MOTHER COURAGE AND HER CHILDREN
by Bertolt Brecht
in a translation by John Willett
revised by Ed Thomas
Director: John E McGrath
Composer & Musical Director: Dafydd James
National Theatre Wales returns to its birthplace in the south Wales valleys for the first production in its fifth season - a bold, anarchic new version of Bertolt Brecht’s 1939 anti-war play performed in and around the Merthyr Labour Club.
Hinterland creator Ed Thomas returns to the stage to adapt, NTW artistic director John McGrath will direct and My Name is Sue composer Dafydd James will write original music, mixing Brecht’s world with the Saturday-night spirit of Merthyr.
Mother Courage has been described as the greatest play of the twentieth century. Performed by a cast of nine great Welsh actresses, in the gutsy English of the South Wales Valleys, and in the context of our own unending wars, this will be a defiantly twenty-first century version.
#NTWMother
Tickets are on sale now
Find out more here
Website: http://nationaltheatrewales.org/mother-courage-and-her-children
Location: Merthyr Tydfil
Members: 48
Latest Activity: May 12, 2016
Cerian shares her thoughts on why you should come and see Mother CourageContinue
Started by Jain Boon May 5, 2015.
Kayleigh Adlamhttp://youtu.be/gePguqvjnC0Last week I met Kayleigh in Merthyr Labour Club, she is a member of the Women's Community Ensemble working on Mother…Continue
Started by Jain Boon. Last reply by Jain Boon May 5, 2015.
Mother Courage is set during a period of wartime and National Theatre Wales' production is to be staged in Merthyr Labour Club. With this in mind, I had look for some stats about the armed forces in…Continue
Tags: NTWMother
Started by Megan Roseblade. Last reply by National Theatre Wales Mar 4, 2015.
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Hi! Just wanted to let people know that there is a ntwTEAM ticket offer for Blavatsky's Tower in Merthyr tomorrow at Redhouse Theatre.
Here are a few comments from audiences so far:
As its now the last day of Mother Courage I just wanted to say what an absolute pleasure it has been to be a part of this production. Even though I have just been watching from the box office and ushers seat, I’ve been able to see it develop and grow, and every night I have noticed something new that I hadn’t seen before. It's truly a beautiful piece, and I have also not been able to get the songs out of my head!!
Also, the amount of excitement and interest we have had from local residents has been amazing, and from their feedback you can tell how pleased and proud they are to have this production in their home town!
It has been a lovely few weeks and I am sad to see it coming to an end. So good luck, have a brilliant last show and I’ll see you there!
Thank you.
Photo imagery of the brilliant Mother Courage experience in Merthyr Tydfil can be found on my blog To Mother Courage With Love - this will be regularly updated throughout the month of May.
L*
Rehearsals tonight... whoop, whoop, whoop. I cannot wait for the excuse to brake the monotony and the deadlines. A lot of me wishes that the there were no swearing in the show, as I would be there most days, with my two year old, pretending I did this for a living. But where would the show be without the profanities? Not in Merthyr Tydfil I can tell you... he he he. In fact, It is this aspect of the show that has struck me from the start. It's loyalty to the cause!
As a member of the community cast, I have been given a sense of involvement through the development process. Our ideas have been listened to and granted open arms. I feel that we have given National Theatre Wales an opportunity to delve deep into the Merthyr's heart and staying true to the people and characters within the play, rather than staying true to 'Brechtian' laws. Not that I am a Brecht expert I need to add.
The adventitious form the show is taking on an exciting role of giving the audience an invitation to relate to the characters in a relaxed and open environment. where better to relax and open up than having a pint with friends at the local Labour Club? I also feel that my role as community cast is to be relaxed, to relax the rules of theatre slightly by encouraging the audience to involve themselves, even if that's inwardly. Personally, I would rather have a script and be directed and I feel this is the most weakest part of my skill set. This does not mean that I am dreading it. I am actually looking forward to breaking my fears and turning my weakness into strength. It is a role I cannot foresee until it happens, but I am sure I will surprise myself. I usually do.
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