen darn o destun yr ydym wedi'i ddewis.</p>
<p> </p>
<p><strong>Dyddiadau'r cynhyrchiad</strong></p>
<p> </p>
<p>Ymarferion yn dechrau 4ydd Mawrth</p>
<p> </p>
<p>Perfformiadau 21<sup>ain</sup> – 23<sup>ain</sup> Mawrth 2019 </p>
<p> </p>
<p><strong>Lleoliad</strong></p>
<p> </p>
<p>Casnewydd, lleoliad i'w gadarnhau.</p>
<p> </p>
<p><strong>Cydnabyddiaeth</strong></p>
<p><strong> </strong></p>
<p>Cyflog y cwmni yw £585 yr wythnos.</p>
<p> </p>
<p>Bydd tâl gwyliau a chyfraniadau pensiwn yn cael eu gwneud yn ôl Cytundeb Cymhorthdal UK Theatre / Equity.</p>
<p> </p>
<p><strong>Gwneud cais</strong></p>
<p> </p>
<p>Er mwyn cael eich ystyried ar gyfer y prosiect hwn, anfonwch atom:</p>
<ul>
<li>Llun pen neu hunlun sy'n dangos tebygrwydd gwirioneddol.</li>
<li>Paragraff byr amdanoch chi'ch hun. Dylech gynnwys o ble'r ydych yn dod neu’n byw yn ne ddwyrain Cymru. Dim mwy na tua 200 geiriau os gwelwch yn dda.</li>
<li>Nodwch os nad ydych ar gael i ddod i glyweliad ar y naill ddyddiad neu'r llall<br/></li>
</ul>
<p>E-bostiwch hwn i <strong><a href="mailto:casting@nationaltheatrewales.org">casting@nationaltheatrewales.org</a></strong> gyda "STORM" fel teitl y neges cyn canol dydd ar y 6ed o Ragfyr.</p>
<p><br/></p>
<p><strong>Mae'r cyfle hwn yn agored i bawb,</strong> cysylltwch â ni os oes gennych unrhyw ofynion mynediad a byddwn yn ymdrechu i gwrdd â hwy. Mae hyn yn cynnwys hyblygrwydd ar gyfer pobl â chyfrifoldebau gofalu, rydym yn aelod o Parents in Performing Arts.</p>
<p> </p>
<p><strong>Polisi Castio NTW</strong></p>
<p> </p>
<p>Mae pob prosiect yn unigryw ac mae NTW yn cynnal clyweliadau i ddarganfod y perfformwyr mwyaf talentog sy'n cysylltu â gwerthoedd y cwmni a all ein helpu i greu gwaith anhygoel. Wrth wneud hynny, mae NTW yn hyblyg ond yn ymroddedig wrth fynd ar drywydd y blaenoriaethau canlynol ar draws pob prosiect:</p>
<ul>
<li>Creu cyfleoedd cyfoethogi ar gyfer perfformwyr sy'n Gymry, sy'n byw yng Nghymru neu wedi derbyn hyfforddiant proffesiynol yng Nghymru.</li>
<li>Castio'n gynhwysol, gan hyrwyddo cyfle cyfartal yn y celfyddydau a chynrychioli cymunedau amrywiol Cymru yn ddilys.</li>
</ul>Casting / Castio : Tide Whisperertag:community.nationaltheatrewales.org,2018-07-03:3152760:BlogPost:2773992018-07-03T10:56:31.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p style="text-align: center;">Casting / Castio: <strong>TIDE WHISPERER</strong><a href="http://pembrokeshiremoments.co.uk/wp-content/uploads/2017/11/Tenby-Harbour-Aerial-shot.jpg" rel="noopener" target="_blank"><img class="align-center" src="http://pembrokeshiremoments.co.uk/wp-content/uploads/2017/11/Tenby-Harbour-Aerial-shot.jpg?width=400" width="400"></img></a></p>
<p> </p>
<p><strong>PRODUCTION:</strong></p>
<p> </p>
<p>A large scale site-specific production in Tenby town and harbour, West Wales.</p>
<p> </p>
<p>Written by Louise Wallwein / Directed by Kully Thiarai / Designed by Camilla Clark</p>
<p> </p>
<p>An immersive…</p>
<p style="text-align: center;">Casting / Castio: <strong>TIDE WHISPERER</strong><a href="http://pembrokeshiremoments.co.uk/wp-content/uploads/2017/11/Tenby-Harbour-Aerial-shot.jpg" target="_blank" rel="noopener"><img src="http://pembrokeshiremoments.co.uk/wp-content/uploads/2017/11/Tenby-Harbour-Aerial-shot.jpg?width=400" width="400" class="align-center"/></a></p>
<p> </p>
<p><strong>PRODUCTION:</strong></p>
<p> </p>
<p>A large scale site-specific production in Tenby town and harbour, West Wales.</p>
<p> </p>
<p>Written by Louise Wallwein / Directed by Kully Thiarai / Designed by Camilla Clark</p>
<p> </p>
<p>An immersive experience written by poet and playwright Louise Wallwein, Tide Whisperer will tackle the global phenomenon of displacement and mass movement. Record numbers are on the move all over the world. What is it like to leave your home, and to live with the uncertainty of ever finding another?<br/></p>
<p>On the shores of Tenby, the audience gathers. The tide is turning fast and a storm is coming. The future feels uncertain – humanity is on the move and seeking refuge. Will we be met by kindness or rejection; offered sanctuary or forced to survive the perilous, treacherous sea?</p>
<p> </p>
<p>Audiences will travel from the harbour in Tenby, and explore the Pembrokeshire coast, by boat.</p>
<p> </p>
<p><strong>DATES:</strong></p>
<p> </p>
<p>Auditions: week commencing 16<sup>th</sup> July</p>
<p>Rehearsals commence: 20<sup>th</sup> August 2018</p>
<p>Performances: 13<sup>th</sup> – 16<sup>th</sup> September</p>
<p> </p>
<p><strong>LOCATION:</strong></p>
<p> </p>
<p>Rehearsal base: De Valence Pavilion, Upper Frog St, Tenby SA70 7JD</p>
<p> </p>
<p>This is a site-specific production, to be rehearsed and performed throughout the town of Tenby.</p>
<p> </p>
<p><strong>REMUNERATION: </strong>Company wage is £585 per week. </p>
<p> </p>
<p>Holiday pay and pension contributions will be made as per the UK Theatre / Equity Subsidised Agreement. Artists needing to relocate will be provided with return rail travel, self-catering accommodation and £12 / day meal allowance.</p>
<p> </p>
<p><strong>ROLES:</strong></p>
<p> </p>
<p>All performers should be comfortable with outdoor / site-specific work.</p>
<p> </p>
<p>Each of the characters we meet shed light on lives interrupted, families displaced and dreams of new beginnings and half-remembered homes.</p>
<p> </p>
<p>The stories are intertwined on our journey through the town and out to sea, accompanied by an original score and arresting design by Camilla Clark.</p>
<p> </p>
<p>We are seeking actors to play:</p>
<p> </p>
<p><strong>SANTIAGO / MAYOR </strong>Male, Aged 50+, Spanish, Welsh</p>
<p> </p>
<p>A great orator and community leader. Of Spanish decent, Santiago has grown up in West Wales. <br/></p>
<p><strong>ALI</strong> Male, Aged 40s, Pakistani</p>
<p> </p>
<p>Charming and sharp with a wealth of knowledge amassed on his travels.</p>
<p> </p>
<p>Pakistani accent is essential.</p>
<p><strong> </strong></p>
<p><strong>JAMIL </strong>Male, Aged 17-25, Ghanaian</p>
<p><strong> </strong></p>
<p>Ambitious, a dreamer, analytical and determined.</p>
<p> </p>
<p>West African accent is essential. This role will require that the performer be comfortable working on water. </p>
<p> </p>
<p><strong>LAYHING </strong>Female, Aged 30+, Vietnamese</p>
<p> </p>
<p>Strong, decisive and stoic. Fiercely loves her family. </p>
<p> </p>
<p>Vietnamese accent is desirable. This role will require that the performer be comfortable working near water. </p>
<p><strong> </strong></p>
<p><strong>PEARL </strong>Female, 55+, Black Caribbean, Welsh</p>
<p> </p>
<p>Warm, exuberant, generous. Pearl has grown up in Cardiff.</p>
<p> </p>
<p>Cardiff accent is essential.</p>
<p> </p>
<p>To be considered for any of these roles, please send</p>
<ul>
<li>Your CV</li>
<li>Headshot</li>
<li>Please mention if you are Welsh, based in Wales or professionally trained in Wales</li>
</ul>
<p>to <a href="mailto:casting@nationaltheatrewales.org"><strong>casting@nationaltheatrewales.org</strong></a> with the subject line “ TIDE” <br/> before 6pm on the 7<sup>th</sup> July.</p>
<p> </p>
<p>We will strive to make any required provisions, at audition and at work, to ensure that everyone has equal access to this opportunity.</p>
<p>To discuss how we can meet your access requirements or additional needs, please don’t hesitate to get in touch.</p>
<p>We are working with Parents in Performing Arts to be as accommodating as possible of those with caring responsibilities. Get in touch to discuss what that might mean for you.</p>
<p> </p>
<p><strong>NTW CASTING POLICY:</strong></p>
<p> </p>
<p>Every project is unique and NTW auditions to discover the most talented performers who connect to the company’s values and can help us to create extraordinary work. In doing so, NTW is flexible but committed in pursuit of the following priorities across each project:</p>
<ul>
<li>Creating opportunities for performers who are Welsh, based in Wales or professionally trained in Wales.</li>
<li>Casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</li>
</ul>
<p> </p>
<p>Manylion castio TIDE WISPERER</p>
<p> </p>
<p><strong>CYNHYRCHIAD:</strong></p>
<p> </p>
<p>Cynhyrchiad safle-benodol ar raddfa fawr yn nhref a harbwr Dinbych y Pysgod, Gorllewin Cymru.</p>
<p> </p>
<p>Ysgrifennwyd gan Louise Wallwein / Cyfarwyddwyd gan Kully Thiarai / Dyluniwyd gan Camilla Clark</p>
<p> </p>
<p>Profiad ymdrochol a ysgrifennwyd gan y bardd a'r dramodydd Louise Wallwein, bydd The Tide Whisperer yn mynd i'r afael â'r ffenomen byd-eang o ddadleoli a symudiadau torfol. Mae niferoedd uwch nag erioed yn symud ar draws y byd. Sut beth yw gadael eich cartref, i fyw gyda'r ansicrwydd efallai na fyddwch byth yn dod o hyd i un arall?<br/></p>
<p>Ar lannau Dinbych-y-Pysgod, mae'r gynulleidfa yn casglu. Mae'r llanw'n troi yn gyflym ac mae'r storm yn dod. Mae'r dyfodol yn teimlo'n ansicr – mae dynoliaeth yn symud ac yn ceisio lloches. A fyddwn yn wynebu caredigrwydd neu'n cael ein gwrthod; yn cael cynnig noddfa neu ein gorfodi i oroesi ar y môr peryglus, brawychus?</p>
<p> </p>
<p>Bydd cynulleidfaoedd yn teithio o harbwr Dinbych-y-Pysgod, ac yn archwilio arfordir Sir Benfro, mewn cwch.</p>
<p> </p>
<p><strong>DYDDIADAU:</strong></p>
<p> </p>
<p>Clyweliadau: wythnos yn dechrau 16 Gorffennaf</p>
<p>Ymarferion yn dechrau: 20 <sup>Awst 2018</sup></p>
<p>Perfformiadau: 13 – 16 Medi</p>
<p> </p>
<p><strong>LLEOLIAD:</strong></p>
<p> </p>
<p>Canolfan ymarfer: Pafiliwn De Valence, Upper Frog St, Dinbych-y-Pysgod SA70 7JD</p>
<p> </p>
<p>Mae hwn yn gynhyrchiad safle-benodol, i'w ymarfer a'i berfformio ar draws tref Dinbych-y-Pysgod.</p>
<p> </p>
<p><strong>TÂL:</strong>Y cyflog cwmni yw £585 yr wythnos. </p>
<p> </p>
<p>Rhoddir tâl gwyliau a chyfraniadau pensiwn yn unol â Chytundeb â Chymhorthdal UK Theatre/Equity. Rhoddir i artistiaid y mae angen iddynt adleoli docynnau trên dwyffordd, llety hunan-arlwyo a lwfans bwyd o £12 y dydd.</p>
<p> </p>
<p><strong>ROLAU:</strong></p>
<p> </p>
<p>Dylai'r holl berfformwyr fod yn gyfforddus gyda gwaith awyr agored / safle-benodol.</p>
<p> </p>
<p>Mae pob un o'r cymeriadau y byddwn yn cwrdd â hwy yn taflu goleuni ar fywydau y tarfwyd arnynt, teuluoedd a ddadleolwyd a breuddwydion am ddechrau newydd a brith gof am gartrefi.</p>
<p> </p>
<p>Mae'r straeon yn cydblethu ar ein taith drwy'r dref ac allan i'r môr, ynghyd â sgôr wreiddiol a dylunio trawiadol gan Camilla Clark.</p>
<p> </p>
<p>Rydym yn chwilio am actorion i chwarae:</p>
<p> </p>
<p><strong>SANTIAGO / MAER </strong>dyn, 50+ oed, a Sbaenwr, Cymro</p>
<p> </p>
<p>Areithiwr gwych ac arweinydd cymunedol. O dras Sbaenaidd, tyfodd Santiago i fyny yng ngorllewin Cymru. <br/></p>
<p><strong>ALI</strong> dyn, 40au, Pacistanaidd</p>
<p> </p>
<p>Swynol a chraff gyda chyfoeth o wybodaeth a gronnwyd yn ystod ei deithiau.</p>
<p> </p>
<p>Acen Bacistanaidd yn hanfodol.</p>
<p><strong> </strong></p>
<p><strong>JAMIL </strong>dyn, 17-25 oed, o Ghana</p>
<p><strong> </strong></p>
<p>Uchelgeisiol, breuddwydiwr, dadansoddol a phenderfynol.</p>
<p> </p>
<p>Acen Gorllewin Affrica yn hanfodol. Bydd y rôl hon yn gofyn i'r perfformiwr fod yn gyfforddus yn gweithio ar y dŵr. </p>
<p> </p>
<p><strong>LAYHING </strong>Benyw, 30+ oed, o Fietnam</p>
<p> </p>
<p>Cryf, pendant a stoicaidd. Caru ei theulu'n llwyr. </p>
<p> </p>
<p>Acen Fietnameg yn ddymunol. Bydd y rôl hon yn gofyn i'r perfformiwr fod yn gyfforddus yn gweithio ger y dŵr. </p>
<p><strong> </strong></p>
<p><strong>PEARL </strong>benywaidd, 55+, DU Caribïaidd, Cymraes</p>
<p> </p>
<p>Cynnes, bywiog, hael. Mae Pearl wedi tyfu i fyny yng Nghaerdydd.</p>
<p> </p>
<p>Acen Caerdydd yn hanfodol.</p>
<p> </p>
<p> </p>
<p>I gael eich ystyried ar gyfer unrhyw un o'r rolau hyn, anfonwch</p>
<ul>
<li>Eich CV</li>
<li>Llun Pen</li>
<li>Cofiwch ddweud os ydych yn Gymro/Cymraes, yn byw yng Nghymru neu wedi'ch hyfforddi'n broffesiynol yng Nghymru</li>
</ul>
<p>i <a href="mailto:casting@nationaltheatrewales.org"><strong>casting@nationaltheatrewales.org</strong></a> â "TIDE" yn y llinell pwnc<br/> cyn 6pm ar 7 Gorffennaf.</p>
<p> </p>
<p>Byddwn yn ymdrechu i wneud unrhyw ddarpariaethau gofynnol, yn ystod clyweliad ac yn y gwaith, i sicrhau bod gan bawb fynediad cyfartal i'r cyfle hwn.</p>
<p>I drafod sut y gallwn fodloni eich gofynion mynediad a/neu anghenion ychwanegol, cysylltwch â ni ar bob cyfrif.</p>
<p>Rydym yn gweithio gyda Parents in Performing Arts i fod mor hyblyg â phosibl o ran y rhai sydd â chyfrifoldebau gofalu. Cysylltlwch i drafod yr hyn y gallai hynny ei olygu i chi.</p>
<p> </p>
<p><strong>POLISI CASTIO NTW:</strong></p>
<p> </p>
<p>Mae pob prosiect yn unigryw ac mae NTW yn clyweld i ddod o hyd i’r perfformwyr mwyaf talentog sy'n cysylltu â gwerthoedd y cwmni ac yn gallu ein helpu ni i greu gwaith anhygoel. Wrth wneud hynny, mae NTW yn hyblyg ond wedi ymrwymo i geisio cyflawni'r blaenoriaethau canlynol ar draws pob prosiect:</p>
<ul>
<li>Creu cyfleoedd i berfformwyr sy'n Gymry, yn byw yng Nghymru neu sydd wedi'u hyfforddi'n broffesiynol yng Nghymru.</li>
<li>Castio’n gynhwysol, gan hyrwyddo cyfle cyfartal yn y celfyddydau a chynrychioli cymunedau amrywiol Cymru yn ddidwyll.</li>
</ul>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>CASTING / CASTIOtag:community.nationaltheatrewales.org,2018-05-14:3152760:BlogPost:2766092018-05-14T13:43:56.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p style="text-align: center;"><strong>PRODUCTION:</strong> <em>ECZEMA!</em></p>
<p style="text-align: center;">Created by Maria Fusco</p>
<p> </p>
<p><em>Skin is an event. Skin is a factory. Skin is a map. Skin is a leaking border. Skin is memory. Skin is time. Skin is global.</em></p>
<p> </p>
<p>Art writer Maria Fusco’s ECZEMA! explores the life of eczema; a skin disease affecting an estimated 15 million people in the UK, including the writer herself. Exploring what it is like to live in…</p>
<p style="text-align: center;"><strong>PRODUCTION:</strong> <em>ECZEMA!</em></p>
<p style="text-align: center;">Created by Maria Fusco</p>
<p> </p>
<p><em>Skin is an event. Skin is a factory. Skin is a map. Skin is a leaking border. Skin is memory. Skin is time. Skin is global.</em></p>
<p> </p>
<p>Art writer Maria Fusco’s ECZEMA! explores the life of eczema; a skin disease affecting an estimated 15 million people in the UK, including the writer herself. Exploring what it is like to live in co-occupation and incessant dialogue with eczema, Fusco's black comedy will mingle the itching and scratching cycles of eczema into an absurdist, celebratory score of spoken word and music.</p>
<p> </p>
<p>Part of the <em>NHS70 Festival</em></p>
<p> </p>
<p><strong>DATES:</strong></p>
<p><strong> </strong></p>
<p>Audition: Afternoon of 23<sup>rd</sup> May 2018 in Cardiff</p>
<p> </p>
<p>Rehearsal: week commencing 23<sup>rd</sup> July 2018</p>
<p> </p>
<p>Performance: 27<sup>th</sup> & 28<sup>th</sup> July 2018</p>
<p> </p>
<p><strong>LOCATION:</strong> Cardiff</p>
<p><strong> </strong></p>
<p><strong>REMUNERATION:</strong></p>
<p>Our company wage is £585 per week.</p>
<p>Additional fees for broadcast or recording will paid if applicable.</p>
<p>Any relocation or commuting allowances will be paid in line with UK Theatre / Equity Subsidised Agreement Rates for 2017-19.</p>
<p> </p>
<p><strong>PERFORMERS:</strong></p>
<p> </p>
<p>We’re seeking two professional performers with experience of adult eczema, to bring Maria’s text to life.</p>
<p> </p>
<p>Please note, this isn’t about current or visible symptoms but those expressing interest should have experience of living with eczema as an adult.</p>
<p> </p>
<p>Please send your CV, head-shot and a line or two of introduction to casting@nationaltheatrewales.org <strong>before the 17<sup>th</sup> May.</strong> Please indicate if you are Welsh, Wales-based or professionally trained in Wales.</p>
<p> </p>
<p>We will strive to make any required provisions, at audition and at work, to ensure that everyone has equal access to this opportunity. To discuss how we can meet your access requirements or additional needs, please don’t hesitate to get in touch.</p>
<p> </p>
<p><strong>NTW CASTING POLICY:</strong></p>
<p> </p>
<p>Every project is unique and NTW auditions to discover the most talented performers who connect to the company’s values and can help us to create extraordinary work. In doing so, NTW is flexible but committed in pursuit of the following priorities across each project:</p>
<ul>
<li>Creating opportunities for performers who are Welsh, based in Wales or professionally trained in Wales.</li>
<li>Casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</li>
</ul>
<p> </p>
<p style="text-align: center;"><strong>CYNHYRCHIAD:</strong> <em>ECZEMA!</em></p>
<p style="text-align: center;">Crëwyd gan Maria Fusco</p>
<p> </p>
<p><em>Mae croen yn ddigwyddiad. Mae croen yn ffatri. Mae croen yn fap. Mae croen yn ffin sy’n gollwng. Mae croen yn atgof. Mae croen yn amser. Mae croen yn fyd-eang.</em></p>
<p> </p>
<p>Mae cynhyrchiad yr awdur celf Maria Fusco, ECZEMA!, yn archwilio bywyd ecsema; afiechyd y croen yr amcangyfrifir ei fod yn effeithio ar tua 15 miliwn o bobl yn y DU, yn cynnwys yr awdur ei hun. Gan archwilio’r hyn yw byw a siarad yn barhaus gydag ecsema, mae comedi du Fusco yn plethu cylchoedd cosi a chrafu ecsema yn sgôr absẃrd llawn dathlu o eiriau llafar a cherddoriaeth.</p>
<p> </p>
<p>Rhan o Ŵyl <em>NHS70</em></p>
<p> </p>
<p><strong>DYDDIADAU:</strong></p>
