Materials fascinate me - their passage through time as stuff to object. Borrowing languages and processes from various fields my work takes multiple forms, using objects; video; print; text to examine the human relationship to artefacts and their modes of construction. Often referencing the language of museum collections recent work has focused on 're-construction' as a method for interpreting found material histories.
I'm currently on residency at Plymouth Arts Centre (Aug-Sep 2017)
Projects I’m working on:
2016 - current
Granny's Carpet was Mental