My name is Lucy Jones, I am currently a 3rd year student in the University of Glamorgan studying drama and media. I have recently joined the young critics scheme and this is my first review.

Strictly Gershwin

25th October 2011

Wales Millennium Centre, Cardiff

George Gershwin meets Strictly Come Dancing!

The English National Ballet fantastically releases a variety of ballet, tap, jazz and ballroom accompanied by the big band Gershwin classics- such as Summertime and I got Rhythm which are led by enthusiastic conductor Gareth Valentine. There seems to be a ‘timelessness’ feel to the age of Hollywood music and dance, in which the explosive ensemble manages to draw in the audience perfectly.

Act one explored Gershwin on Broadway and held a sense of depth, character and plot which felt really captivating. An American in Paris contains sensational imagery brought to life by the flawless ensemble, which were achieved at peak moments throughout the show accompanied by the music of Gershwin. Although, the fluency of dance and movement somewhat distracts us at times from engaging fully with the music, at its peak it is beautifully justified and accompanies the other perfectly. The opening Overture performed by Shiori Kase and Vadim Muntagirov sets a high standard for the rest of the show, demonstrating particular fluency and flawless movements.

Nothing quite compared to the show-stopper of the evening. The tap duet to Fascinatin’ Rhythm by Paul Robinson and Douglas Mills, held captivating energy and passion and definitely a highlight, quite rightly deserving a standing ovation.

A classical breathtaking spectacle transforming Cardiff into Broadway/Hollywood! The show definitely keeps the audience on their toes from start to finish in this loosely based cabaret style show where glamour and elegance are constantly delivered from the live band, singers and dancers.