<p><strong> </strong></p>
<p>Clyweliad: Prynhawn 23 Mai 2018 yng Nghaerdydd</p>
<p> </p>
<p>Ymarfer: wythnos yn dechrau 23 Gorffennaf 2018</p>
<p> </p>
<p>Perfformiadau: 27 a 28 Gorffennaf 2018</p>
<p> </p>
<p><strong>LLEOLIAD:</strong> Caerdydd</p>
<p><strong> </strong></p>
<p><strong>CYDNABYDDIAETH:</strong></p>
<p>Ein cyflog cwmni yw £585 yr wythnos.</p>
<p>Bydd ffioedd ychwanegol ar gyfer darlledu neu recordio yn cael eu talu, os yn berthnasol.</p>
<p>Bydd unrhyw lwfansau adleoli neu gymudo yn cael eu talu yn unol â Chyfraddau Gostyngol Cytundeb UK Theatre / Equity ar gyfer 2017-19.</p>
<p> </p>
<p><strong>PERFFORMWYR:</strong></p>
<p> </p>
<p>Rydym yn chwilio am ddau berfformiwr proffesiynol â phrofiad o ecsema fel oedolion, i ddod â thestun Maria yn fyw. </p>
<p> </p>
<p>Sylwer, nid yw hyn yn ymwneud â symptomau presennol neu weledol, ond dylai fod gan y rhai sy’n mynegi diddordeb brofiad o fyw gydag ecsema fel oedolyn.</p>
<p> </p>
<p>Anfonwch eich CV, llun pen a brawddeg neu ddwy i gyflwyno’ch hun i casting@nationaltheatrewales.org <strong>cyn 17 Mai.</strong> Nodwch a ydych yn Gymro/Cymraes, yn byw yng Nghymru neu wedi’ch hyfforddi’n broffesiynol yng Nghymru.</p>
<p> </p>
<p>Byddwn yn ymdrechu i wneud unrhyw ddarpariaethau gofynnol, yn ystod clyweliad ac yn y gwaith, i sicrhau bod gan bawb fynediad cyfartal i'r cyfle hwn. I drafod sut y gallwn fodloni eich gofynion mynediad neu anghenion ychwanegol, cysylltwch â ni ar bob cyfrif.</p>
<p><strong>POLISI CASTIO NTW:</strong></p>
<p>Mae pob prosiect yn unigryw ac mae NTW yn clyweld i ddod o hyd i’r perfformwyr mwyaf talentog sy'n cysylltu â gwerthoedd y cwmni ac yn gallu ein helpu ni i greu gwaith anhygoel. Wrth wneud hynny, mae NTW yn hyblyg ond wedi ymrwymo i geisio cyflawni'r blaenoriaethau canlynol ar draws pob prosiect:</p>
<ul>
<li>Creu cyfleoedd i berfformwyr sy'n Gymry, yn byw yng Nghymru neu sydd wedi'u hyfforddi'n broffesiynol yng Nghymru.</li>
<li>Castio’n gynhwysol, gan hyrwyddo cyfle cyfartal yn y celfyddydau a chynrychioli cymunedau amrywiol Cymru yn ddidwyll.</li>
</ul>
<p><span> </span></p>CASTING / CASTIO: As Long as the Heart Beatstag:community.nationaltheatrewales.org,2018-04-16:3152760:BlogPost:2758982018-04-16T11:30:00.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p style="text-align: center;"><strong>CASTING BREAKDOWN</strong></p>
<p style="text-align: center;"><strong>NHS70: As Long as the Heart Beats </strong></p>
<p> <a href="http://storage.ning.com/topology/rest/1.0/file/get/2999449474?profile=original" target="_self"><img class="align-center" src="http://storage.ning.com/topology/rest/1.0/file/get/2999449474?profile=RESIZE_320x320" width="250"></img></a></p>
<p><strong>PRODUCTION:</strong><br></br> <br></br> <a href="https://www.nationaltheatrewales.org/heart-beats" rel="noopener" target="_blank">As Long as the Heart Beats</a> will be a site-located, theatrical journey inspired…</p>
<p style="text-align: center;"><strong>CASTING BREAKDOWN</strong></p>
<p style="text-align: center;"><strong>NHS70: As Long as the Heart Beats </strong></p>
<p> <a href="http://storage.ning.com/topology/rest/1.0/file/get/2999449474?profile=original" target="_self"><img width="250" src="http://storage.ning.com/topology/rest/1.0/file/get/2999449474?profile=RESIZE_320x320" width="250" class="align-center"/></a></p>
<p><strong>PRODUCTION:</strong><br/> <br/> <a href="https://www.nationaltheatrewales.org/heart-beats" target="_blank" rel="noopener">As Long as the Heart Beats</a> will be a site-located, theatrical journey inspired by the Outpatient Department at Royal Gwent Hospital. Drawing on the many stories NTW have collected from people across Wales, this brand new production will celebrate the dedication and care provided every day by the NHS.<br/> <br/> In intimate groups, the audience will be invited to hear stories from staff and patients sharing their experiences of the first 70 years of the NHS, including some of the groundbreaking work performed here in Wales.<br/> <br/> Featuring specially-composed music and interactive elements, co-directed by Marcus Romer and Ben Tinniswood with original music by Tic Ashfield, As Long as the Heart Beats has care and compassion at its heart, just like the NHS itself.</p>
<p></p>
<p>Part of the <a href="http://nationaltheatrewales.org/nhs70-festival" target="_blank" rel="noopener">NHS70</a> festival.</p>
<p></p>
<p><strong>DATES:</strong> Rehearsals begin Thursday 12<sup>th</sup> July <br/> Days off: Sunday 15<sup>th</sup> and Monday 16<sup>th</sup> July</p>
<p> Performances on Saturday 21<sup>st</sup> and Sunday 22<sup>nd</sup> July</p>
<p> Engagement concludes Sunday 22<sup>nd</sup> July</p>
<p><strong> </strong></p>
<p><strong>LOCATIONS:</strong> Rehearsal venue TBC, in either Newport or Cardiff</p>
<p> Performance venue: Outpatient Department, Royal Gwent Hospital, Cardiff Road, Newport NP20 2UB</p>
<p> </p>
<p><strong>REMUNERATION: </strong>Company wage is £585 per week. <br/> To be paid pro rata for incomplete week i.e. 12<sup>th</sup>, 13<sup>th</sup> and 14<sup>th</sup> July.</p>
<p> </p>
<p>Holiday pay and pension contributions will be made as per the UK Theatre / Equity Subsidised Agreement. Relocation or commuting allowance, when applicable, will be paid in line with the associated rates for 2017-19.</p>
<p></p>
<p><strong>ROLES:</strong></p>
<p> </p>
<p>We are seeking performers to create an ensemble company for As Long as the Heart Beats.</p>
<p>The work will demand creative, intuitive performers, at ease interacting with and working in close proximity to the audience. <br/> <br/> All performers should:</p>
<ul>
<li>have some experience of promenade, immersive or interactive work</li>
<li>be confident improvisers</li>
<li>be confident singers</li>
<li>be comfortable working in a hospital (outpatient) environment and with content related to health and illness.</li>
</ul>
<p> </p>
<p>Portable musical instruments are desirable.</p>
<p> </p>
<p>We are particularly interested in meeting performers of Philippine and South Asian heritage, to reflect the work-force of the NHS in South Wales.</p>
<p> </p>
<p>All performers will play a primary role and others, as cast, including NHS staff, patients, family members & volunteers</p>
<p> </p>
<ol>
<li>FEMALE 25-35 – Staff member. Should be a confident physical performer.</li>
<li>FEMALE 40s - Consultant Ophthalmologist</li>
<li>FEMALE 55+ - Volunteer</li>
<li>MALE 20-30 – Patient</li>
<li>MALE 50-60 – Mental Health Nurse</li>
<li>MALE 35- 45 - Porter</li>
</ol>
<p> </p>
<p>Auditions will likely be held on the 8th, 9<sup>th</sup> and 14<sup>th</sup> May.</p>
<p> </p>
<p>To be considered for this role, please send</p>
<ul>
<li>Your CV</li>
<li>Headshot</li>
<li>A covering note of no more than 300 words including why you’d like to be involved and highlighting your relevant experience</li>
</ul>
<p>to <a href="mailto:casting@nationaltheatrewales.org">casting@nationaltheatrewales.org</a> with the subject line “ HEART BEATS” <br/> before 6pm on the 19<sup>th</sup> April.</p>
<p> </p>
<p>We will strive to make any required provisions, at audition and at work, to ensure that everyone has equal access to this opportunity. To discuss how we can meet your access requirements or additional needs, please don’t hesitate to get in touch.</p>
<p> </p>
<p><strong>NTW CASTING POLICY:</strong></p>
<p> </p>
<p>Every project is unique and NTW auditions to discover the most talented performers who connect to the company’s values and can help us to create extraordinary work. In doing so, NTW is flexible but committed in pursuit of the following priorities across each project:</p>
<ul>
<li>Creating opportunities for performers who are Welsh, based in Wales or professionally trained in Wales.</li>
<li>Casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</li>
</ul>
<p> </p>
<p></p>
<p style="text-align: center;"><strong>MANYLION CASTIO</strong></p>
<p style="text-align: center;"><strong>NHS70: As Long as the Heart Beats</strong></p>
<p> </p>
<p> </p>
<p><strong>CYNHYRCHIAD:</strong><br/> <br/> Bydd <a href="https://www.nationaltheatrewales.org/cy/nhs70-long-heart-beats-0" target="_blank" rel="noopener">As Long as the Heart Beats</a> yn daith theatrig, safle-benodol wedi’i hysbrydoli gan Adran Cleifion Allanol Ysbyty Brenhinol Gwent. Gan ddefnyddio’r straeon niferus y mae NTW wedi’u casglu gan bobl ar draws Cymru, bydd y cynhyrchiad newydd hwn yn dathlu’r ymroddiad a’r gofal a ddarperir bob dydd gan y GIG.</p>
<p><br/> Mewn grwpiau bach gwahoddir y gynulleidfa i glywed straeon gan staff a chleifion yn rhannu eu profiadau o 70 mlynedd gyntaf y GIG, yn ogystal â rhai o’r triniaethau arloesol newydd a wnaed yma yng Nghymru.</p>
<p><br/> Yn cynnwys cerddoriaeth a gyfansoddwyd yn arbennig ac elfennau rhyngweithiol, wedi’i gyd-gyfarwyddo gan Marcus Romer a Ben Tinniswood gyda cherddoriaeth wreiddiol gan Tic Ashfield, mae gan As Long as the Heart Beats ofal a chydymdeimlad wrth ei gwraidd, yn yr un modd â’r GIG ei hun.</p>
<p><strong> </strong></p>
<p><strong>DYDDIADAU:</strong> Ymarferion yn dechrau ddydd Iau 12 Gorffennaf <br/> Diwrnodau i ffwrdd: Dydd Sul 15 a dydd Llun 16<br/> Gorffennaf</p>
<p>Perfformiadau ddydd Sadwrn 21 a dydd Sul 22 <br/> Gorffennaf</p>
<p> Cyfnod Gwaith yn dod i ben ddydd Sul 22 Gorffennaf</p>
<p><strong> </strong></p>
<p><strong>LLEOLIADAU:</strong> Lleoliad ymarferion i’w gadarnhau, nail ai Casnewydd neu <br/> Gaerdydd</p>
<p>Lleoliad y perfformiadau: Adran Cleifion Allanol, Ysbyty Brenhinol Gwent, Ffordd Caerdydd, Casnewydd NP20 2UB</p>
<p> </p>
<p><strong>CYFLOG: </strong> Cyflog y cwmni yw £585 yr wythnos. I’w thalu pro rata am wythnosau anghyflawn h.y. 12, 13 a 14 Gorffennaf.</p>
<p> </p>
<p>Gwneir tâl gwyliau a chyfraniadau pensiwn yn unol â Chytundeb Cymhorthdal UK Theatre / Equity. Telir lwfans adleoli neu gymudo, lle y bo’n berthnasol, yn unol â’r cyfraddau cysylltiedig ar gyfer 2017-19.</p>
<p><strong>ROLAU:</strong></p>
<p> </p>
<p>Rydym yn chwilio am berfformwyr i greu cwmni ensemble ar gyfer As Long as the Heart Beats.</p>
<p> </p>
<p>Bydd y gwaith yn gofyn am berfformwyr creadigol, greddfol, sy’n gyfforddus wrth ryngweithio â’r gynulleidfa a gweithio’n agos iddynt. <br/> <br/> Dylai pob perfformiwr:</p>
<ul>
<li>meddu ar beth profiad o waith promenâd, ymdrochol neu ryngweithio</li>
<li>bod yn weithwyr byrfyfyr hyderus</li>
<li>bod yn gantorion hyderus</li>
<li>bod yn hyderus yn gweithio mewn amgylchedd ysbyty (cleifion allanol) a gyda chynnwys yn ymwneud ag iechyd a salwch.</li>
</ul>
<p> </p>
<p>Mae offerynnau cerdd cludadwy yn ddymunol.</p>
<p> </p>
<p>Mae gennym ddiddordeb penodol mewn cwrdd â pherfformwyr o dras Philipinaidd a De Asiaidd, i adlewyrchu gweithlu’r GIG yn Ne Cymru.</p>
<p> </p>
<p>Bydd yr holl berfformwyr yn chwarae prif rôl a rolau eraill, fel cast, yn cynnwys staff y GIG, cleifion, aelodau teuluoedd a gwirfoddolwyr</p>
<p> </p>
<ol>
<li>BENYW 25-35 - Aelod o staff. Dylai fod yn berfformiwr corfforol hyderus.</li>
<li>BENYW 40au - Offthalmolegydd Ymgynghorol</li>
<li>BENYW 55+ - Gwirfoddolwr</li>
<li>GWRYW 20-30 - Claf</li>
<li>GWRYW 50-60 - Nyrs Iechyd Meddwl</li>
<li>GWRYW 35- 45 - Porthor</li>
</ol>
<p> </p>
<p>Mae’n debygol y cynhelir clyweliadau ar 8, 9 a 14 Mai.</p>
<p> </p>
<p>Er mwyn cael eich ystyried ar gyfer y rôl hon, anfonwch</p>
<ul>
<li>Eich CV</li>
<li>Llun pen</li>
<li>Nodyn eglurhaol heb fod yn hwy na 300 gair yn cynnwys pam yr hoffech gymryd rhan ac yn nodi eich profiad perthnasol</li>
</ul>
<p>i <u>casting@nationaltheatrewales.org</u> gyda “HEART BEATS” yn y llinell deitl cyn 6pm ar 19 Ebrill.</p>
<p> </p>
<p>Byddwn yn ymdrechu i wneud unrhyw ddarpariaethau gofynnol, yn ystod y clyweliadau ac yn y gwaith, i sicrhau bod gan bawb fynediad cyfartal i’r cyfle hwn. I drafod sut y gallwn gwrdd â’ch gofynion mynediad neu anghenion ychwanegol, mae croeso i chi gysylltu â ni.</p>
<p> </p>
<p><strong>POLISI CASTIO NTW:</strong></p>
<p>Mae pob prosiect yn unigryw ac mae NTW yn cynnal clyweliadau er mwyn darganfod y perfformwyr mwyaf talentog sy’n cysylltu â gwerthoedd y cwmni ac sy’n gallu ein helpu i greu gwaith eithriadol. Wrth wneud hynny, mae NTW yn hyblyg ond wedi ymrwymo i ddilyn y blaenoriaethau a ganlyn ar draws pob prosiect:</p>
<ul>
<li>Creu cyfleoedd i berfformwyr sy’n Gymry, sy’n byw yng Nghymru neu a gawsant eu hyfforddi’r broffesiynol yng Nghymru</li>
<li>Castio’n gynhwysol, gan hybu cyfle cyfartal yn y celfyddydau a chynrychioli cymunedau amrywiol Cymru yn ddilys.</li>
</ul>
<p><span> </span></p>Casting for TOUCH - NTW and Migrations seeking four dancerstag:community.nationaltheatrewales.org,2018-01-31:3152760:BlogPost:2746552018-01-31T16:19:48.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p style="text-align: center;"><strong>National Theatre Wales and Migrations are casting for Touch.</strong></p>
<p> </p>
<p>National Theatre Wales will team up with arts organisation Migrations, French choreographer and dancer Julie Nioche and choreographers Filiz Sizanli and Mustafa Kaplan from Turkey, to create <a href="https://www.nationaltheatrewales.org/touch"><strong><em>Touch</em></strong></a>, a site-specific, interactive and tactile dance piece about the therapeutic aspects of dance…</p>
<p style="text-align: center;"><strong>National Theatre Wales and Migrations are casting for Touch.</strong></p>
<p> </p>
<p>National Theatre Wales will team up with arts organisation Migrations, French choreographer and dancer Julie Nioche and choreographers Filiz Sizanli and Mustafa Kaplan from Turkey, to create <a href="https://www.nationaltheatrewales.org/touch"><strong><em>Touch</em></strong></a>, a site-specific, interactive and tactile dance piece about the therapeutic aspects of dance and the social place of the body. Made and performed in a medical facility in north Wales</p>
<p> </p>
<p><strong>Roles</strong>: We are seeking four professional dancers who should have;<br/></p>
<ul>
<li>strong improvisation skills</li>
<li>experience of and interest in interactive performance</li>
<li>experience of and interest in touch in dance practice</li>
<li>understanding of site-specific work and an ability to adapt to working in non-traditional settings</li>
<li>comfort working in a medical environment</li>
<li>an interest in working with object manipulation and fabricating things with props</li>
</ul>
<p> </p>
<p>As part of the project you will be working closely with the lead choreographers to develop dance performances inspired by your own memories and experiences, requiring therefore a certain personal engagement.</p>
<p> </p>
<p>The work will demand interaction with audience members through touch.</p>
<p> </p>
<p>The piece may involve recording of text so being comfortable with this would be</p>
<p>desirable.</p>
<p><strong> </strong></p>
<p><strong>Renumeration:</strong></p>
<p><strong> </strong></p>
<p>Fee Offered - £966 (consisting of company wage of £585 and overtime at £347) plus £84 as Holiday Pay accrued</p>
<p> </p>
<p>Relocation or commuting allowance, when applicable, will be paid in line with UK Theatre / Equity Subsidised Agreement Rates for 2017-19.</p>
<p>For the first date of the engagement, 18<sup>th</sup> May 2018, £100 will be paid and any travel and accommodation expenses covered.</p>
<p> </p>
<p><strong>Location:</strong> Touch will be created and performed in North Wales. It will be site located, at a medical facility</p>
<p> </p>
<p><strong>Dates:</strong></p>
<p> </p>
<p>Deadline- please apply to be involved on or before 14<sup>th</sup> February</p>
<p> </p>
<p>Meetings – Llandudno: 26<sup>th</sup> February </p>
<p> – Cardiff: 28<sup>th</sup> February </p>
<p> </p>
<p>Friday 18<sup>th</sup> May– Initial session with choreographer</p>
<p> </p>
<p>Creation and performances 23<sup>rd</sup> – 28<sup>th</sup> July 2018</p>
<p> </p>
<p> </p>
<p><strong>To apply</strong>: If you would like to be considered for this production, please email:</p>
<p> </p>
<ul>
<li>Your CV</li>
<li>A short statement on why you are interested in performing as part of the project, any relevant experience and how your practice would benefit from it</li>
<li>Video footage of any previous work</li>
</ul>
<p> </p>
<p>with the subject line “NHS 70: TOUCH”</p>
<p> </p>
<p>to <span><a href="mailto:casting@nationaltheatrewales.org"><strong>casting@nationaltheatrewales.org</strong></a></span> by 6pm on the 14 February.</p>
<p> </p>
<p>We will be meeting people to discuss the opportunity (there will be no dance audition) during the week commencing the 26<sup>th</sup> Feb in Cardiff and North Wales and it will also be possible meet via Skype. You must indicate in which location you would prefer to meet, or whether Skype is prefereable</p>
<p> </p>
<p><strong>NTW Casting Policy:</strong></p>
<p> </p>
<p>Every project is unique and NTW auditions to discover the most talented performers who connect to the company’s values and can help us to create extraordinary work. In doing so, NTW is flexible but committed in pursuit of the following priorities across each project:</p>
<ul>
<li>Creating opportunities for performers who are Welsh, based in Wales or professionally trained in Wales.</li>
<li>Casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</li>
</ul>
<p> </p>
<p>We will strive to make any required provisions, at audition and at work, to ensure that everyone has equal access to this opportunity. To discuss how we can meet your access requirements and/or additional needs, please don’t hesitate to be in touch.</p>
<p></p>
<p></p>
<p style="text-align: center;"><strong>Mae National Theatre Wales a Migrations yn castio ar gyfer Touch.</strong></p>
<p> </p>
<p>Bydd National Theatre Wales yn ymuno â’r sefydliad celfyddydau Migrations, y coreograffydd a’r dawnsiwr o Ffrainc, Julie Nioche a’r coreograffwyr Filiz Sizanli a Mustafa Kaplan o Dwrci, i greu <strong><em><u>Touch,</u></em></strong> darn dawns rhyngweithiol a chyffyrddol safle-benodol am agweddau therapiwtig dawns a lle cymdeithasol y corff. Wedi'i wneud a'i berfformio mewn cyfleuster meddygol yng ngogledd Cymru</p>
<p> </p>
<p><strong>Rolau: Rydym yn chwilio am pedwar o ddawnswyr proffesiynol y dylai fod ganddynt; <br/> <br/></strong></p>
<ul>
<li>sgiliau byrfyfyr cryf</li>
<li>profiad o berfformio rhyngweithiol a diddordeb ynddo</li>
<li>profiad o gyffwrdd mewn ymarfer dawns a diddordeb ynddo</li>
<li>dealltwriaeth o waith safle-benodol a'r gallu i addasu i weithio mewn lleoliadau anhraddodiadol</li>
<li>cysurus yn gweithio mewn amgylchedd meddygol</li>
<li>diddordeb mewn gweithio gyda thrin gwrthrychau a gwneud pethau gyda phropiau</li>
</ul>
<p> </p>
<p>Fel rhan o'r prosiect, byddwch yn gweithio'n agos gyda'r coreograffwyr arweiniol i ddatblygu perfformiadau dawns a ysbrydolir gan eich atgofion a'ch profiadau eich hun, ac felly'n gofyn am ymgysylltiad personol penodol.</p>
<p> </p>
<p>Bydd y gwaith yn galw am ryngweithio ag aelodau'r gynulleidfa trwy gyffwrdd.</p>
<p> </p>
<p>Gallai’r darn gynnwys recordio testun felly byddai bod yn gyfforddus â hyn yn ddymunol.</p>
<p><strong> </strong></p>
<p><strong>Cydnabyddiaeth: <br/><br/></strong></p>
<p>Fee Offered - £966 (consisting of company wage of £585 and overtime at £347) plus £84 as Holiday Pay accrued*<br/></p>
<p>Pan fydd yn berthnasol, telir lwfans adleoli, cymudo neu deithio yn unol â Chyfraddau Cytundeb UK Theatre/Equity ar gyfer 2017-19.</p>
<p>For the first date of the engagement, 18<sup>th</sup> May 2018, £100 will be paid and any travel and accommodation expenses covered.*<br/> <br/> * Mae’r wybodaeth yma yn cael ei gyfieithu, a caiff ei hychwanegu mor fuan â phosib.</p>
<p> </p>
<p><strong>Lleoliad:</strong> Bydd Touch yn cael ei greu a'i berfformio yng Ngogledd Cymru. Bydd yn waith safle-benodol, mewn cyfleuster meddygol</p>
<p> </p>
<p><strong>Dyddiadau:</strong></p>
<p> </p>
<p>Dyddiad cau - gwnewch gais i gymryd rhan cyn neu ar 14 Chwefror</p>
<p> </p>
<p>Cyfarfodydd – Llandudno 26 Chwefror </p>
<p>– Caerdydd 28 Chwefror</p>
<p> </p>
<p>18 Mai - Sesiwn gychwynnol gyda'r coreograffydd</p>
<p> </p>
<p>Creu a pherfformiadau 23 - 28 Gorffennaf 2018</p>
<p> </p>
<p> </p>
<p><strong>Gwneud Cais:</strong> Os hoffech gael eich ystyried ar gyfer y cynhyrchiad hwn, anfonwch e-bost gyda:</p>
<p> </p>
<ul>
<li>Eich CV</li>
<li>Datganiad byr ynghylch pam mae gennych ddiddordeb mewn perfformio fel rhan o'r prosiect, unrhyw brofiad perthnasol a sut y byddai'ch ymarfer yn elwa ohono</li>
<li>Fideo o unrhyw waith blaenorol</li>
</ul>
<p> </p>
<p>gyda'r llinell pwnc "NHS 70: TOUCH "</p>
<p> </p>
<p>i <strong><u>casting@nationaltheatrewales.org</u></strong> erbyn 6pm ar 14 Chwefror.</p>
<p> </p>
<p>Byddwn yn cwrdd â phobl i drafod y cyfle (ni fydd clyweliad dawnsio) yn ystod yr wythnos yn dechrau 26 Chwefror yng Nghaerdydd a Gogledd Cymru, a bydd hefyd yn bosib cwrdd dros Skype. Rhaid ichi nodi ym mha leoliad y byddai'n well gennych chi gwrdd, neu a yw Skype yn fwy dymunol</p>
<p> </p>
<p><strong>Polisi Castio NTW:</strong></p>
<p>Mae pob prosiect yn unigryw ac mae NTW yn clyweld i ddod o hyd i’r perfformwyr mwyaf talentog sy'n cysylltu â gwerthoedd y cwmni ac yn gallu ein helpu ni i greu gwaith anhygoel. Wrth wneud hynny, mae NTW yn hyblyg ond wedi ymrwymo i geisio cyflawni'r blaenoriaethau canlynol ar draws pob prosiect:</p>
<ul>
<li>Creu cyfleoedd i berfformwyr sy'n Gymry, yn byw yng Nghymru neu sydd wedi'u hyfforddi'n broffesiynol yng Nghymru.</li>
<li>Castio’n gynhwysol, gan hyrwyddo cyfle cyfartal yn y celfyddydau a chynrychioli cymunedau amrywiol Cymru yn ddidwyll.</li>
</ul>
<p> </p>
<p>Byddwn yn ymdrechu i wneud unrhyw ddarpariaethau gofynnol, yn ystod clyweliad ac yn y gwaith, i sicrhau bod gan bawb fynediad cyfartal i'r cyfle hwn. I drafod sut y gallwn fodloni eich gofynion mynediad a/neu anghenion ychwanegol, cysylltwch â ni ar bob cyfrif.</p>ENGLISHtag:community.nationaltheatrewales.org,2018-01-17:3152760:BlogPost:2739712018-01-17T17:41:27.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p>Casting Breakdown: <strong>ENGLISH</strong><br></br>National Theatre Wales and Quarantine</p>
<p><br></br><strong>Who we are looking for</strong><br></br>We’re looking for someone with direct personal experience of teaching English as a second or other<br></br>language (ESOL), to be the sole performer in an upcoming production. This person should appear to be 30 -<br></br>55 and could be of any gender.</p>
<p><br></br>This person could be a professional performer who has taught ESOL or an ESOL teacher who has…</p>
<p>Casting Breakdown: <strong>ENGLISH</strong><br/>National Theatre Wales and Quarantine</p>
<p><br/><strong>Who we are looking for</strong><br/>We’re looking for someone with direct personal experience of teaching English as a second or other<br/>language (ESOL), to be the sole performer in an upcoming production. This person should appear to be 30 -<br/>55 and could be of any gender.</p>
<p><br/>This person could be a professional performer who has taught ESOL or an ESOL teacher who has an<br/>interest in performing for theatre.We would especially like to hear from performers with personal experience of migration and/or Welsh<br/>speakers.</p>
<p><br/>There will be one performer in ENGLISH, on stage alongside a technician and a stage manager.</p>
<p><br/><strong>The Production</strong><br/>ENGLISH is a collaboration between National Theatre Wales and Quarantine which will be part of Festival of<br/>the Voice 2018. ENGLISH is a piece of performance that looks at the relationship between language and<br/>identity in the context of migration:</p>
<p>What happens to your sense of self when you move somewhere, and you don’t really know how to say who<br/>you are?</p>
<p>Right now seems an interesting and complex moment to look at questions around “English-ness” and<br/>nationhood and belonging - and perhaps even more interesting and complex to do this in Wales, particularly<br/>through the lens of looking at language.<br/>The performance will take the form of a language lesson for its audience, a challenge maybe to the notion of<br/>“One nation, one language” politics, and a glance towards a future where the use of multiple languages in<br/>society is not just commonplace and accepted, but desirable, enriching, maybe inevitable…</p>
<p>Quarantine’s work focuses upon the lived experience of its performers. It asks questions about<br/>representation – about who speaks for whom – and concocts an appropriate form for each piece. The<br/>people on stage are individuals, each with their own story – they are experts in their own lives.<br/>Qtine.com<br/>Nationaltheatrewales.org</p>
<p><strong>Is this you?</strong><br/>We’re inviting expressions of interest from experienced performers and/or experienced teachers who meet<br/>the above criteria and are willing to perform and commit to the duration of the project and potential future<br/>touring. Welsh or Wales-based performers and/or teachers preferred.</p>
<p><br/><strong>How to apply:</strong><br/>If you have the relevant skills and experience and are excited about this project, please send your CV, a<br/>recent headshot/photograph and a little something about why you'd like to be involved in this project (no<br/>more than 100 words) to casting@nationaltheatrewales.org before 6pm on 2nd February.</p>
<p>If you have any questions - please don’t hesitate to get in touch: casting@nationaltheatrewales.org<br/>AUDITIONS will take place in Cardiff on 8th &amp; 9th February 2018.</p>
<p>** Please let us know your availability for these dates when you suggest yourself.** </p>
<p><strong>PRODUCTION DATES</strong> (please note: you must be available for all dates):<br/>Research and development: 19th to 23rd March 2018 (Cardiff)<br/>Rehearsals: 8th May to 9th June (Cardiff)<br/>Performances: 14th to 24th June 2018 (Cardiff)</p>
<p>There are plans for future UK and International Touring.</p>
<p><br/>Wage: £585 per week rehearse and play</p>
<p>Relocation, commuting or touring allowance, if/when applicable, will be paid in line with UK Theatre / Equity<br/>Subsidised Agreement Rates for 2017-19<br/>Performers are employed on a freelance contract and would be responsible for their own Tax and NI.</p>
<p><strong>How National Theatre Wales casts its productions:</strong></p>
<p>Every project is unique and NTW auditions to discover the most talented performers who connect to the<br/>company’s values and can help us to create extraordinary work. In doing so, NTW is flexible but committed<br/>in pursuit of the following priorities across each project:<br/>▪ Creating opportunities for performers who are Welsh, based in Wales or professionally trained in<br/>Wales.<br/>▪ Casting inclusively, promoting equality of opportunity in the arts and authentically representing<br/>Wales’ diverse communities.</p>
<p>We will strive to make any required provisions, at interview and at work, to ensure that everyone has equal<br/>access to this opportunity. To discuss how we can meet your access requirements and/or additional needs,<br/>please don’t hesitate to be in touch.</p>
<p></p>
<p>Amlinelliad Castio:<br/><strong>ENGLISH</strong><br/>National Theatre Wales a Quarantine</p>
<p><br/><strong>Am bwy ydym ni’n chwilio?</strong><br/>Rydym yn ceisio dod o hyd i rywun sydd â phrofiad personol o ddysgu Saesneg fel ail ynteu iaith arall<br/>(ESOL), i fod yr unig berfformiwr mewn cynhyrchiad sydd gennym ar y gorwel. Dylai’r person hwn<br/>ymddangos fel petai rhwng 30 a 55 mlwydd oed ac o’r naill ryw neu’r llall.<br/>Gallai’r person hwn fod yn berfformiwr proffesiynol sydd wedi dysgu ESOL ynteu yn athro ESOL sydd yn<br/>diddori mewn perfformio mewn cyd-destun theatr.<br/>Byddai diddordeb arbennig gennym mewn clywed oddi wrth berfformwyr sydd â phrofiad personol o fudo<br/>ac/ynteu siaradwyr Cymraeg.<br/>Un perfformiwr fydd yna ar gyfer ENGLISH, a fydd yn ymddangos ar y llwyfan ochr yn ochr â thechnegydd a<br/>rheolwr llwyfan.<br/>Y Cynhyrchiad</p>
<p><br/>Mae ENGLISH yn gywaith ar y cyd rhwng National Theatre Wales a Quarantine ac a fydd yn rhan o Ŵyl y<br/>Llais 2018. Mae ENGLISH yn ddarn perfformiad sy’n edrych ar y berthynas rhwng iaith a hunaniaeth yng<br/>nghyd-destun mudo:</p>
<p>Beth sy’n digwydd i’ch ymdeimlad o hunaniaeth pan fyddwch chi’n symud i rywle arall, a dydych chi ddim o<br/>ddifri’n gwybod sut i esbonio pwy ydych chi?</p>
<p>Mae’r adeg hon yn gyfnod diddorol, ond cymhleth, i ystyried cwestiynau o gwmpas “Seisnigrwydd” a<br/>chenedligrwydd a pherthyn - ac o bosib hyd yn oed yn fwy diddorol a chymhleth i wneud hyn yng Nghymru,<br/>yn arbennig felly trwy lens edrych ar iaith.<br/>Bydd y perfformiad ar ffurf gwers iaith ar gyfer ei chynulleidfa, her i’r cysyniad gwleidyddol o “Un genedl, un<br/>iaith”, a chip tuag at ddyfodol pan fydd ieithoedd amrywiol yn cael eu defnyddio o fewn cymdeithas a hynny’n<br/>gyffredin, yn cael ei groesawu a’i dderbyn, a hyd yn oed yn rhywbeth atyniadol sy’n cyfoethogi ac o bosib yn<br/>ddyfodol anochel …</p>
<p>Mae gwaith Quarantine yn canolbwyntio ar brofiadau y mae eu perfformwyr wedi byw trwyddynt. Mae’n holi<br/>cwestiynau ynghylch cynrychiolaeth – ynghylch pwy sy’n siarad ar ran pwy arall – ac yn llunio ffurf addas ar<br/>gyfer pob darn. Mae’r bobl ar y llwyfan yn unigolion, pob un â’i stori ei hun – nhw yw’r arbenigwyr ar eu<br/>bywydau eu hunain.</p>
<p><br/>Qtine.com<br/>Nationaltheatrewales.org</p>
<p></p>
<p><strong>Ai chi yw’r person hwn?</strong><br/>Rydym yn gwahodd Datganiadau Diddordeb oddi wrth berfformwyr profiadol ac/ynteu athrawon profiadol<br/>sy’n bodloni’r amodau uchod ac yn barod i berfformio ac ymrwymo i gyfnod y prosiect ac unrhyw daith bosib<br/>yn y dyfodol. Rhoddir blaenoriaeth i berfformwyr ac/ynteu athrawon Cymreig neu rai wedi eu lleoli yng<br/>Nghymru.</p>
<p><br/><strong>Sut i wneud cais:</strong><br/>Os oes gennych y medrau a’r profiad perthnasol ac yn teimlo cyffro ynghylch y prosiect hwn, anfonwch CV<br/>os gwelwch yn dda, llun pen ac ysgwyddau diweddar a rhyw amlinelliad ynghylch pam yr hoffech fod yn rhan<br/>o’r prosiect (mewn llai ‘na 100 gair) at casting@nationaltheatrewales.org cyn 6pm ar 2 Chwefror.</p>
<p>Os oes gennych unrhyw ymholiadau – yna peidiwch â phetruso cyn cysylltu:<br/>casting@nationaltheatrewales.org<br/>Cynhelir CLYWELIADAU yng Nghaerdydd ar yr 8fed a’r 9fed Chwefror 2018.</p>
<p>** Rhowch wybod i ni os gwelwch yn dda ynghylch eich argaeledd ar gyfer y dyddiadau canlynol<br/>wrth i chi eich awgrymu eich hun.**</p>
<p><br/><strong>DYDDIADAU’R CYNHYRCHIAD</strong> (Nodwch os gwelwch yn dda bod rhaid i chi fod ar gael ar gyfer yr<br/>holl ddyddiadau canlynol):<br/>Ymchwil a datblygiad: 19eg hyd 23ain Mawrth 2018 (Caerdydd)<br/>Ymarferion: 8fed Mai hyd 9fed Mehefin (Caerdydd)<br/>Perfformiadau: 14eg hyd 24ain Mehefin 2018 (Caerdydd)</p>
<p>Mae cynlluniau ar y gweill ar gyfer mynd ar daith yn y dyfodol yn y DU a thramor.</p>
<p>Cyflog: £585 yr wythnos ar gyfer ymarferion a’r perfformio</p>
<p>Bydd lwfans adleoli, cymudo a theithio pan/os yn berthnasol, yn cael ei dalu yn unol â Chyfraddau<br/>Sybsideiddio Cytundeb Theatrau’r DU / Equity ar gyfer 2017-19<br/>Cyflogir perfformwyr ar sail lawrydd a byddant yn gyfrifol am dalu treth ac Yswiriant Cenedlaethol eu hunain.</p>
<p><strong>Sut mae National Theatre Wales yn castio ei gynyrchiadau:</strong></p>
<p>Mae pob prosiect yn unigryw ac mae NTW yn cynnal clyweliadau er mwyn dod o hyd i’r perfformwyr mwyaf<br/>dawnus sy’n teimlo cyswllt â gwerthoedd y Cwmni ac yn medru ein cynorthwyo i lunio gwaith rhyfeddol. O<br/>wneud hyn mae NTW yn hyblyg ond yn unplyg ymrwymedig i geisio’r blaenoriaethau canlynol ar draws pob<br/>prosiect:<br/>▪ Creu cyfleoedd ar gyfer perfformwyr Cymreig, perfformwyr wedi eu lleoli yng Nghymru ynteu a<br/>hyfforddwyd yn broffesiynol yng Nghymru.<br/>▪ Castio mewn ffordd gynhwysol, gan hyrwyddo cyfleoedd cyfartal o fewn y celfyddydau a<br/>chynrychioli yn ddilys gymunedau amrywiol Cymru.</p>
<p>Byddwn yn ymdrechu i wireddu unrhyw ddarpariaeth y mae gofyn amdani yn y cyfweliad ac yn y gwaith, er<br/>mwyn sicrhau bod pawb â’r un cyfle i fod yn rhan o’r prosiect hwn. Er mwyn trafod sut y medrwn fodloni eich<br/>anghenion mynediad a/ynteu anghenion ychwanegol, peidiwch â phetruso cyn cysylltu â ni.</p>CASTING: NTW & OILY CART - SPLISH SPLASHtag:community.nationaltheatrewales.org,2017-11-28:3152760:BlogPost:2727032017-11-28T10:30:00.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p><b>National Theatre Wales & Oily Cart are casting for SPLISH SPLASH, a complex needs show.</b></p>
<p> </p>
<p>Oily Cart has an international reputation for its work with young people with complex learning disabilities. We are looking for wonderful performers for a new hydro-pool production. The show will be created in collaboration with National Theatre of Wales as part of NHS70, a month-long festival, inspired by some of the founders, staff and patients of this extraordinary…</p>
<p><b>National Theatre Wales & Oily Cart are casting for SPLISH SPLASH, a complex needs show.</b></p>
<p> </p>
<p>Oily Cart has an international reputation for its work with young people with complex learning disabilities. We are looking for wonderful performers for a new hydro-pool production. The show will be created in collaboration with National Theatre of Wales as part of NHS70, a month-long festival, inspired by some of the founders, staff and patients of this extraordinary institution.</p>
<p> </p>
<p>SPLISH SPLASH is a multi-sensory, underwater production exclusively for children and young people with sensory impairments, performed in hydropools, in hospitals and schools across Wales. There will be three versions: one for those with profound and multiple learning disabilities, another for those on the autism spectrum, and a third for the deafblind. Our aim is to present a watery wonderland, a magical space where every sense is delighted. Hydro-therapy pools will be transformed by underwater lighting, clouds of bubbles drifting from below, curtains of perfumed spray, and live music played on floating pipes, with a sound that can be felt as much as heard.</p>
<p><b> </b></p>
<p>We’re looking for performers with terrific singing voices, who are comfortable in the pool. Performers should be prepared to develop close-up communication skills.</p>
<p>We encourage applications from people of colour.</p>
<p> </p>
<p><b>Salary:</b> £525.30 per week, plus per diems and accommodation provided whilst on tour.</p>
<p><b> </b></p>
<p><b>Dates:</b></p>
<p>Rehearsals <b>26th Feb - 30 March 2018</b> with previews (London)</p>
<p>Bring back rehearsals in Wales: <b>18<sup>th</sup> June – 30<sup>th</sup>June 2018</b></p>
<p>Wales tour from <b>1<sup>st</sup> - 29<sup>th</sup> July 2018 </b></p>
<p>Re-rehearsals in London: <b>w/b 10<sup>th</sup> September 2018</b></p>
<p>Rest of the UK tour taking place in <b>17th September – 7<sup>th</sup> October 2018</b></p>
<p> </p>
<p><b>NTW Casting Policy:</b></p>
<p> </p>
<p>Every project is unique and NTW auditions to discover the most talented performers who connect to the company’s values and can help us to create extraordinary work. In doing so, NTW is flexible but committed in pursuit of the following priorities across each project:</p>
<ul>
<li>Creating opportunities for performers who are Welsh, based in Wales or professionally trained in Wales.</li>
<li>Casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</li>
</ul>
<p> </p>
<p><b>Additional needs:</b></p>
<p> </p>
<p>We will strive to make any required provisions, at audition and at work, to ensure that everyone has equal access to this opportunity. To discuss how we can meet your access requirements and/or additional needs, please don’t hesitate to be in touch.</p>
<p class="BodyA"> </p>
<p class="BodyA"><b>Applying:</b></p>
<p class="BodyA"> </p>
<p>If you would like to be considered for this production please take a look at <u><a href="http://www.oilycart.org.uk">www.oilycart.org.uk</a></u> for further details of the company and its work.</p>
<p> </p>
<p>Then please send a CV, photograph and a covering letter outlining why you are interested in working on Splish Splash and describing what skills and experience you would bring to this role to casting@nationaltheatrewales.org</p>
<p> </p>
<p>Please indicate in which city you’d like to audition, if invited.</p>
<p> </p>
<p>Deadline: 8<sup>th</sup> December 2018 by 5pm</p>
<p>Auditions will take place in London on 19<sup>th</sup> December 2018</p>
<p>Auditions will take place in Cardiff on 21<sup>st</sup> December 2018</p>
<p> </p>
<p style="text-align: center;">-------------------------------------------------------------------</p>
<p> </p>
<p><b>Mae National Theatre Wales & Oily Cart yn castio ar gyfer SPLISH SPLASH, sioe anghenion cymhleth.</b></p>
<p> </p>
<p>Mae gan Oily Cart enw da rhyngwladol am ei waith gyda phobl ifanc ag anableddau dysgu cymhleth. Rydym yn edrych am berfformwyr ardderchog ar gyfer cynhyrchiad newydd mewn pwll hydro. Bydd y sioe yn cael ei chreu mewn cydweithrediad â National Theatre Wales fel rhan o NHS70, gŵyl mis o hyd, wedi’i hysbrydoli gan rai o sefydlwyr, staff a chleifion y sefydliad anhygoel hwn.</p>
<p> </p>
<p>Mae SPLISH SPLASH yn gynhyrchiad amlsynhwyraidd, o dan y dŵr yn arbennig i blant a phobl ifanc â nam ar y synhwyrau, a berfformir mewn pyllau hydro mewn ysbytai ac ysgolion ledled Cymru. Bydd tair fersiwn: un ar gyfer y rheini sydd ag anableddau dysgu dwys a lluosog, un arall i'r rhai sydd ar y sbectrwm awtistiaeth, a thrydedd ar gyfer pobl sy'n fyddar ac yn ddall. Eu nod yw cyflwyno rhyfeddod dyfrllyd, lle hudol lle mae pob synnwyr wrth ei fodd. Bydd pyllau hydro-therapi yn cael eu trawsnewid gan oleuadau o dan y dŵr, cymylau swigod yn ymddangos oddi isod, llenni o chwistrell llawn arogl da, a cherddoriaeth fyw wedi'i chwarae ar bibellau sy’n arnofio, gyda sain y gellir ei deimlo llawn cymaint â'i glywed.</p>
<p><b> </b></p>
<p>Rydym yn edrych am berfformwyr gyda lleisiau canu arbennig, sy’n gyfforddus yn y pwll. Dylai perfformwyr fod yn barod i ddatblygu sgiliau cyfathrebu agos atoch chi.</p>
<p>Rydym yn annog ceisiadau gan bobl groendywyll.</p>
<p> </p>
<p><b>Cyflog:</b> £525.30 yr wythnos, ynghyd â thaliadau per diem a llety’n cael ei ddarparu tra ar daith.</p>
<p><b> </b></p>
<p><b>Dyddiadau:</b></p>
<p>Ymarferion <b>26<sup>ain</sup> Chwefror – 30<sup>ain</sup> Mawrth 2018</b> gyda rhagddangosiadau (Llundain)</p>
<p>Ymarferion yng Nghymru: <b>18<sup>fed</sup> Mehefin - 30<sup>ain</sup> Mehefin 2018</b></p>
<p>Taith Cymru rhwng <b>1<sup>af</sup> - 29<sup>ain</sup> Gorffennaf 2018</b></p>
<p>Ail-ymarferion yn Llundain: <b>wythnos yn dechrau 10<sup>fed</sup> Medi 2018</b></p>
<p>Taith gweddill y DU rhwng <b>17<sup>eg</sup> Medi - 7fed Hydref 2018</b></p>
<p> </p>
<p><b>Polisi castio NTW:</b></p>
<p> </p>
<p>Mae pob prosiect yn unigryw ac mae NTW yn clyweld er mwyn darganfod y perfformwyr mwyaf talentog sy'n cysylltu â gwerthoedd y cwmni a all ein helpu ni i greu gwaith anhygoel. Wrth wneud hynny, mae NTW yn hyblyg ond wedi ymrwymo i geisio cyflawni'r blaenoriaethau canlynol ar draws pob prosiect:</p>
<p>§ Creu cyfleoedd i berfformwyr sy'n Gymry, yn byw yng Nghymru neu sydd wedi'u hyfforddi'n broffesiynol yng Nghymru.</p>
<p>§ Castio’n gynhwysol, gan hyrwyddo cyfle cyfartal yn y celfyddydau a chynrychioli cymunedau amrywiol Cymru yn gywir.</p>
<p> </p>
<p><b>Anghenion ychwanegol:</b></p>
<p> </p>
<p>Byddwn yn ymdrechu i wneud unrhyw ddarpariaethau gofynnol, yn ystod y clyweliad ac yn y gwaith, i sicrhau bod gan bawb fynediad cyfartal i'r cyfle hwn. I drafod sut y gallwn gwrdd â'ch gofynion mynediad a/neu anghenion ychwanegol, mae croeso i chi gysylltu â ni.</p>
<p> </p>
<p><b>Ymgeisio:</b></p>
<p> </p>
<p>Os hoffech gael eich ystyried ar gyfer y cynhyrchiad hwn, edrychwch ar <a href="http://www.oilycart.org.uk">www.oilycart.org.uk</a> am fanylion pellach am y cwmni a’i waith.</p>
<p> </p>
<p>Yna anfonwch CV, ffotograff a llythyr eglurhaol yn nodi pam mae gennych ddiddordeb mewn gweithio ar Splish Splash ac yn disgrifio pa sgiliau a phrofiad y byddech yn gallu eu cynnig i’r rôl hon i casting@nationaltheatrewales.org</p>
<p> </p>
<p>Nodwch ym mha ddinas yr hoffech gael clyweliad, os cewch wahoddiad.</p>
<p> </p>
<p>Dyddiad cau: 8<sup>fed</sup> Rhagfyr 2018 erbyn 5pm</p>
<p>Bydd clyweliadau yn cael eu cynnal yn Llundain ar 19<sup>eg</sup> Rhagfyr 2018</p>
<p>Bydd clyweliadau yn cael eu cynnal yng Nghaerdydd ar 21<sup>ain</sup> Rhagfyr 2018</p>
<p> </p>CASTING STORM 2: THINGS COME APARTtag:community.nationaltheatrewales.org,2017-11-24:3152760:BlogPost:2721392017-11-24T10:30:00.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p>Hi everyone.</p>
<p>We're really excited to have announced our 2018 yesterday! It's Artistic Director Kully Thiarai's first full season and the focus is <strong>People and Places</strong>. You can <a href="http://nationaltheatrewales.org/ntw-2018-season" target="_blank">read all about it here</a></p>
<p>We are of course looking forward to collaborating with some amazing performers throughout the year. Remember that our casting breakdowns are always shared here first and do get in touch if…</p>
<p>Hi everyone.</p>
<p>We're really excited to have announced our 2018 yesterday! It's Artistic Director Kully Thiarai's first full season and the focus is <strong>People and Places</strong>. You can <a href="http://nationaltheatrewales.org/ntw-2018-season" target="_blank">read all about it here</a></p>
<p>We are of course looking forward to collaborating with some amazing performers throughout the year. Remember that our casting breakdowns are always shared here first and do get in touch if you have any questions about a role or show. </p>
<p></p>
<p>Here's the breakdown for STORM 2, please share it far and wide and keep your eyes open for another 2018 opportunity coming soon. </p>
<p><br/> Also, we're delighted to be recruiting for a Casting Associate who will take their post in the new year, strengthen our relationship with actors in Wales and beyond and make our casting more exciting and inclusive than ever. <br/> <a href="http://nationaltheatrewales.org/about#workwithus" target="_blank">The job description is here</a> - get it out there. </p>
<p>Thanks!</p>
<p class="BodyA" style="text-align: center;"></p>
<p class="BodyA" style="text-align: center;"></p>
<p class="BodyA" style="text-align: center;">CASTING BREAKDOWN</p>
<p class="BodyA" style="text-align: center;"></p>
<p class="BodyA">STORM 2: THINGS COME APART</p>
<p class="BodyA"><b> </b></p>
<p>Theatre-makers Mike Pearson & Mike Brookes, who have created some of National Theatre Wales’ most critically-acclaimed work to date begin an extraordinary, three-year collaboration with NTW in 2018.</p>
<p> </p>
<p><i>The Storm Cycle</i> will be a series of six productions conceived, designed and directed by Pearson & Brookes. These multimedia works will be performed at different locations across Wales, at a variety of scales and sizes, and will explore two key themes; truth and testimony. They will culminate in 2020 with the creation of a major, new, large-scale production for NTW’s 10<sup>th</sup> anniversary programme.</p>
<p> </p>
<p><i>There is a storm coming…</i></p>
<p><i>We live in tempestuous times: an era of climatic and environmental uncertainty and of</i></p>
<p><i>social and political upheaval. Perhaps it was always so.</i></p>
<p><i>But what new forms can theatre develop and adopt: to engage with and to reflect the temper of our times?</i></p>
<p><i>An urgent theatre: fit for purpose, addressing and expressing our present realities</i></p>
<p><i>Of living in the eye of the storm</i></p>
<p class="BodyA"><b> </b></p>
<p class="BodyA"><b>WE ARE NOW CASTING FOR STORM 2:</b> <b>THINGS COME APART </b></p>
<p class="BodyA"><b> </b></p>
<p>STORM 2: THINGS COME APART will be a vivid evocation of the Cardiff riots of June 1919 – as reported in the local press ('Wild Scenes at Cardiff', South Wales Echo, Thursday 12 June 1919).</p>
<p class="BodyA"> </p>
<p class="BodyA">It will be created entirely in Cardiff and staged at a city centre location, close to the ‘storm centre’ of events, and with the performers in an intimate relationship with the audience. The work will create a vivid impression of what happened just outside the door, on the landscape we still walk, 100 years ago.</p>
<p class="BodyA"> </p>
<p class="BodyA">STORM 2: THINGS COME APART will be rehearsed quickly and presented in 4 performances.</p>
<p class="BodyA"> </p>
<p class="BodyA">The cast will consist of 3 narrators and several on-stage scenic operators.</p>
<p class="BodyA">Performers won’t need to memorise the text, as it will be read live from iPads.</p>
<p class="BodyA"> </p>
<p class="BodyA">It is desirable that performers have experience in radio, film, television and/or in theatre productions that have employed combinations of media and/or that they have been involved in processes of devising and collective creativity.</p>
<p class="BodyA"> </p>
<p class="BodyA">Strong, versatile voices are important and an ability to read and deliver text quickly, dynamically and with emotional depth.</p>
<p class="BodyA"> </p>
<p class="BodyA">Rehearsal will involve not only developing vocal modes appropriate for animating and delivering the text in an immediate and engaging manner but also in learning a choreography that will include the integration of period maps and photographs.</p>
<p class="BodyA"> </p>
<p class="BodyA"><strong>PRODUCTION DATES:</strong></p>
<p class="BodyA">Rehearsals in Cardiff from Monday 12 March 2018</p>
<p class="BodyA">Performances from Wednesday 21<sup>st</sup> March to Saturday 24 March</p>
<p class="BodyA"> </p>
<p class="BodyA"><strong>VENUE:</strong></p>
<p class="BodyA">Tabernacl Chapel Vestry, The Hayes, Cardiff</p>
<p class="BodyA"> </p>
<p class="BodyA"><strong>RENUMERATION:</strong> Company wage of £570 per week rehearse and play.</p>
<p>Relocation, commuting or touring allowance, when applicable, will be paid in line with UK Theatre / Equity Subsidised Agreement Rates for 2017-19</p>
<p class="BodyA"><strong> </strong></p>
<p class="BodyA"><strong>AUDITION WORKSHOPS WILL TAKE PLACE IN CARDIFF ON MONDAY 11<sup>TH</sup> DECEMBER</strong></p>
<p class="BodyA"> </p>
<p class="BodyA"><b>ROLE 1</b></p>
<p class="BodyA">We are looking to cast one female actor, aged 20-40, of Irish descent and accent, to be a narrator/performer. Given the nature of the production and Mike Pearson & Mike Brooke's creative process, we are looking for a skilful self-reliant performer who would embrace working collectively to turn journalese into resonant theatre.</p>
<p class="BodyA"> </p>
<p class="BodyA"><b>ROLE 2</b></p>
<p class="BodyA">We are looking to cast one actor of any gender, aged 20-40, of Somali/Yemeni descent to be a narrator/performer. Given the nature of the production and Mike Pearson & Mike Brooke's creative process, we are looking for a skilful self-reliant performer who would embrace working collectively to turn journalese into resonant theatre.</p>
<p class="BodyA"> </p>
<p><b>NTW CASTING POLICY:</b></p>
<p> </p>
<p>Every project is unique and NTW auditions to discover the most talented performers who connect to the company’s values and can help us to create extraordinary work. In doing so, NTW is flexible but committed in pursuit of the following priorities across each project:</p>
<ul>
<li>Creating opportunities for performers who are Welsh, based in Wales or professionally trained in Wales.</li>
<li>Casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</li>
</ul>
<p> </p>
<p><b>ADDITIONAL NEEDS:</b></p>
<p> </p>
<p>We will strive to make any required provisions, at audition and at work, to ensure that everyone has equal access to this opportunity. To discuss how we can meet your access requirements and/or additional needs, please don’t hesitate to be in touch.</p>
<p class="BodyA"> </p>
<p class="BodyA"><b>APPLYING</b></p>
<p class="BodyA"> </p>
<p>If you would like to be considered for this production, please email your CV and headshot, telling us where you are based, to <a href="mailto:casting@nationaltheatrewales.org">casting@nationaltheatrewales.org</a> by midday on the 5<sup>th</sup> December.</p>
<p></p>
<p style="text-align: center;">----------------------------------------------------------------------------</p>
<p class="BodyA" align="center">MANYLION CASTIO</p>
<p class="BodyA"><i>STORM 2: THINGS COME APART</i></p>
<p class="BodyA"><b> </b></p>
<p>Bydd y gwneuthurwyr theatr, Mike Pearson a Mike Brookes, sydd wedi creu peth o waith mwyaf clodwiw National Theatre Wales hyd yn hyn, yn ymuno â'r cwmni fel Artistiaid Cyswllt ac yn dechrau ar gydweithrediad tair blynedd anhygoel gyda NTW yn 2018.</p>
<p> </p>
<p>Bydd The Storm Cycle yn gyfres o chwe chynhyrchiad wedi’u dyfeisio, eu llunio a’u cyfarwyddo gan Pearson a Brookes. Bydd y gweithiau amlgyfrwng hyn yn cael eu perfformio mewn gwahanol leoliadau ledled Cymru, mewn amrywiaeth o raddfeydd a meintiau, ac yn archwilio dwy thema allweddol; gwirionedd a thystiolaeth. Byddant yn dod i ben yn 2020 gyda chynhyrchiad pwysig, newydd, ar raddfa fawr mewn lleoliad, ar gyfer rhaglen 10fed pen-blwydd NTW.</p>
<p> </p>
<p>Mae storm yn dod ...</p>
<p>Rydym ni'n byw mewn cyfnod newidiol: cyfnod o ansicrwydd hinsoddol ac amgylcheddol a chwyldro cymdeithasol a gwleidyddol. Efallai mai fel yna y bu hi erioed.</p>
<p>Ond pa ffurfiau newydd y gall theatr eu datblygu a'u mabwysiadu: i ymgysylltu ac i adlewyrchu naws ein hamser ni?</p>
<p>Theatr frys: yn addas i'r pwrpas, gan fynd i'r afael â'n realiti presennol a’i fynegi wrth fyw yn llygad y ddrycin.</p>
<p><i> </i></p>
<p class="BodyA"><b> </b></p>
<p class="BodyA"><b> RYDYM YN NAWR YN CASTIO AR GYFER STORM 2: THINGS COME APART</b></p>
<p class="BodyA"><b> </b></p>
<p>Bydd STORM 2: THINGS COME APART yn ail-gread byw o derfysgoedd Caerdydd ym mis Mehefin 1919 - fel yr adroddwyd yn y wasg leol ('Wild Scenes in Cardiff', South Wales Echo, dydd Iau, 12 Mehefin 1919).</p>
<p class="BodyA"> </p>
<p class="BodyA">Caiff ei greu yn gyfan gwbl yng Nghaerdydd a'i gynnal mewn lleoliad yng nghanol y ddinas, yn agos at 'ganol storm' y digwyddiadau, gyda'r perfformwyr mewn perthynas agos â'r gynulleidfa. Bydd y gwaith yn creu argraff fyw o'r hyn a ddigwyddodd ychydig y tu allan i'r drws, ar y dirwedd yr ydym yn dal i gerdded arni, 100 mlynedd yn ôl.</p>
<p class="BodyA"> </p>
<p class="BodyA">Bydd STORM 2: THINGS COME APART yn cael ei ymarfer a’i gyflwyno mewn 4 perfformiad.</p>
<p class="BodyA"> </p>
<p class="BodyA">Bydd y cast yn cynnwys 3 adroddwr a sawl gweithredwr golygfeydd ar y llwyfan.</p>
<p class="BodyA">Ni fydd angen i berfformwyr gofio'r testun, gan y bydd yn cael ei ddarllen yn fyw o iPads.</p>
<p class="BodyA"> </p>
<p class="BodyA">Mae'n ddymunol ond nid yw'n hanfodol bod gan berfformwyr brofiad mewn radio, ffilm, teledu a/ neu mewn cynyrchiadau theatr sydd wedi defnyddio cyfuniadau o gyfryngau a/neu eu bod wedi bod yn rhan o brosesau dyfeisio a chreadigrwydd ar y cyd.</p>
<p class="BodyA"> </p>
<p class="BodyA">Mae lleisiau cryf, hyblyg yn bwysig a’r gallu i ddarllen a chyflwyno testun yn gyflym, yn ddeinamig a gyda dyfnder emosiynol.</p>
<p class="BodyA"> </p>
<p class="BodyA">Bydd ymarfer yn cynnwys datblygu dulliau lleisiol sy'n addas ar gyfer bywiogi a chyflwyno'r testun mewn modd uniongyrchol ac ymgysylltiol a hefyd dysgu coreograffi a fydd yn cynnwys integreiddio mapiau a ffotograffau o’r cyfnod.</p>
<p class="BodyA"> </p>
<p class="BodyA"> </p>
<p class="BodyA"><strong>DYDDIADAU’R CYNHYRCHIAD:</strong></p>
<p class="BodyA">Ymarferion yng Nghaerdydd o ddydd Llun 12 Mawrth 2018</p>
<p class="BodyA">Perfformiadau o ddydd Mercher 21 Mawrth hyd ddydd Sadwrn 24 Mawrth</p>
<p class="BodyA"> </p>
<p class="BodyA"><strong>LLEOLIAD:</strong></p>
<p class="BodyA">Festri Capel y Tabernacl, Yr Aes, Caerdydd</p>
<p class="BodyA"> </p>
<p class="BodyA">CYFLOG: Tâl cwmni o £ 570 yr wythnos, ymarfer a pherfformio.</p>
<p>Pan fydd yn berthnasol, telir lwfans adleoli, cymudo neu deithio yn unol â chyfraddau â chymhorthdal Cytundeb UK Theatre/Equity ar gyfer 2017-19</p>
<p class="BodyA"><strong> </strong></p>
<p class="BodyA"><strong>BYDD GWEITHDAI CLYWELD YN CAEL EU CYNNAL YNG NGHAERDYDD DDYDD LLUN 11<sup>EG</sup> RHAGFYR</strong></p>
<p class="BodyA"> </p>
<p class="BodyA"><b>RÔL 1</b></p>
<p class="BodyA">Rydym yn dymuno castio un actor benywaidd, 20-40 oed, o dras ac acen Wyddelig, i fod yn adroddwr/perfformiwr. O gofio natur y broses gynhyrchu a phroses greadigol Mike Pearson a Mike Brookes, rydym yn chwilio am berfformiwr hunan-ddibynnol medrus a fyddai'n mwynhau gweithio ar y cyd i droi iaith newyddiadurol yn theatr drawiadol.</p>
<p class="BodyA"> </p>
<p class="BodyA"><b>RÔL 2</b></p>
<p class="BodyA">Rydym yn dymuno castio un actor o’r naill ryw, 20-40 oed, o dras Somali/Yemeni i fod yn adroddwr/perfformiwr. O gofio natur y broses gynhyrchu a phroses greadigol Mike Pearson a Mike Brookes, rydym yn chwilio am berfformiwr hunan-ddibynnol medrus a fyddai'n mwynhau gweithio ar y cyd i droi iaith newyddiadurol yn theatr drawiadol.</p>
<p class="BodyA"> </p>
<p class="BodyA"> </p>
<p><b>POLISI CASTIO NTW:</b></p>
<p> </p>
<p>Mae pob prosiect yn unigryw ac mae NTW yn clyweld er mwyn darganfod y perfformwyr mwyaf talentog sy'n cysylltu â gwerthoedd y cwmni a all ein helpu ni i greu gwaith anhygoel. Wrth wneud hynny, mae NTW yn hyblyg ond wedi ymrwymo i geisio cyflawni'r blaenoriaethau canlynol ar draws pob prosiect:</p>
<ul>
<li>Creu cyfleoedd i berfformwyr sy'n Gymry, yn byw yng Nghymru neu sydd wedi'u hyfforddi'n broffesiynol yng Nghymru.</li>
<li>Castio’n gynhwysol, gan hyrwyddo cyfle cyfartal yn y celfyddydau a chynrychioli cymunedau amrywiol Cymru yn gywir.</li>
</ul>
<p> </p>
<p><b>ANGHENION YCHWANEGOL:</b></p>
<p> </p>
<p>Byddwn yn ymdrechu i wneud unrhyw ddarpariaethau gofynnol, yn ystod y clyweliad ac yn y gwaith, i sicrhau bod gan bawb fynediad cyfartal i'r cyfle hwn. I drafod sut y gallwn gwrdd â'ch gofynion mynediad a/neu anghenion ychwanegol, mae croeso i chi gysylltu â ni.</p>
<p class="BodyA"> </p>
<p class="BodyA"><b>YMGEISIO</b></p>
<p class="BodyA"> </p>
<p>Os hoffech gael eich ystyried ar gyfer y cynhyrchiad hwn, e-bostiwch eich CV a'ch llun pen, gan ddweud wrthym lle rydych chi'n byw, i <a href="mailto:casting@nationaltheatrewales.org"> casting@nationaltheatrewales.org</a> erbyn canol dydd ar y 5<sup>ed</sup> Rhagfyr.</p>CASTING BREAKDOWN. New work from NTW and QUARANTINE.tag:community.nationaltheatrewales.org,2017-08-30:3152760:BlogPost:2694832017-08-30T14:30:00.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p><b>Casting Breakdown: A new performance piece </b><b>from National Theatre Wales and Quarantine</b></p>
<p> </p>
<p>National Theatre Wales (NTW) is collaborating with leading UK contemporary theatre company, <a href="http://qtine.com/" target="_blank">Quarantine</a>, to create a new piece of performance for the NTW’s next season.</p>
<p> </p>
<p>The production will look at ideas related to language and migration - with a focus on the relationship between ‘voice’ and identity and the…</p>
<p><b>Casting Breakdown: A new performance piece </b><b>from National Theatre Wales and Quarantine</b></p>
<p> </p>
<p>National Theatre Wales (NTW) is collaborating with leading UK contemporary theatre company, <a href="http://qtine.com/" target="_blank">Quarantine</a>, to create a new piece of performance for the NTW’s next season.</p>
<p> </p>
<p>The production will look at ideas related to language and migration - with a focus on the relationship between ‘voice’ and identity and the enforced learning of language as part of the immigration process.</p>
<p> </p>
<p>The creative team will work with one professional performer to create a piece intended for touring. <span>The piece is likely to see the team working with an interpreter and with migrants to the UK, who speak little or no English. Both companies have a wealth of experience in working with people who might not normally perform in theatre.</span><span> </span></p>
<p> </p>
<p><b>WORKSHOP AUDITIONS</b> will take place in Cardiff on 7th & 8th September 2017.</p>
<p> </p>
<p><b>** Please let us know your availability for these dates when you suggest yourself.** </b></p>
<p> </p>
<p>If you have the relevant skills and experience and are excited about this project, please send your CV, a recent headshot and a little something about why you'd like to be involved in this project (no more than 100 words) to <a href="mailto:casting@nationaltheatrewales.org"><b>casting@nationaltheatrewales.org</b></a> before 5pm on the 4<sup>th</sup> September</p>
<p> </p>
<p> </p>
<p><b>PRODUCTION DETAILS:</b></p>
<p> </p>
<p>Director: Richard Gregory</p>
<p> </p>
<p>Research & development on the project will begin in November 2017. </p>
<p> </p>
<p>Rehearsals in April/May 2018 (in Cardiff) for a premiere in June 2018, prior to UK and international touring.</p>
<p>Wage: £570 per week rehearse and play</p>
<p> </p>
<p>Relocation, commuting or touring allowance, if/when applicable, will be paid in line with UK Theatre / Equity Subsidised Agreement Rates for 2017-19</p>
<p> </p>
<p> </p>
<p><b>PERFORMER</b>, any gender, playing age 30 – 55</p>
<p><br/> We’re looking for a confident, generous, intelligent and creative with strong devising skills and the ability to work both with complex text and spontaneously in live performance, to collaborate with Quarantine’s creative team on the development and creation of this new piece and to be the sole performer in the work. </p>
<p><br/> What would be ideal is someone with a knowledge of and a passion for exploring ideas around migration and language. Someone who is as excited by the politics of the piece as by the process of creating it.</p>
<p><br/> Given the subject matter of the production, performers who are fluent in both Welsh and English are preferred. </p>
<p><br/> Please note: Quarantine’s work draws upon the personal history and experience of its performers - we’re not looking for actors to play fictional characters on this project. We are keen to consider performers who come from non-traditional performance backgrounds of training and experience.</p>
<p><br/> <b>Casting Dates and NTW Casting Policy:</b></p>
<p> </p>
<p>Every project is unique and NTW auditions to discover the most talented performers who connect to the company’s values and can help us to create extraordinary work. In doing so, NTW is flexible but committed in pursuit of the following priorities across each project:</p>
<ul>
<li>Creating opportunities for performers who are Welsh, based in Wales or professionally trained in Wales.</li>
<li>Casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</li>
</ul>
<p> </p>
<p><b>Additional needs:</b></p>
<p> </p>
<p>We will strive to make any required provisions, at interview and at work, to ensure that everyone has equal access to this opportunity. To discuss how we can meet your access requirements and/or additional needs, please don’t hesitate to be in touch.</p>
<p></p>
<p></p>
<p></p>
<p><span style="color: #000080;"><b>Amlinelliad castio: Darn Perfformiad Newydd </b><b>oddi wrth National Theatre Wales a Quarantine</b></span></p>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;">Mae National Theatre Wales (NTW) yn cydweithio gyda chwmni theatr cyfoes blaena’r DU, Quarantine, er mwyn creu darn newydd i’w berfformio yn ystod tymor nesaf NTW.</span></p>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;">Bydd y cynhyrchiad yn ystyried syniadau yn ymwneud ag iaith a mudo - gan ganolbwyntio ar y berthynas rhwng ‘llais’ a hunaniaeth a’r orfodaeth i ddysgu iaith fel rhan o’r broses fewnfudo.</span></p>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;">Bydd y tîm creadigol, yn cynnwys dramodydd, yn gweithio gydag un perfformiwr proffesiynol er mwyn creu’r darn y bwriedir y bydd iddo fynd ar daith. Mae’r darn yn debyg o weld y tîm yn gweithio gyda pherfformwyr nad ydynt yn broffesiynol; yn cynnwys lladmerydd a phobl sydd wedi mewnfudo i’r DU, sy’n siarad ychydig neu ddim Saesneg. Mae gan y naill gwmni a’r llall fôr o brofiad o ymwneud cymunedol.</span></p>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;">Cynhelir <b>GWEITHDY CLYWELIADAU</b> yng Nghaerdydd ar 7fed a’r 8fed Medi 2017.</span></p>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;"><b>** Rhowch wybod os ydych ar gael ar y dyddiadau hyn pan fyddwch yn eich argymell eich hun.** </b></span></p>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;">Os oes gennych y medrau perthnasol a’r profiad, ac yn teimlo cyffro ynghylch y prosiect hwn, yna anfonwch eich CV os gwelwch yn dda, llun pen ac ysgwyddau diweddar a llinell neu ddwy ynghylch pam yr hoffech fod yn rhan o’r prosiect hwn (dim mwy na 100 gair) at <a href="mailto:casting@nationaltheatrewales.org"><span style="color: #000080;"><b>casting@nationaltheatrewales.org</b></span></a> cyn 6pm ar y 5<sup>ed</sup> Medi</span></p>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;"><b>MANYLION Y CYNHYRCHIAD:</b></span></p>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;">Cyfarwyddwr: Richard Gregory</span></p>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;">Cychwynnir ar Ymchwil a Datblygiad y prosiect hwn ym mis Tachwedd 2017. </span></p>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;">Ymarferion Ebrill/Mai 2018 (yng Nghaerdydd) ar gyfer perfformiad cyntaf ym Mehefin 2018, cyn mynd ar daith yn y DU ac yn rhyngwladol.</span></p>
<p><span style="color: #000080;">Cyflog: £570 yr wythnos yn y cyfnod ymarfer a pherfformio’r ddrama</span></p>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;">Bydd lwfans adleoli, cymudo ynteu deithio, os/pan yn berthnasol, yn cael ei dalu yn unol â Chyfraddau Sybsideiddio Cytundeb UK Theatre / Equity ar gyfer 2017-19</span></p>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;"><b>PERFFORMIWR</b>, naill ryw neu’r llall, yn chwarae oedran 30 – 55</span></p>
<p><br/> <span style="color: #000080;">Rydym yn chwilio am unigolyn hyderus, hael, deallus a chreadigol gyda medrau dyfeisio cryf a’r gallu i weithio gyda thestun cymhleth ac yn fyrfyfyr yn ystod perfformiadau byw, a chyd-weithio gyda thîm creadigol Quarantine ar ddatblygiad a chreu’r darn newydd hwn ac i fod yn unig berfformiwr y gwaith. </span></p>
<p><br/> <span style="color: #000080;">Byddai’n ddelfrydol pe buasai’r unigolyn â gwybodaeth ynghylch a diddordeb ysol mewn archwilio syniadau o gwmpas mudo ac iaith. Rhywun sy’n teimlo llawn mor gyffrous ynghylch gwleidyddiaeth y darn ac yn y broses o’i greu.</span></p>
<p><br/> <span style="color: #000080;">O ystyried natur y pwnc dan sylw yn y cynhyrchiad, byddai cael perfformwyr sy’n rhugl yn Gymraeg a Saesneg o fantais. </span></p>
<p><br/> <span style="color: #000080;">Noder os gwelwch yn dda: Mae Quarantine yn esgor o hanes a phrofiad personol ei berfformwyr - nid ydym yn chwilio am actorion i chwarae rhannai cymeriadau ffuglen yn y prosiect hwn. Rydym yn frwd i roi ystyriaeth i berfformwyr sy’n dod o gefndiroedd perfformio nad ydynt efallai yn rai traddodiadol o ran profiad a hyfforddiant.</span><br/> <br/> <span style="color: #000080;"><b>Dyddiadau castio a Pholisi Castio NTW:</b></span></p>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;">Mae pob prosiect yn unigryw ac mae NTW yn cynnal clyweliadau er mwyn dod o hyd i’r perfformwyr mwyaf dawnus sy’n medru ymgorffori gwerthoedd y Cwmni, a’n cynorthwyo i greu gwaith anarferol a rhyfeddol. O wneud hynny, mae NTW yn hyblyg ond wedi ei ymrwymo ei hun i ddilyn y blaenoriaethau canlynol trwy gydol pob prosiect:</span></p>
<ul>
<li><span style="color: #000080;">Creu cyfleoedd i berfformwyr o Gymru, sydd wedi eu lleoli yng Nghymru ynteu wedi derbyn hyfforddiant proffesiynol yng Nghymru.</span></li>
<li><span style="color: #000080;">Castio gyda dynesiad cynhwysol, gan hyrwyddo cyfleoedd cyfartal yn y celfyddydau a chynrychioli cymunedau amrywiol Cymru mewn ffordd ddilys.</span></li>
</ul>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;"><b>Anghenion pellach:</b></span></p>
<p><span style="color: #000080;"> </span></p>
<p><span style="color: #000080;">Gwnawn ymdrech i sicrhau ein bod yn cyflawni unrhyw ddarpariaeth sydd ei angen, yn ystod y cyfweliad a’r gwaith, er mwyn sicrhau bod gan bawb fynediad cyfartal i’r cyfle hwn. Er mwyn trafod sut y medrwn gyflawni eich gofynion mynediad ac/ynteu anghenion pellach, peidiwch â phetruso cyn cysylltu â ni.</span></p>WE'RE STILL HERE: Casting Breakdown / Dadansoddiad o'r castiotag:community.nationaltheatrewales.org,2017-05-08:3152760:BlogPost:2657822017-05-08T09:59:46.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p align="center" class="p1"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999443168?profile=original" target="_self"><img class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2999443168?profile=RESIZE_1024x1024" width="750"></img></a></p>
<p align="center" class="p1"></p>
<p align="center" class="p1"><strong>WE’RE STILL HERE</strong></p>
<p align="center" class="p1"><strong>Casting Breakdown</strong></p>
<p align="center" class="p1"></p>
<p align="center" class="p1" style="text-align: left;"> WE’RE STILL HERE by Rachel Tresize is a play about 5 steelworkers at the time of the…</p>
<p class="p1" align="center"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999443168?profile=original" target="_self"><img width="750" src="http://storage.ning.com/topology/rest/1.0/file/get/2999443168?profile=RESIZE_1024x1024" width="750" class="align-full"/></a></p>
<p class="p1" align="center"></p>
<p class="p1" align="center"><strong>WE’RE STILL HERE</strong></p>
<p class="p1" align="center"><strong>Casting Breakdown</strong></p>
<p class="p1" align="center"></p>
<p class="p1" align="center" style="text-align: left;"> WE’RE STILL HERE by Rachel Tresize is a play about 5 steelworkers at the time of the Save Our Steel campaign in 2016. Inspired by conversations with steelworkers, union members and the wider community, We’re Still Here will be the first theatrical response to one of the biggest recent news stories in Wales – which resonates with steel towns the world over – and will feature evocative soundscapes and visual feats in a jaw-dropping setting.It is a co-production between National Theatre Wales and Common Wealth, and will be directed by Common Wealth directors Evie Manning and Rhiannon White. The movement director is Vicki Manderson. The play will be performed at the Byass Works in Port Talbot.</p>
<p class="p1"> </p>
<p class="p1">WE’RE STILL HERE is a state of the nation play that looks at the town of Port Talbot and working class leaders.</p>
<p class="p1">It explores masculinity, pride, solidarity and the fight, and the idea that people can make change.</p>
<p class="p1"> </p>
<p class="p1">Overall dates are 14 August – 30 September.</p>
<div><p class="p1"> </p>
</div>
<p><b>Casting Dates and NTW Casting Policy:</b></p>
<p>Every project is unique and NTW auditions to discover the most talented performers who connect to the company’s values and can help us to create extraordinary work. In doing so, NTW is flexible but committed in pursuit of the following priorities across each project:</p>
<ul>
<li>Creating opportunities for performers who are Welsh, based in Wales or professionally trained in Wales.</li>
<li>Casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</li>
</ul>
<p> </p>
<p><b>Additional needs:</b></p>
<p>We will strive to make any required provisions, at interview and at work, to ensure that everyone has equal access to this opportunity. If you’d like to discuss your needs, please don’t hesitate to be in touch.</p>
<p> </p>
<p><b>Our first week of meetings will be w/c 29 May, and will be held in Cardiff.</b></p>
<p class="p1"> </p>
<p>If you have the relevant skills and experience and are excited about this project, please send your CV, a recent headshot and a little something about why you'd like to be involved in this project (no more than 100 words) to <a href="mailto:casting@nationaltheatrewales.org">casting@nationaltheatrewales.org</a> before 6pm on the 18th May.</p>
<p> </p>
<p class="p1">The performance will include audience close to the action, loud music and working at heights. All performers should have an awareness of movement and physical theatre skills, and be strongly collaborative performers. All actors should have good singing voices, though we do not necessarily need trained singers.</p>
<p class="p1"> </p>
<p class="p1">WE ARE LOOKING FOR ACTORS FOR THE FOLLOWING ROLES:-</p>
<p class="p1"> </p>
<p class="p1">Ade (male)</p>
<p class="p1">Mid 40s.</p>
<p class="p1">Union Leader. Down to Earth. Humble but charismatic. Self educated. Worldly wise. Politically aware. Can motivate and inspire. Port Talbot born and bred. In control.</p>
<p class="p1"> </p>
<p class="p1">Lewis Price (male)</p>
<p class="p1">Early 20s.</p>
<p class="p1">A steelworker. Full of energy. Big dreams. Big build, joyous. Popular, chatty, likeable. Kev’s son. South Wales born.</p>
<p class="p1"> </p>
<p class="p1">Kev Price (male)</p>
<p class="p1">Late 40s – mid 50s. A contracted steelworker and union member. Strong build. A hard grafter. Sensitive and introverted. Believes in ghosts. </p>
<p class="p1">Lewis’s dad. South Wales born.</p>
<p class="p1"> </p>
<p class="p1">Mark (male)</p>
<p class="p1">Mid 50s</p>
<p class="p1">A big guy. From Port Talbot, or the South Wales valleys. Self contained, gets the job done quietly, keeps himself to himself. Self-educated, likes nature, fishing, hunting etc, interested in the planet. Passionate about his hobbies. Single or divorced but not exactly a loner; he’s tired now after a long time working and is ready to retire.</p>
<p class="p1"> </p>
<p class="p1">Rob (male)</p>
<p class="p1">50s – early 60s. </p>
<p class="p1">A steelworker not a union member. One of the lads – a bit chopsy, says what he thinks. Intelligent and an unlikely orator. He mends things, a hard grafter that gets on with it. Fun and likeable. South Wales based. </p>
<p class="p1"></p>
<p class="p1" align="center"><strong>WE’RE STILL HERE</strong></p>
<p class="p1" align="center"><strong>Dadansoddiad o'r castio</strong></p>
<p class="p1" align="center"> </p>
<p class="p1">Mae WE'RE STILL HERE gan Rachel Tresize yn ddrama am 5 o weithwyr dur ar adeg yr ymgyrch Save Our Steel yn 2016. Wedi'i hysbrydoli gan sgyrsiau â gweithwyr dur, aelodau undebau a'r gymuned ehangach, W're Still Here fydd yr ymateb theatrig cyntaf i un o'r straeon newyddion diweddar mwyaf yng Nghymru - sy'n berthnasol i drefi dur ledled y byd - a bydd yn cynnwys seinweddau atgofus a champau gweledol mewn lleoliad trawiadol. Mae'n gyd-gynhyrchiad rhwng National Theatre Wales a Common Wealth, a bydd yn cael ei gyfarwyddo gan gyfarwyddwyr Common Wealth, Evie Manning a Rhiannon White. Y cyfarwyddwr symud yw Vicki Manderson. Bydd y ddrama yn cael ei pherfformio yng Ngweithfeydd Byass ym Mhort Talbot.</p>
<p class="p1"> </p>
<p class="p1">Mae WE'RE STILL HERE yn ddrama am gyflwr y genedl sy'n edrych ar dref Port Talbot ac arweinwyr dosbarth gweithiol.</p>
<p class="p1">Mae'n archwilio gwrywdod, balchder, undod a'r frwydr, a'r syniad y gall pobl wneud newid.</p>
<p class="p1"> </p>
<p class="p1">Dyddiadau cyffredinol yw 14 Awst - 30 Medi.</p>
<div><p class="p1"> </p>
</div>
<p><b>Dyddiadau Castio a Pholisi Castio NTW:</b></p>
<p>Mae pob prosiect yn unigryw, ac mae NTW yn clyweld i ddarganfod y perfformwyr mwyaf talentog sy'n cysylltu â gwerthoedd y cwmni a sy’n gallu ein helpu i greu gwaith rhyfeddol. Wrth wneud hynny, mae NTW yn hyblyg ond yn ymrwymedig wrth fynd ar drywydd y blaenoriaethau canlynol ar draws pob prosiect:</p>
<ul>
<li>Creu cyfleoedd i berfformwyr Cymreig, sydd wedi'u lleoli yng Nghymru neu wedi'u hyfforddi'n broffesiynol yng Nghymru.</li>
<li>Castio'n gynhwysol, gan hyrwyddo cyfle cyfartal yn y celfyddydau a chynrychioli cymunedau amrywiol Cymru yn ddilys.</li>
</ul>
<p> </p>
<p><b>Anghenion ychwanegol:</b></p>
<p>Byddwn yn ymdrechu i wneud unrhyw ddarpariaethau sy'n ofynnol, yn y cyfweliad ac yn y gwaith, er mwyn sicrhau bod pawb yn cael mynediad cyfartal i'r cyfle hwn. Os hoffech chi drafod eich anghenion, peidiwch ag oedi rhag cysylltu â ni.</p>
<p> </p>
<p><b>Bydd ein wythnos gyntaf o gyfarfodydd yn ystod yr wythnos yn cychwyn 29 Mai, ac yn cael eu cynnal yng Nghaerdydd.</b></p>
<p class="p1"> </p>
<p>Os oes gennych y sgiliau a'r profiad perthnasol ac yn llawn cyffro am y prosiect hwn, anfonwch eich CV, llun pen diweddar a rhywbeth bach am pam yr hoffech gymryd rhan yn y prosiect hwn (heb fod yn fwy na 100 o eiriau) i <a href="mailto:casting@nationaltheatrewales.org"> casting@nationaltheatrewales.org</a> cyn <b>6pm ar 18 Mai</b>.</p>
<p> </p>
<p class="p1">Bydd y perfformiad yn cynnwys cael y gynulleidfa yn agos at yr hyn sy'n digwydd, cerddoriaeth uchel a gweithio ar uchder. Dylai fod gan bob perfformiwr ymwybyddiaeth o sgiliau symud a theatr gorfforol, a bod yn berfformwyr cydweithredol cryf. Dylai fod gan bob actor lais canu da, er nad oes angen cantorion hyfforddedig arnom o reidrwydd.</p>
<p class="p1"> </p>
<p class="p1">RYDYM YN CHWILIO AM ACTORION AR GYFER Y ROLAU CANLYNOL: -</p>
<p class="p1"> </p>
<p class="p1">Ade (gwryw)</p>
<p class="p1">40au canol.</p>
<p class="p1">Arweinydd yr Undeb. Naturiol. Diymhongar ond carismataidd. Hunan addysgedig. Doeth. Yn wleidyddol ymwybodol. Yn gallu cymell ac ysbrydoli. Wedi'i eni a'i fagu ym Mhort Talbot. Yn rheoli pethau'n dda.</p>
<p class="p1"> </p>
<p class="p1">Lewis Price (gwryw)</p>
<p class="p1">20au cynnar.</p>
<p class="p1">Gweithiwr dur. Llawn egni. Breuddwydion mawr. Dyn mawr, llawen. Poblogaidd, siaradus, hoffus. Mab Kev. Wedi’i eni yn ne Cymru.</p>
<p class="p1"> </p>
<p class="p1">Kev Price (gwryw)</p>
<p class="p1">40au hwyr - 50au canol. Gweithiwr dur ar gontract ac aelod o'r undeb. Dyn cryf yr olwg. Gweithiwr caled. Sensitif a mewnblyg. Credu mewn ysbrydion. </p>
<p class="p1">Tad Lewis. Wedi’i eni yn ne Cymru.</p>
<p class="p1"> </p>
<p class="p1">Mark (gwryw)</p>
<p class="p1">50au canol</p>
<p class="p1">Dyn mawr. O Bort Talbot, neu gymoedd y De. Tawel, gwneud ei waith yn ddiffwdan, ddim yn rhannu llawer ag eraill. Hunan-addysgedig, hoffi natur, pysgota, hela ac ati, diddordeb yn y blaned. Angerddol am ei hobïau. Sengl neu wedi ysgaru, ond nid yn rhywun sy'n hoffi bod ar ei ben ei hun; yn flinedig erbyn hyn ar ôl gweithio am amser hir ac yn barod i ymddeol.</p>
<p class="p1"> </p>
<p class="p1">Rob (gwryw)</p>
<p class="p1">50au - 60au cynnar. </p>
<p class="p1">Gweithiwr dur, hob fod yn aelod o undeb. Un o'r bechgyn - eithaf cegog, yn dweud yr hyn sydd ar ei feddwl. Deallus ac yn areithiwr annhebygol. Mae'n trwsio pethau, gweithiwr caled sy'n bwrw ymlaen â'r gwaith. Hwyliog a hoffus.</p>
<p class="p1">Wedi'i leoli yn Ne Cymru. </p>NTW CASTING: Lifted by Beauty: Adventures in Dreamingtag:community.nationaltheatrewales.org,2017-01-18:3152760:BlogPost:2623052017-01-18T17:00:00.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<h2><span class="font-size-2"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999444350?profile=original" target="_self"><img class="align-left" src="http://storage.ning.com/topology/rest/1.0/file/get/2999444350?profile=RESIZE_1024x1024" width="750"></img></a></span></h2>
<h2><span class="font-size-2"><a href="http://www.nationaltheatrewales.org/lifted-beauty" target="_blank">LIFTED BY BEAUTY: ADVENTURES IN DREAMING</a><br></br></span></h2>
<div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><strong>National Theatre…</strong></p>
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<h2><span class="font-size-2"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999444350?profile=original" target="_self"><img width="750" src="http://storage.ning.com/topology/rest/1.0/file/get/2999444350?profile=RESIZE_1024x1024" width="750" class="align-left"/></a></span></h2>
<h2><span class="font-size-2"><a href="http://www.nationaltheatrewales.org/lifted-beauty" target="_blank">LIFTED BY BEAUTY: ADVENTURES IN DREAMING</a><br/></span></h2>
<div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><strong>National Theatre Wales</strong><br/><br/>Made with the people of Rhyl, Lifted By Beauty: Adventures In Dreaming is a response to the austerity agenda that has brought us to our knees.<br/><br/>Together we re-imagine how we might live and in doing so, find ourselves celebrating the simplicity of kindness, of tenderness, of love.<br/><br/>This is an odyssey, an antidote to the darkness and the fear. A hymn to the unremarkable, daily acts of heroism made by people, who offer a lifeline to others who may have lost their way.<br/><br/>Together we consider the fragility of resilience, the generosity of the human spirit and the power of hope and possibility.<br/><br/>Join us for an adventure in dreaming.</p>
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<p> </p>
<p><b>Location</b>: Rhyl, Denbighshire</p>
<p> </p>
<p><b>Production dates:</b></p>
<p>Rehearsals commence: 27<sup>th</sup> February 2017</p>
<p></p>
<p>The company will rehearse for 5 weeks, inclusive of the performance dates:</p>
<p>31<sup>st</sup> March 2017</p>
<p>1<sup>st</sup> April 2017</p>
<p>2<sup>nd</sup> April 2017</p>
<p> </p>
<p>The engagement concludes: 2<sup>nd</sup> April 2017</p>
<p> </p>
<p><b>Description:</b></p>
<p> </p>
<p>NTW is casting to create a company to work on a series of performance installations lead by Mark Storor in Rhyl. We are seeking creative performers/artists who are genuinely committed to an exploratory, experiential process, which is responsive to the ideas, the vision, and the stories of the people of Rhyl.</p>
<p> </p>
<p>Suitable for artists from the disciplines: circus, dance, music, acting, live art. </p>
<p> </p>
<p>Applicants need to have performance experience, be generous, open hearted, collaborative, used to working in a company, devising, willing to possibly work outside, work with local members of the community including young people, work on the lived experience of people in Rhyl. </p>
<p> </p>
<p><b>Terms:</b></p>
<p><b> </b></p>
<p>All roles will be paid a company wage of £550 per week rehearse and play with additional remuneration for Sunday work if applicable. Holiday pay and pension will be paid as per the Equity contract.</p>
<p>For those relocating, return travel and self-catering accommodation will be provided.</p>
<p> </p>
<p><b>Casting Policy:</b></p>
<p><b> </b></p>
<p>Every project is unique and NTW auditions to discover the most talented performers who connect to the company’s values and can help us to create extraordinary work. In doing so, NTW is flexible but committed in pursuit of the following priorities across each project:</p>
<p><b> </b></p>
<ul>
<li>Creating opportunities for performers who are Welsh, based in Wales or professionally trained in Wales.</li>
</ul>
<p> </p>
<ul>
<li>Casting inclusively, promoting equality of opportunity in the arts and authentically representing Wales’ diverse communities.</li>
</ul>
<p> </p>
<p>This opportunity is open to artists of any age, gender, ethnicity, sexual orientation and disability status.</p>
<p>We will strive to make any required provisions, at interview and at work, to ensure that everyone has equal access to this opportunity. If you’d like to discuss your needs, please don’t hesitate to be in touch.</p>
<p> </p>
<p><b>Audition:</b></p>
<p> </p>
<p>Workshop auditions will be held on the 26<sup>th</sup> with recalls on 27<sup>th</sup> January 2017 in Cardiff.</p>
<p> </p>
<p>If you have the relevant skills and experience and are excited about the project, please <b>send your CV, a recent headshot and a little something about why you'd like to be involved in this community-engaged project (no more than 100 words) to</b> <a href="mailto:casting@nationaltheatrewales.org"><b>casting@nationaltheatrewales.org</b></a> <b>before 6pm<u> on Tuesday 24th January.</u></b></p>
<p></p>
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<h2><span class="font-size-2"><a href="http://www.nationaltheatrewales.org/lifted-beauty" target="_blank">LIFTED BY BEAUTY: ADVENTURES IN DREAMING</a><br/></span></h2>
<div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><strong>National Theatre Wales</strong></p>
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<p><span>Wedi’i wneud gyda phobl Y Rhyl, mae Lifted By Beauty: Adventures In Dreaming yn ymateb i’r agenda caledi sydd wedi ein llethu.</span><br/><br/><span>Gyda’n gilydd rydym yn ail-ddychmygu sut y gallem fyw, ac wrth wneud hynny, yn canfod ein hunain yn dathlu symlrwydd caredigrwydd, tynerwch a chariad.</span><br/><br/><span>Mae hwn yn grwydrad, i drechi’r tywyllwch a’r ofn. Emyn i’r gweithredoedd arwrol bob dydd mae pobl yn gwneud, sy’nn cynnig gobaith i eraill sydd wedi colli’u ffordd.</span><br/><br/><span>Gyda’n gilydd ystyriwn freuder gwydnwch, haelioni’r ysbryd dynol a phŵer gobaith a phosibilrwydd.</span><br/><br/><span>Ymunwch â ni am antur mewn breuddwydio.</span></p>
<p> </p>
<p><b>Lleoliad</b>: Y Rhyl, Sir Ddinbych</p>
<p> </p>
<p><b>Dyddiadau’r cynhyrchiad:</b></p>
<p> </p>
<p>Ymarferion yn dechrau: 27 Chwefror 2017</p>
<p> </p>
<p>Bydd y cwmni’n ymarfer am 5 wythnos, yn cynnwys dyddiadau’r perfformiadau:</p>
<p>31 Mawrth 2017</p>
<p>1 Ebrill 2017</p>
<p>2 Ebrill 2017</p>
<p> </p>
<p>Bydd y gwaith yn dod i ben ar: 2 Ebrill 2017</p>
<p> </p>
<p><b>Disgrifiad:</b></p>
<p> </p>
<p>Mae NTW yn castio i greu cwmni i weithio ar gyfres o osodiadau perfformio wedi’u harwain gan Mark Storor yn Y Rhyl. Rydym yn chwilio am berfformwyr/artistiaid creadigol sy’n wirioneddol ymroddedig i broses archwiliadol drwy brofiad, sy’n ymateb i syniadau, gweledigaeth a straeon pobl Y Rhyl.</p>
<p> </p>
<p>Yn addas ar gyfer artistiaid o’r disgyblaethau: syrcas, dawns, cerddoriaeth, actio, celfyddyd fyw. </p>
<p> </p>
<p>Mae angen profiad perfformio ar ymgeiswyr, a rhaid iddynt fod yn hael, yn agored, yn gydweithredol, yn gyfarwydd â gweithio mewn cwmni, yn gallu dyfeisio, yn barod i weithio yn yr awyr agored o bosibl, gweithio gydag aelodau lleol y gymuned yn cynnwys pobl ifanc, gweithio ar brofiadau bywyd pobl Y Rhyl. </p>
<p> </p>
<p><b>Telerau:</b></p>
<p><b> </b></p>
<p>Bydd pob rôl yn derbyn tâl cwmni o £550 yr wythnos, am ymarfer a pherfformio, gyda thâl ychwanegol ar gyfer gwaith ar ddydd Sul os yn berthnasol.</p>
<p>Bydd tâl gwyliau a phensiwn yn cael eu talu yn ôl contract Equity.</p>
<p> </p>
<p>I’r rheini sy’n adleoli, bydd teithio dwyffordd a llety hunan-ddarpar yn cael eu darparu.</p>
<p> </p>
<p><b>Polisi Castio:</b></p>
<p><b> </b></p>
<p>Mae pob prosiect yn unigryw ac mae NTW yn clyweld er mwyn darganfod y perfformwyr mwyaf talentog sy’n cysylltu â gwerthoedd y cwmni ac sy’n gallu ein helpu i greu gwaith arbennig. Wrth wneud hynny, mae NTW yn hyblyg ond yn ymroddedig i geisio’r blaenoriaethau a ganlyn ar draws pob prosiect:</p>
<p><b> </b></p>
<ul>
<li>Creu cyfleoedd i berfformwyr sy’n Gymry, wedi’u lleoli yng Nghymru neu a gawsant eu hyfforddi’n broffesiynol yng Nghymru.</li>
</ul>
<p> </p>
<ul>
<li>Castio’n gynhwysol, gan hybu cyfle cyfartal yn y celfyddydau a chynrychioli cymunedau amrywiol Cymru’n gywir.</li>
</ul>
<p> </p>
<p>Mae’r cyfle hwn yn agored i artistiaid o unrhyw oed, rhyw, ethnigrwydd, tueddfryd rhywiol a statws anabledd.</p>
<p> </p>
<p>Byddwn yn ymdrechu i wneud unrhyw ddarpariaethau sydd eu hangen, yn ystod cyfweliad neu yn y gwaith, i sicrhau bod gan bawb fynediad cyfartal i’r cyfle hwn. Os hoffech drafod eich anghenion, cysylltwch ar bob cyfrif.</p>
<p> </p>
<p><b>Clyweliad:</b></p>
<p> </p>
<p>Cynhelir clyweliadau gweithdy ar 26 a 27 Ionawr 2017 yng Nghaerdydd.</p>
<p> </p>
<p><b><span>Os oes gennych y sgiliau a’r profiad perthnasol a’ch bod yn llawn cyffro am y prosiect, </span>anfonwch eich CV, llun pen diweddar aphwt yn egluro pam hoffech chi gymryd rhan yn y prosiect cymunedol yma (dim mwy na 100 o eiriau) i<span> </span><a href="mailto:casting@nationaltheatrewales.org" target="_blank"><b>casting@nationaltheatrewales.org</b></a><span> </span>cyn <u>6pm dydd Mawrth 24 Ionawr. </u> </b></p>Casting: City of the Unexpected: Giraffe Unicyclists and Mr Moletag:community.nationaltheatrewales.org,2016-08-02:3152760:BlogPost:2561082016-08-02T14:30:00.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p><b>We are now casting the following professional roles on Roald Dahl’s City of the Unexpected:</b></p>
<p><b> </b></p>
<p><b>Giraffe Unicyclist –</b> we’re looking for talented individuals with giraffe unicycle skills to be part of exciting outdoor scenes for large crowds. For more information on the production and how to get in touch, please read on.</p>
<p><b><br></br> Mr. Mole. </b>– Male actor. Champion and partner in crime to Mr Fox, Mr Mole keeps a cool head throughout his friend’s…</p>
<p><b>We are now casting the following professional roles on Roald Dahl’s City of the Unexpected:</b></p>
<p><b> </b></p>
<p><b>Giraffe Unicyclist –</b> we’re looking for talented individuals with giraffe unicycle skills to be part of exciting outdoor scenes for large crowds. For more information on the production and how to get in touch, please read on.</p>
<p><b><br/> Mr. Mole. </b>– Male actor. Champion and partner in crime to Mr Fox, Mr Mole keeps a cool head throughout his friend’s escapades and is a key character in the weekend. Mr Mole will be be clear, engaging and exciting, playing to large crowds in unusual places, guiding us, and Mr Fox, through the adventure. This role requires a full mask with moving mouth piece so clarity of voice and confident physicality are required. </p>
<p>Experience with mask work is desirable. For more information on the production and how to get in touch, please read on.</p>
<p><b> </b></p>
<p><b><u>Dates</u></b></p>
<p><b><u>Please be in touch by end of day Friday 5th August</u></b></p>
<p><b>Audition: Cardiff, Friday 12th August</b></p>
<p><b>Rehearsal: Dates TBC from 5th September</b></p>
<p><b>Production: 17<sup>th</sup> & 18<sup>th</sup> September 2016</b></p>
<p><b> </b></p>
<p>If you’d like to be part of this spectacular production, have the specific experience and skills outlined above and are available for the relevant audition rehearsal and performance dates then please send your CV, a little about yourself and your headshot to casting @ nationaltheatrewales.org <span style="text-decoration: underline;">please make the subject line the role you are applying for. </span></p>
<p> </p>
<p><b>CITY OF THE UNEXPECTED</b></p>
<p><b>Wales Millennium Centre & National Theatre Wales</b></p>
<p><b>Directed by Nigel Jamieson</b></p>
<p><b>17-18 September 2016, Cardiff city centre</b></p>
<p><b> </b></p>
<p><b>National Theatre Wales is casting for various roles in City of the Unexpected.</b></p>
<p><b> </b></p>
<p><b> </b></p>
<p>Cardiff will celebrate the centenary of one of its most well-known sons, Roald Dahl, with an extraordinary weekend-long event, showcasing both his distinctive voice and the jewels of the city’s buildings, parks and its people. The city will be transformed into a place where the laws of physics and civic predictability will give way to the laws of magic, mischief and the unexpected.</p>
<p> </p>
<p>Professional performers will work alongside thousands of volunteers to create epic outdoor events and intimate, unexpected moments throughout the city.</p>
<p> </p>
<p>City of the Unexpected continues NTW’s tradition of collaborating with communities to create extraordinary theatre. All roles will involve aspects of working with non- professional performers and participants. We’re looking for generous company members who will enjoy working collaboratively and responsively.</p>Casting: FRANK R&Dtag:community.nationaltheatrewales.org,2016-07-19:3152760:BlogPost:2554332016-07-19T14:23:51.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p align="center" class="Body"><b>ABOUT FRANK</b></p>
<div><p class="Default">FRANK is about Frank. Frank Thomas. A real-life 18-stone ex-rugby-scholarship-winning bear-of-a-man. His father was a friend of the Krays and once knew a guy who kept a monkey in a box. He lives with a Scottish drug dealer and a computer hacker. His only friend is the cult 90’s American TV show Northern Exposure, a show he sometimes imagines he’s part of…</p>
<p class="Default">FRANK is devised by Frank Thomas and the…</p>
</div>
<p class="Body" align="center"><b>ABOUT FRANK</b></p>
<div><p class="Default">FRANK is about Frank. Frank Thomas. A real-life 18-stone ex-rugby-scholarship-winning bear-of-a-man. His father was a friend of the Krays and once knew a guy who kept a monkey in a box. He lives with a Scottish drug dealer and a computer hacker. His only friend is the cult 90’s American TV show Northern Exposure, a show he sometimes imagines he’s part of…</p>
<p class="Default">FRANK is devised by Frank Thomas and the Collective. It’s a piece inspired by the real life of Frank Thomas, the environmental concept of Rewilding and the writings of biologist George Monbiot. We’re interested in blurring the line between Franks’s real life, the way he sees the world in his own head and how the rest of us handle that. Part hymn to our generation and part blueprint for what we might do next, the show features original poems from Frank, an omnipresent relationship-advice-giving radio DJ, a creative relationship with the truth, a really good wild-beast costume, some real science, a police chase and some other stuff we haven’t thought of yet.</p>
<p class="Default">FRANK will be The Jones Collective’s next show after the success of their multi-award winning debut show ‘Hiraeth’.</p>
<p class="Default" align="center">CASTING CALL</p>
<p class="Default">We are looking for 2 devisors to join us for a 2 week period of R&D for this production.</p>
<p class="Default">Strong devising skills are essential, and being a musician is preferable.</p>
<p class="Default">Any age, any gender, any ethnicity.</p>
<p class="Default">R&D</p>
<p class="Default">Date: 15th-26th of August</p>
<p class="Default">Location: Somewhere wild in West Wales</p>
<p class="Default">Fee: £1000 (+expenses covered)</p>
<p class="Default"></p>
<p class="Default">AUDITIONS</p>
<p class="Default">Date: MONDAY 1st July</p>
<p class="Default">Location: Cardiff</p>
<p class="Default"></p>
<p class="Default">APPLY</p>
<p class="Default">Please e-mail us on <a href="mailto:buddugjamesjonescollective@gmail.com">buddugjamesjonescollective@gmail.com</a> by WEDNESDAY 27th of July 12PM. Please send a VIDEO of yourself playing a song of your choice (cover or original) with an instrument of your choice. Please also send your CV or Spotlight number.</p>
</div>
<p class="Body"> </p>
<p class="Body" align="center">AM FRANK</p>
<p class="Body" align="center"> </p>
<p class="Body">Mae FRANK amdano Frank. Frank Thomas. Cyn-enillydd ysgoloriaeth rygbi sy’n pwyso 18 stôn arth o ddyn go iawn. Roedd ei Dad yn ffrind o’r Krays ac arfer nabod dyn oedd yn cadw mwnci mewn bocs. Mae o’n byw efo ddeliwr cyffuriau Albanaidd ac haciwr cyfrifiadurol. Ei unig ffrind yw’r sioe cwlt teledu Americanaidd o’r 90au, Northen Exposure, sioe mae’n dychmygu fod rhan o...</p>
<p class="Body"> </p>
<p class="Body">Mae FRANK yn cael ei ddyfeisio gan Frank Thomas a’r cwmni. Mae’n ddarn sydd wedi ei seilio ar fywyd go iawn Frank Thomas, y cysyniad amgylcheddol ‘rewilding’ a chasgliad o waith biolegydd George Monbiot. Mae gennym ddiddordeb mewn cymylu’r llinellau rhwng bywyd go iawn Frank, y ffordd mae’n gweld y byd yn ben ei hun, a sut mae gweddill ohonom ni’n delio efo hyn. Rhan emyn i’n genhedlaeth a rhan glasbrint i beth allwn ni gwneud nesa, mae’r sioe yn cynnwys cerddi gan Frank, DJ radio hollbresennol sy’n rhoi cyngor perthynas, perthynas creadigol efo’r gwirionedd, gwisg bwystfil gwyllt da iawn, gwyddoniaeth go iawn, hela heddlu a chwpwl stwff eraill ni heb feddwl am eto. </p>
<p class="Body"> </p>
<p class="Body">Bydd FRANK y sioe nesaf gan The Jones Collective ar ôl llwyddiant eu sioe gyntaf ‘Hiraeth, wnaeth ennill nifer o wobrau.</p>
<p class="Body"> </p>
<p class="Body">ALWAD CASTIO</p>
<p class="Body"> </p>
<p class="Body">Rydyn yn edrych am 2 ddyfeisydd i ymuno a ni am bythefnos o waith ymchwil a datblygiad ar gyfer y sioe.</p>
<p class="Body"> </p>
<p class="Body">Mae sgiliau ddyfeisio gryf yn hanfodol, a bod yn gerddor yn hefyd yn ddymunol.</p>
<p class="Body"> </p>
<p class="Body">Unrhyw oedran, unrhyw ryw, unrhyw ethnigrwydd.</p>
<p class="Body"> </p>
<p class="Body">R&D</p>
<p class="Body"> </p>
<p class="Body">Dyddiad: 15-26ain o Awst</p>
<p class="Body"> </p>
<p class="Body">Lleoliad: Rhywle gwyllt yn Orllewin Cymru</p>
<p class="Body"> </p>
<p class="Body">Tâl: £1000 (+treuliau)</p>
<p class="Body"> </p>
<p class="Body">CLYWELIADAU</p>
<p class="Body"> </p>
<p class="Body">Dyddiad: DYDD LLUN 1af o Awst</p>
<p class="Body"> </p>
<p class="Body">Lleoliad: Caerdydd</p>
<p class="Body"> </p>
<p class="Body">YMGEISIO</p>
<p class="Body"> </p>
<p class="Body">E-bostiwch ni ar <a href="mailto:buddugjamesjonescollective@gmail.com">buddugjamesjonescollective@gmail.com</a> erbyn DYDD MERCHER 27ain o Orffenaf 12YH. Danfonwch FIDEO o’ch hun yn chwarae cân o’ch dewis chi (‘cover’ neu gân wreiddiol) efo offeryn o’ch dewis. Hefyd, danfonwch eich CV neu rif Spotlight.</p>Casting Parkour Artist and Unicyclists !tag:community.nationaltheatrewales.org,2016-07-13:3152760:BlogPost:2551362016-07-13T16:30:00.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p><b><font color="#0000FF">The next professional roles in our City of the Unexpected cast to be filled are 1 parkour artist and two unicyclists. If you've got these skills please read on and get in touch (with your CV and showreel if possible) asap.</font></b></p>
<p><b><font color="#0000FF">We'd like to meet people during the week commencing 18th July. </font></b></p>
<p><b><font color="#0000FF">Thank you!</font></b></p>
<p><span style="color: #0000ff;">Other roles still being cast include…</span></p>
<p><b><font color="#0000FF">The next professional roles in our City of the Unexpected cast to be filled are 1 parkour artist and two unicyclists. If you've got these skills please read on and get in touch (with your CV and showreel if possible) asap.</font></b></p>
<p><b><font color="#0000FF">We'd like to meet people during the week commencing 18th July. </font></b></p>
<p><b><font color="#0000FF">Thank you!</font></b></p>
<p><span style="color: #0000ff;">Other roles still being cast include aerialists, Chinese Pole artists, a BMX expert and more... <a href="http://community.nationaltheatrewales.org/profiles/blogs/city-of-the-unexpected-more-casting" target="_self"><span style="color: #0000ff;">Read the breakdown here</span></a></span><span style="color: #0000ff;"><a href="http://community.nationaltheatrewales.org/profiles/blogs/city-of-the-unexpected-more-casting" target="_self">.</a> </span></p>
<p></p>
<p><b>CITY OF THE UNEXPECTED</b></p>
<p><b>Wales Millennium Centre & National Theatre Wales</b></p>
<p><b>Directed by Nigel Jamieson</b></p>
<p><b>17-18 September 2016, Cardiff city centre</b></p>
<p><b> </b></p>
<p><b>National Theatre Wales is casting for various roles in City of the Unexpected.</b></p>
<p><b> </b></p>
<p>Cardiff will celebrate the centenary of one of its most well-known sons, Roald Dahl, with an extraordinary weekend-long event, showcasing both his distinctive voice and the jewels of the city’s buildings, parks and its people. The city will be transformed into a place where the laws of physics and civic predictability will give way to the laws of magic, mischief and the unexpected.</p>
<p> </p>
<p>Professional performers will work alongside thousands of volunteers to create epic outdoor events and intimate, unexpected moments throughout the city.</p>
<p> </p>
<p>City of the Unexpected continues NTW’s tradition of collaborating with communities to create extraordinary theatre. All roles will involve aspects of working with non- professional performers and participants. We’re looking for generous company members who will enjoy working collaboratively and responsively.</p>
<p> </p>
<p>If you’d like to be part of this spectacular production, have the specific experience outlined here, meet one of the below descriptions and are available for the relevant audition (if specified), rehearsal and performance dates then please send your CV, a little about yourself and your headshot to casting @ nationaltheatrewales.org <strong><u><br/></u></strong></p>
<p>All rehearsals to take place between 22<span>nd</span> August and the 16<span>th</span> September</p>City of the Unexpected - More Castingtag:community.nationaltheatrewales.org,2016-07-01:3152760:BlogPost:2542432016-07-01T15:00:00.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p></p>
<p><b> </b></p>
<p><b> <a href="http://storage.ning.com/topology/rest/1.0/file/get/2999433180?profile=original" target="_self"><img class="align-center" src="http://storage.ning.com/topology/rest/1.0/file/get/2999433180?profile=RESIZE_320x320" width="200"></img></a></b></p>
<p><b> </b></p>
<p><b>CITY OF THE UNEXPECTED</b></p>
<p><b>Wales Millennium Centre & National Theatre Wales</b></p>
<p><b>Directed by Nigel Jamieson</b></p>
<p><b>17-18 September 2016, Cardiff city centre</b></p>
<p><b> </b></p>
<p><b>National Theatre Wales is casting for various roles in City of the…</b></p>
<p></p>
<p><b> </b></p>
<p><b> <a href="http://storage.ning.com/topology/rest/1.0/file/get/2999433180?profile=original" target="_self"><img width="200" src="http://storage.ning.com/topology/rest/1.0/file/get/2999433180?profile=RESIZE_320x320" width="200" class="align-center"/></a></b></p>
<p><b> </b></p>
<p><b>CITY OF THE UNEXPECTED</b></p>
<p><b>Wales Millennium Centre & National Theatre Wales</b></p>
<p><b>Directed by Nigel Jamieson</b></p>
<p><b>17-18 September 2016, Cardiff city centre</b></p>
<p><b> </b></p>
<p><b>National Theatre Wales is casting for various roles in City of the Unexpected.</b></p>
<p><b> </b></p>
<p>Cardiff will celebrate the centenary of one of its most well-known sons, Roald Dahl, with an extraordinary weekend-long event, showcasing both his distinctive voice and the jewels of the city’s buildings, parks and its people. The city will be transformed into a place where the laws of physics and civic predictability will give way to the laws of magic, mischief and the unexpected.</p>
<p> </p>
<p>Professional performers will work alongside thousands of volunteers to create epic outdoor events and intimate, unexpected moments throughout the city.</p>
<p> </p>
<p>City of the Unexpected continues NTW’s tradition of collaborating with communities to create extraordinary theatre. All roles will involve aspects of working with non- professional performers and participants. We’re looking for generous company members who will enjoy working collaboratively and responsively.</p>
<p> </p>
<p>If you’d like to be part of this spectacular production, have the specific experience outlined here, meet one of the below descriptions and are available for the relevant audition (if specified), rehearsal and performance dates then please send your CV, a little about yourself and your headshot to casting @ nationaltheatrewales.org <strong><u>by the 14<sup>th</sup> July.</u></strong></p>
<p>All rehearsals to take place between 22<sup>nd</sup> August and the 16<sup>th</sup> September</p>
<p></p>
<p><strong><span style="color: #0000ff;">Trick Bike / BMX expert</span> </strong> To take part in costume as a character, on Saturday 17<sup>th</sup> Sept. Perform a series of tricks in the City Centre as part of one of the main narrative strands. Availability – 2 rehearsal sessions and the show day.</p>
<p> </p>
<p><span style="color: #0000ff;"><strong>Chinese Pole artists</strong></span> Looking for 3 individual Chinese pole artists to be part of the show in costume – the poles will replace the flag poles on the walls of Cardiff Castle. Working with director Paul Evans, looking at 3 days of rehearsal and the show day on the 17<sup>th</sup> September. Good level of skill required. We have particular interest in multi skilled performers, e.g. a background in Parkour or additional circus disciplines.</p>
<p> </p>
<p><span style="color: #0000ff;"><strong>Aerial Performer </strong></span> Looking for an aerial performer, who has a strong specialist skill (trapeze, straps, rope etc.). In addition, it would be helpful if you are familiar with crane, harness work and counterweighted performance. Four days of rehearsal and two show days – Saturday 17<sup>th</sup> and Sunday 18<sup>th</sup> September.</p>
<p> </p>
<p>Each of these performers would need to be comfortable working in a mask and part of the rehearsal process will be ensuring all work created takes this into account. </p>
<p></p>
<p><strong><span style="color: #0000ff;">Farmer</span> </strong> Looking for an adult performer with walking ladder skills, male or female to play the farmer – acrobatic or other ground skills are desirable. Looking for a big personality / presence. The farmer will lead a large part of the community cast, so an ability to work with community is essential. You would 4 rehearsal sessions and show days – 17<sup>th</sup> & 18<sup>th</sup> September</p>
<p></p>
<p><strong><span style="color: #0000ff;">We've made an addition to this casting breakdown. <a href="http://community.nationaltheatrewales.org/profiles/blogs/casting-parkour-artist-and-unicyclists" target="_self"><span style="color: #0000ff;">If you have unicycle or parkour skills please see new roles here!</span></a></span></strong></p>
<p> </p>
<p>All performers should be happy to take part in group choreography and scenes that use their skills in support of a wider narrative. They should be comfortable with taking outside direction and with contributing to a devising process.</p>
<p> </p>
<p><b>All roles will be paid</b> <b>a company wage of £550 per week rehearse and play with additional remuneration for Sunday work (on the production weekend) where applicable. Relocation or commuting allowances, holiday pay and pension will be paid as per the Equity contract, where applicable.</b></p>
<p></p>
<p><strong>CITY OF THE UNEXPECTED</strong></p>
<p><strong>Canolfan Mileniwm Cymru a National Theatre Wales</strong></p>
<p><strong>Cyfarwyddwyd gan Nigel Jamieson</strong></p>
<p><strong>17-18 Medi 2016, canol dinas Caerdydd</strong></p>
<p><strong>Mae National Theatre Wales yn castio ar gyfer rolau amrywiol yn City of the</strong></p>
<p><strong>Unexpected.</strong></p>
<p></p>
<p>Bydd Caerdydd yn dathlu canmlwyddiant un o’i feibion enwocaf, Roald Dahl, gyda digwyddiad anhygoel dros benwythnos cyfan, yn dangos ei lais unigryw ac adeiladau, parciau a phobl ysblennydd y ddinas. Caiff y ddinas ei thrawsnewid yn lle y mae rheolau ffiseg a normalrwydd dinesig yn ildio i gyfreithiau hud a lledrith, drygioni a’r annisgwyl.</p>
<p>Bydd perfformwyr proffesiynol yn gweithio ochr yn ochr â miloedd o wirfoddolwyr i greu digwyddiadau awyr agored epig ac enydau agos, annisgwyl ar draws y ddinas.</p>
<p>Mae City of the Unexpected yn parhau â thraddodiad NTW o gydweithio â chymunedau i greu theatr anhygoel. Bydd pob rôl yn cynnwys agweddau ar weithio gyda pherfformwyr a chyfranogwyr nad ydynt yn rhai proffesiynol. Rydym yn edrych am aelodau hael ar gyfer y cwmni fydd yn mwynhau gweithio ar y cyd ac mewn</p>
<p>modd ymatebol.</p>
<p> </p>
<p>Os hoffech chi fod yn rhan o’r cynhyrchiad ysblennydd hwn, a bod gennych y profiad penodol a amlinellwyd yma, a’ch bod yn cyfateb i un o’r disgrifiadau isod ac ar gael ar gyfer dyddiadau’r clyweliad (os nodir hynny), ymarfer a pherfformio perthnasol yna anfonwch eich CV, ychydig amdanoch chi eich hun a’ch penlun i</p>
<p>casting @ nationaltheatrewales.org</p>
<p></p>
<p>Bydd yr holl ymarferion yn digwydd rhwng 22<sup>ain</sup> Awst a 16<sup>eg</sup> Medi</p>
<p><strong>Arbenigwr Beic Triciau/BMX</strong> I gymryd rhan mewn gwisg fel cymeriad, ddydd Sadwrn 17<sup>eg</sup> Medi. Perfformio cyfres o driciau yng Nghanol y Ddinas fel rhan o un o’r prif ffrydiau naratif. Argaeledd – 2 sesiwn ymarfer a diwrnod y sioe.</p>
<p> </p>
<p><strong>Artistiaid Polion Tsieineaidd</strong> Yn edrych am 3 artist polion Tsieineaidd unigol i fod yn rhan o’r sioe mewn gwisg – bydd y polion yn cael eu gosod yn lle polion y baneri ar furiau Castell Caerdydd. Gan weithio gyda’r cyfarwyddwr Paul Evans, bydd 3 diwrnod o ymarfer a diwrnod y sioe ar 17<sup>eg</sup> Medi. Angen lefel dda o sgiliau. Mae gennym ddiddordeb penodol mewn perfformwyr aml-sgil, e.e. cefndir mewn Parkour neu ddisgyblaethau syrcas ychwanegol.</p>
<p> </p>
<p><strong>Perfformiwr Awyr </strong> Yn edrych am berfformiwr awyr, sydd â sgil arbenigol cryf (trapîs, strapiau, rhaff etc.). Yn ogystal, byddai’n ddefnyddiol pe byddech yn gyfarwydd â gwaith craen, harnais a pherfformio gwrthbwyso. Pedwar diwrnod o ymarfer a dau ddiwrnod sioe – dydd Sadwrn 17<sup>eg</sup> a dydd Sul 18<sup>fed</sup> Medi.</p>
<p> </p>
<p>Byddai angen i bob un o’r perfformwyr hyn fod yn gyfforddus wrth weithio mewn mwgwd a rhan o’r broses ymarfer fydd sicrhau bod yr holl waith a grëwyd yn ystyried unrhyw effeithiau corfforol. </p>
<p></p>
<p><strong>Ffermwr </strong> Yn edrych am berfformiwr o oedolyn gyda sgiliau ysgol gerdded, gwryw neu fenyw i chwarae’r ffermwr – mae sgiliau acrobat neu sgiliau daear eraill yn ddymunol. Yn edrych am bersonoliaeth/presenoldeb mawr. Bydd y ffermwr yn arwain rhan fawr o’r cast cymunedol, felly mae’r gallu i weithio gyda’r gymunedol yn hanfodol. Byddai 4 sesiwn ymarfer a diwrnodau’r sioe - dydd Sadwrn 17<sup>eg</sup> a dydd Sul 18<sup>fed</sup> Medi.</p>
<p> </p>
<p>Dylai’r holl berfformwyr fod yn hapus i gymryd rhan mewn coreograffi grŵp a golygfeydd sy’n defnyddio’u sgiliau i gefnogi naratif ehangach. Dylent fod yn hapus yn cymryd cyfarwyddyd allanol a chyfrannu at broses ddyfeisio. </p>
<p></p>
<p><b>Bydd pob rôl yn derbyn tâl cwmni o</b> <b>£550 yr wythnos ar gyfer ymarfer a pherfformio gyda thâl ychwanegol am waith ar ddydd Sul (ar benwythnos y cynhyrchiad) lle y bo’n briodol. Bydd lwfansau adleoli neu deithio, tâl gwyliau a phensiwn yn cael eu talu yn unol â chontract</b> <b>Equity lle y bo’n berthnasol.</b></p>City of the Unexpected - Castingtag:community.nationaltheatrewales.org,2016-06-20:3152760:BlogPost:2537622016-06-20T10:30:00.000ZMawgaine Tarrant-Cornishhttps://community.nationaltheatrewales.org/profile/MawgaineTarrantCornish
<p></p>
<p><strong><span style="color: #0000ff;">These roles are now cast. For our current break downs see</span> <span style="color: #0000ff;"><a href="http://community.nationaltheatrewales.org/profiles/blogs/city-of-the-unexpected-more-casting" target="_self"><span style="color: #0000ff;">my latests blogs</span></a></span><span style="color: #0000ff;">.. we're looking for highly skilled performers including unicyclists, parkour artists, Chinese Pole artists aerialists and…</span></strong></p>
<p></p>
<p><strong><span style="color: #0000ff;">These roles are now cast. For our current break downs see</span> <span style="color: #0000ff;"><a href="http://community.nationaltheatrewales.org/profiles/blogs/city-of-the-unexpected-more-casting" target="_self"><span style="color: #0000ff;">my latests blogs</span></a></span><span style="color: #0000ff;">.. we're looking for highly skilled performers including unicyclists, parkour artists, Chinese Pole artists aerialists and more... </span></strong></p>
<p><img width="750" src="http://storage.ning.com/topology/rest/1.0/file/get/2999433180?profile=RESIZE_1024x1024" width="209" class="align-left" height="208"/></p>
<p></p>
<p></p>
<p></p>
<p><b>CITY OF THE UNEXPECTED</b></p>
<p><b>Wales Millennium Centre & National Theatre Wales</b></p>
<p><b>Directed by Nigel Jamieson</b></p>
<p><b>17-18 September 2016, Cardiff city centre</b></p>
<p><b> </b></p>
<p><b>National Theatre Wales is casting for various roles in City of the Unexpected.</b></p>
<p></p>
<p>Cardiff will celebrate the centenary of one of its most well-known sons, Roald Dahl, with an extraordinary weekend-long event, showcasing both his distinctive voice and the jewels of the city’s buildings, parks and its people. The city will be transformed into a place where the laws of physics and civic predictability will give way to the laws of magic, mischief and the unexpected.</p>
<p> </p>
<p>Professional performers will work alongside thousands of volunteers to create epic outdoor events and intimate, unexpected moments throughout the city.</p>
<p></p>
<p>City of the Unexpected continues NTW’s tradition of collaborating with communities to create extraordinary theatre. All roles will involve aspects of working with non- professional performers and participants. We’re looking for generous company members who will enjoy working collaboratively and responsively.</p>
<p> </p>
<p>If you’d like to be part of this spectacular production, have the specific experience outlined here, meet one of the below descriptions and are available for the relevant rehearsal and performance dates then please send your CV, a little about yourself and your headshot to casting @ nationaltheatrewales.org</p>
<p> </p>
<p><b><u>THE MARVELLOUS MEDICINE MACHINE</u></b></p>
<p> </p>
<p><b>GEORGE JUNIOR</b>, Male, 41- 55 years</p>
<p>White/Black/Asian/Mixed-race /Other ethnicity<br/> A genius seller with a high capacity to generate an endless selling pitch with more or less invented words. George Junior is not an expert in the medicine but a chancer and a salesman. He’s always on; telling anecdotes, singing songs, making jokes, chatting away with the crowd, he is the market crooner, desperately trying to make everything appear sleek.</p>
<p> </p>
<p><b>GEORGINA</b>, Female, 16-21 years<br/> White/Black/Asian/Mixed-race/Other ethnicity</p>
<p>The geeky daughter of George Junior, introvert and nerdy, she instinctively knows how to make the medicine but reluctantly helps her father.</p>
<p> </p>
<p>The George family (including George the elder who will be a participant) will operate the Marvellous Medicine Machine and interact directly with the public; the roles require a love of inventing words, worlds, machines and special effects that go wrong. </p>
<p> </p>
<p>Performers will have experience in street, promenade or audience-responsive work, will be skilled in devising, have a great capacity to improvise and be confident in interacting with and managing an audience.</p>
<p> </p>
<p>A mastered Cardiff or Valleys accent and specific physical skills (circus, dance, magic etc) would be welcome but not essential.</p>
<p> </p>
<p><b>DATES: <br/></b> 3 days R&D from 10<sup>th</sup> August 2016<br/> 2 weeks rehearsal commencing 5th September</p>
<p>Including production dates: 17t<sup>h</sup> & 18<sup>th</sup> September 2016</p>
<p> </p>
<p><b><u>THE THREE CHEFS</u></b></p>
<p> </p>
<p><b>CHEF 1</b>, Female or male , 41- 55 years, </p>
<p>White/Black/Asian/Mixed-race/Other ethnicity</p>
<p> </p>
<p><b>CHEF 2</b>, Female or male, 21-35 years, </p>
<p>White/Black/Asian/Mixed-race/Other ethnicity</p>
<p> </p>
<p><b>CHEF 3</b>, Female or male, 18-25 years, </p>
<p>White/Black/Asian/Mixed-race/Other ethnicity</p>
<p> </p>
<p>The chefs will explore back of house kitchen chaos and slick front of house theatricals; they’ll compete, show-off, invent recipes and make spectacle.</p>
<p> </p>
<p>Physical virtuosity is desirable: any precise physical skills from juggling to magic tricks or breakdancing are welcome and will be utilised in driving performances.</p>
<p> </p>
<p>Performers will have experience in street, promenade or audience-responsive work, will be skilled in devising, have a great capacity to improvise and be confident in interacting with and managing an audience.</p>
<p> </p>
<p>Each chef is from a different region or country so any native or mastered accents are welcome. </p>
<p> </p>
<p><b>DATES:</b></p>
<p>3 days R&D from 15<sup>th</sup> August 2016<br/> 2 weeks rehearsal commencing 5<sup>th</sup> September</p>
<p>Including production dates: 17<sup>h</sup> & 18<sup>th</sup> September 2016</p>
<p> </p>
<p><b><u>HEAD OF THE MINISTRY</u></b> <u><b>OF THE PREDICTABLE</b></u>– Female, 45-55</p>
<p>White/Black/Asian/Mixed-race/Other ethnicity</p>
<p><br/> Fierce and formidable in the vein of Dahl’s Miss Trunchbull.</p>
<p>Performer will have experience in street, promenade or audience-responsive work, will be skilled in devising, have a great capacity to improvise and be confident in interacting with and managing an audience.</p>
<p> </p>
<p><b>DATES:</b> 2 weeks rehearsal commencing 5<sup>th</sup> September</p>
<p>Including production dates: 17<sup>th</sup> & 18<sup>th</sup> September 2016</p>
<p> </p>
<p><b><u>2 ARCTIC EXPLORERS</u></b> – Female or male</p>
<p>White/Black/Asian/Mixed-race/Other ethnicity</p>
<p> </p>
<p>We are especially keen to hear from Norwegian speakers and performers with native/mastered Scandinavian.</p>
<p> </p>
<p>Performers will have experience in street, promenade or audience-responsive work, will be skilled in devising, have a great capacity to improvise and be confident in interacting with and managing an audience.</p>
<p> </p>
<p><b>DATES:</b></p>
<p>2/3 days R&D – early August</p>
<p>2 weeks rehearsal commencing 5<sup>th</sup> September</p>
<p>Including production dates: 17<sup>th</sup> & 18<sup>th</sup> September 2016</p>
<p> </p>
<p><b><u>NEWS ANCHOR</u></b> – Female or male</p>
<p>White/Black/Asian/Mixed-race/Other ethnicity</p>
<p> </p>
<p>The news anchor will keep viewers up to date as spectacle and surprise unfolds throughout the city.</p>
<p> </p>
<p>The performer will have experience presenting and/or reporting to camera and be skilled in improvisation.</p>
<p> </p>
<p><b>DATES:</b> 1 week rehearsal commencing 12<sup>th</sup> September</p>
<p>Including production dates: 17<sup>th</sup> & 18<sup>th</sup> September 2016</p>
<p> </p>
<p><b><u>THE INSECTS</u></b></p>
<p> </p>
<p><b>LADYBIRD</b> – Female</p>
<p>White/Black/Asian/Mixed-race/Other ethnicity</p>
<p> </p>
<p><b>SPIDER </b> – Female or male</p>
<p>White/Black/Asian/Mixed-race/Other ethnicity</p>
<p> </p>
<p>The Ladybird and Spider will wear beautiful full costume and be part of big celebratory public moments, performing outdoors to a large crowd with limited, if any, speaking.</p>
<p><b> </b></p>
<p>Performers will have experience in street, promenade or audience-responsive work.</p>
<p> </p>
<p><b>DATES:</b> 1 week rehearsal commencing 12<sup>th</sup> September</p>
<p>Including production dates: 17<sup>th</sup> & 18<sup>th</sup> September 2016</p>
<p> </p>
<p> </p>
<p><b>All roles will be paid</b> <b>a company wage of £550 per week rehearse and play with additional remuneration for Sunday work (on the production weekend) where applicable. Relocation or commuting allowances,</b> <b>holiday pay and pension will be paid as per the Equity contract, where applicable.</b></p>
<p></p>
<p></p>
<p><b>CITY OF THE UNEXPECTED</b></p>
<p><b>Canolfan Mileniwm Cymru a National Theatre Wales</b></p>
<p><b>Cyfarwyddwyd gan Nigel Jamieson</b></p>
<p><b>17-18 Medi 2016, canol dinas Caerdydd</b></p>
<p><b> </b></p>
<p><b>Mae National Theatre Wales yn castio ar gyfer rolau amrywiol yn City of the Unexpected.</b></p>
<p><b> </b></p>
<p>Bydd Caerdydd yn dathlu canmlwyddiant un o’i feibion enwocaf, Roald Dahl, gyda digwyddiad anhygoel dros benwythnos cyfan, yn dangos ei lais unigryw ac adeiladau, parciau a phobl ysblennydd y ddinas. Caiff y ddinas ei thrawsnewid yn lle y mae rheolau ffiseg a normalrwydd dinesig yn ildio i gyfreithiau hud a lledrith, drygioni a’r annisgwyl.</p>
<p> </p>
<p>Bydd perfformwyr proffesiynol yn gweithio ochr yn ochr â miloedd o wirfoddolwyr i greu digwyddiadau awyr agored epig ac enydau agos, annisgwyl ar draws y ddinas.</p>
<p> </p>
<p>Mae City of the Unexpected yn parhau â thraddodiad NTW o gydweithio â chymunedau i greu theatr anhygoel. Bydd pob rôl yn cynnwys agweddau ar weithio gyda pherfformwyr a chyfranogwyr nad ydynt yn rhai proffesiynol. Rydym yn edrych am aelodau hael ar gyfer y cwmni fydd yn mwynhau gweithio ar y cyd ac mewn modd ymatebol.</p>
<p> </p>
<p>Os hoffech chi fod yn rhan o’r cynhyrchiad ysblennydd hwn, a bod gennych y profiad penodol a amlinellwyd yma, a’ch bod yn cyfateb i un o’r disgrifiadau isod ac ar gael ar gyfer dyddiadau’r clyweliad (os nodir hynny), ymarfer a pherfformio perthnasol yna anfonwch eich CV, ychydig amdanoch chi eich hun a’ch penlun i casting @ nationaltheatrewales.org</p>
<p> </p>
<p><b><u>THE MARVELLOUS MEDICINE MACHINE</u></b></p>
<p> </p>
<p><b>GEORGE JUNIOR</b>, Dyn, 41- 55 oed</p>
<p>Gwyn/Du/Asiaidd/Tras gymysg/Ethnigrwydd arall<br/> Gwerthwr athrylithgar gyda gallu gwych i hybu gwerthiant gyda geiriau gwneud. Nid yw George Junior yn arbenigwr yn y feddyginiaeth, ond mae’n fentrwr ac yn werthwr. Mae’n perfformio o hyd; yn adrodd straeon, canu caneuon, gwneud jôcs, siarad â’r dorf. Ef yw llywiwr y farchnad, yn ceisio gwneud i bopeth edrych yn slic.</p>
<p> </p>
<p><b>GEORGINA</b>, Menyw, 16-21 oed<br/> Gwyn/Du/Asiaidd/Tras gymysg/Ethnigrwydd arall</p>
<p>Merch swil George Junior, yn fewnblyg ac yn llipryn, mae’n reddfol yn gwybod sut i wneud y feddyginiaeth ond mae’n helpu ei thad yn anfodlon.</p>
<p> </p>
<p>Bydd y teulu George (yn cynnwys George yr hynaf a fydd yn gyfranogwr) yn gweithio’r Peiriant Meddyginiaeth wych ac yn rhyngweithio’n uniongyrchol gyda'r cyhoedd; mae’r rolau yn gofyn am gariad tuag at ddyfeisio geiriau, bydoedd, peiriannau ac effeithiau sy’n mynd o chwith.</p>
<p> </p>
<p>Bydd gan berfformwyr brofiad o waith stryd, promenâd neu wrth ymateb i gynulleidfaoedd, yn fedrus wrth ddyfeisio, â sgiliau byrfyfyr ardderchog ar yn hyderus wrth ryngweithio gyda chynulleidfa a’i rheoli.</p>
<p> </p>
<p>Bydd acen Caerdydd neu’r Cymoedd a feistrolwyd a sgiliau corfforol penodol (syrcas, dawns, consurio ac ati) yn ddymunol ond nid yn hanfodol.</p>
<p> </p>
<p><b>DYDDIADAU: <br/></b> 3 diwrnod o ymchwil a datblygu o 10 Awst 2016<br/> Pythefnos o ymarferion yn dechrau ar 5 Medi</p>
<p>Yn cynnwys dyddiadau’r cynhyrchiad: 17 a 18 Medi 2016</p>
<p> </p>
<p><b><u>THE THREE CHEFS</u></b></p>
<p> </p>
<p><b>CHEF 1</b>, Menyw neu ddyn , 41- 55 oed, </p>
<p>Gwyn/Du/Asiaidd/Tras gymysg/Ethnigrwydd arall</p>
<p> </p>
<p><b>CHEF 2</b>, Menyw neu ddyn, 21-35 oed, </p>
<p>White/Black/Asian/Mixed-race/Other ethnicity</p>
<p> </p>
<p><b>CHEF 3</b>, Menyw neu ddyn, 18-25 oed, </p>
<p>White/Black/Asian/Mixed-race/Other ethnicity</p>
<p> </p>
<p>Bydd y cogyddion yn archwilio ffwdan ceginau cefn a thriciau slic blaen tŷ; byddant yn cystadlu, yn dangos eu hunain, yn creu ryseitiau ac yn cyflwyno sioe.</p>
<p> </p>
<p>Mae gallu corfforol yn ddymunol: byddai unrhyw sgiliau corfforol da fel jyglo neu gonsurio neu freg-ddawnsio yn ddymunol ac yn cael eu defnyddio i yrru’r perfformiadau.</p>
<p> </p>
<p>Bydd gan berfformwyr brofiad o waith stryd, promenâd neu wrth ymateb i gynulleidfaoedd, yn fedrus wrth ddyfeisio, â sgiliau byrfyfyr ardderchog ar yn hyderus wrth ryngweithio gyda chynulleidfa a’i rheoli.</p>
<p> </p>
<p>Mae pob cogydd o wahanol ranbarth neu wlad felly mae croeso i unrhyw acenion gwreiddiol neu rhai a feistrolwyd</p>
<p> </p>
<p><b>DYDDIADAU: <br/></b> 3 diwrnod o ymchwil a datblygu o 15 Awst 2016<br/> Pythefnos o ymarferion yn dechrau ar 5 Medi</p>
<p>Yn cynnwys dyddiadau’r cynhyrchiad: 17 a 18 Medi 2016</p>
<p> </p>
<p><b><u>HEAD OF THE MINISTRY</u></b> <u><b>OF THE PREDICTABLE</b></u>– Menyw, 45-55</p>
<p>Gwyn/Du/Asiaidd/Tras gymysg/Ethnigrwydd arall</p>
<p> </p>
<p>Cas a brawychus ar ffurf Miss Trunchbull Dahl.</p>
<p>Bydd gan y berfformwraig brofiad o waith stryd, promenâd neu wrth ymateb i gynulleidfaoedd, yn fedrus wrth ddyfeisio, â sgiliau byrfyfyr ardderchog ar yn hyderus wrth ryngweithio gyda chynulleidfa a’i rheoli.</p>
<p> </p>
<p><b>DYDDIADAU:</b> Pythefnos o ymarferion yn dechrau ar 5 Medi</p>
<p>Yn cynnwys dyddiadau’r cynhyrchiad: 17 a 18 Medi 2016</p>
<p> </p>
<p><b><u>2 ARCTIC EXPLORERS</u></b> – Menywod neu ddynion</p>
<p>Gwyn/Du/Asiaidd/Tras gymysg/Ethnigrwydd arall</p>
<p> </p>
<p>Rydym yn awyddus i glywed gan siaradwyr Norwyeg a pherfformwyr ag iaith Scandinafaidd wreiddiol neu wedi’i meistroli.</p>
<p> </p>
<p>Bydd gan berfformwyr brofiad o waith stryd, promenâd neu wrth ymateb i gynulleidfaoedd, yn fedrus wrth ddyfeisio, â sgiliau byrfyfyr ardderchog ar yn hyderus wrth ryngweithio gyda chynulleidfa a’i rheoli.</p>
<p> </p>
<p><b>DYDDIADAU: <br/></b> 2/3 diwrnod o ymchwil a datblygu - dechrau Awst 2016<br/> Pythefnos o ymarferion yn dechrau ar 5 Medi</p>
<p>Yn cynnwys dyddiadau’r cynhyrchiad: 17 a 18 Medi 2016</p>
<p> </p>
<p><b><u>NEWS ANCHOR</u></b> – Menyw neu ddyn</p>
<p>Gwyn/Du/Asiaidd/Tras gymysg/Ethnigrwydd arall</p>
<p>Bydd y cyflwynydd newyddion yn rhoi’r wybodaeth ddiweddaraf i’r gwylwyr wrth i’r sioe a’r annisgwyl ddatblygu ar draws y ddinas.</p>
<p> </p>
<p>Bydd gan y perfformiwr brofiad yn cyflwyno a/neu ohebu i gamera ac yn fedrus mewn gwaith byrfyfyr.</p>
<p> </p>
<p><b>DYDDIADAU:</b> 1 wythnos o ymarferion yn dechrau ar 12 Medi</p>
<p>Yn cynnwys dyddiadau’r cynhyrchiad: 17 a 18 Medi 2016</p>
<p> </p>
<p><b><u>THE INSECTS</u></b></p>
<p> </p>
<p><b>LADYBIRD</b> – Menyw</p>
<p>Gwyn/Du/Asiaidd/Tras gymysg/Ethnigrwydd arall</p>
<p> </p>
<p><b>SPIDER </b> – Menyw neu ddyn</p>
<p>Gwyn/Du/Asiaidd/Tras gymysg/Ethnigrwydd arall</p>
<p> </p>
<p>Bydd y Fuwch goch Gota a’r Corryn yn gwisgo gwisgoedd llawn prydferth ac yn rhan o ddigwyddiadau dathlu cyhoeddus mawr, gan berfformio y tu allan i dorf fawr gydag ychydig iawn o siarad, os o gwbl.</p>
<p><b> </b></p>
<p>Bydd gan berfformwyr brofiad o waith stryd, promenâd neu wrth ymateb i gynulleidfaoedd.</p>
<p> </p>
<p><b>DYDDIADAU:</b> 1 wythnos o ymarferion yn dechrau ar 12 Medi</p>
<p>Yn cynnwys dyddiadau’r cynhyrchiad: 17 a 18 Medi 2016</p>
<p> </p>
<p><b>Bydd pob rôl yn derbyn tâl cwmni o</b> <b>£550 yr wythnos ar gyfer ymarfer a pherfformio gyda thâl ychwanegol am waith ar ddydd Sul (ar benwythnos y cynhyrchiad) lle y bo’n briodol. Bydd lwfansau adleoli neu deithio, tâl gwyliau a phensiwn yn cael eu talu yn unol â chontract</b> <b>Equity lle y bo’n berthnasol.</b></p>