Jen Thornton's Posts - National Theatre Wales Community2024-03-29T13:34:29ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThorntonhttps://storage.ning.com/topology/rest/1.0/file/get/2986221176?profile=RESIZE_48X48&width=48&height=48&crop=1%3A1https://community.nationaltheatrewales.org/profiles/blog/feed?user=2xby9nze3pxvj&xn_auth=noCompetition for budding film makers aged 11-25tag:community.nationaltheatrewales.org,2014-04-15:3152760:BlogPost:1929022014-04-15T16:07:27.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p><b><br></br></b><a href="http://thefilterwales.org/" target="_blank">The Filter</a>, in partnership with <a href="http://cutfilms.org/" target="_blank">The Deborah Hutton Campaign</a>, are running a short film competition called <strong>Cut Films</strong>. </p>
<p>Anyone in Wales aged 11-25 can enter by making a short film or advert (between 30 seconds and 2 minutes in length) persuading their friends and peers not to smoke. </p>
<p>Films can be on any topic, and made with anything from a phone…</p>
<p><b><br/></b><a href="http://thefilterwales.org/" target="_blank">The Filter</a>, in partnership with <a href="http://cutfilms.org/" target="_blank">The Deborah Hutton Campaign</a>, are running a short film competition called <strong>Cut Films</strong>. </p>
<p>Anyone in Wales aged 11-25 can enter by making a short film or advert (between 30 seconds and 2 minutes in length) persuading their friends and peers not to smoke. </p>
<p>Films can be on any topic, and made with anything from a phone to a professional camera. What matters is a great idea and how persuasive the film is. </p>
<p></p>
<p><strong>Judging</strong></p>
<p>Our panel of judges will pick winners from each age category, and one winner will be chosen by public vote, so films need to be shareable!</p>
<p>The judging panel includes National Theatre Wales' own <a href="http://community.nationaltheatrewales.org/profile/GavinPorter" target="_self">Gavin Porter</a>, alongside representatives from Media Wales, British Heart Foundation Cymru, Tenovus and a young judge. </p>
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<p><strong>Prizes</strong></p>
<p>Prizes will include iPad Minis, video cameras, equipment vouchers and publicity for you and your group. </p>
<p></p>
<p><strong>How to Enter</strong></p>
<p>Make your film, give it a great title and then upload it on the Cut Films website by <strong>2nd May 2014</strong>. </p>
<p></p>
<p>Find some inspiration by looking at <a href="https://www.youtube.com/playlist?list=PLICg4A5HP817IPHeFRgixyrqqtEuK0whd" target="_blank">some of the previous competition winners</a>, and get information and ideas from our fact bank on <a href="http://thefilterwales.org/join-in/cutfilms/" target="_blank">thefilterwales.org</a>.</p>
<p></p>
<p>Find out more <a href="http://thefilterwales.org/join-in/cutfilms/" target="_blank">here</a>.</p>
<p></p>
<p><strong> </strong></p>King Catstag:community.nationaltheatrewales.org,2013-11-26:3152760:BlogPost:1813112013-11-26T17:05:48.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p><span style="font-family: helvetica;">In the run-up to Silly Kings, we've been on a search for the silliest things on the internet to get everyone in the mood. As the internet is pretty much made of cats, it seems only right that we should involve them at some point. So here, now, 10 silly cats dressed as kings. </span></p>
<p><span style="font-family: helvetica;">Silly Kings is at Cardiff Castle from 19th December 2013 - 4th January 2014 and you can book…</span></p>
<p><span style="font-family: helvetica;">In the run-up to Silly Kings, we've been on a search for the silliest things on the internet to get everyone in the mood. As the internet is pretty much made of cats, it seems only right that we should involve them at some point. So here, now, 10 silly cats dressed as kings. </span></p>
<p><span style="font-family: helvetica;">Silly Kings is at Cardiff Castle from 19th December 2013 - 4th January 2014 and you can book <a href="http://nationaltheatrewales.org/sillykings" target="_blank">here</a>. </span></p>
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<p><span class="font-size-4" style="font-family: helvetica;"><strong>1. (Boy) King Cat</strong></span></p>
<p><span style="font-family: helvetica;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999387351?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999387351?profile=original" width="267" class="align-center"/></a></span></p>
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<p style="text-align: center;"><a href="http://tonyshea.blogspot.co.uk/2012/09/me-and-cat-hollywood.html" target="_blank">click for source</a></p>
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<p><span style="font-family: helvetica;" class="font-size-4"><strong>2. Illustrated King Cat</strong></span></p>
<p><span style="font-family: helvetica;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999387730?profile=original" target="_self"></a></span></p>
<p><span style="font-family: helvetica;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999387730?profile=original" target="_self"></a></span></p>
<p><span style="font-family: helvetica;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999387730?profile=original" target="_self"><img width="300" src="http://storage.ning.com/topology/rest/1.0/file/get/2999387730?profile=RESIZE_320x320" width="300" class="align-center"/></a></span></p>
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<p style="text-align: center;"><a href="http://vegtastic.net/2011/11/great-gifts-for-vegans-on-etsy/" target="_blank">click for source</a></p>
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<p><span style="font-family: helvetica;" class="font-size-4"><strong>3. Heavenly King Cat</strong></span></p>
<p><span style="font-family: helvetica;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999387843?profile=original" target="_self"><img width="300" src="http://storage.ning.com/topology/rest/1.0/file/get/2999387843?profile=RESIZE_320x320" width="300" class="align-center"/></a></span></p>
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<p style="text-align: center;"><a href="http://www.templeofcats.com/art/" target="_blank">click for source</a></p>
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<p><span style="font-family: helvetica;" class="font-size-4"><strong>4. Lion King Cat</strong></span></p>
<p><span style="font-family: helvetica;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999387961?profile=original" target="_self"><img width="300" src="http://storage.ning.com/topology/rest/1.0/file/get/2999387961?profile=RESIZE_320x320" width="300" class="align-center"/></a></span></p>
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<p style="text-align: center;"><a href="http://animalcosplay.com/image/67/cat-king/" target="_blank">click for source</a></p>
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<p></p>
<p><span style="font-family: helvetica;" class="font-size-4"><strong>5. Crown Jewels King Cat</strong></span></p>
<p><span style="font-family: helvetica;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/54475254?profile=original" target="_self"><img width="300" src="http://storage.ning.com/topology/rest/1.0/file/get/54475254?profile=RESIZE_320x320" width="300" class="align-center"/></a></span></p>
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<p style="text-align: center;"><a href="http://danienglish.com.br/2012/11/13/a-cat-can-look-at-a-king/" target="_blank">click for source</a></p>
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<p><span style="font-family: helvetica;" class="font-size-4"><strong>6. Silly Costume King Cat</strong></span></p>
<p><span style="font-family: helvetica;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999389965?profile=original" target="_self"><img width="300" src="http://storage.ning.com/topology/rest/1.0/file/get/2999389965?profile=RESIZE_320x320" width="300" class="align-center"/></a></span></p>
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<p style="text-align: center;"><a href="http://malanderic.blogspot.co.uk/2011/10/football-and-royal-felines.html" target="_blank">click for source</a></p>
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<p></p>
<p><span style="font-family: helvetica;" class="font-size-4"><strong>7. Garfield King Cat</strong></span></p>
<p><span style="font-family: helvetica;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999389993?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999389993?profile=original" width="240" class="align-center"/></a></span></p>
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<p style="text-align: center;"><a href="http://www.mobileapples.com/Screensavers_Detail.aspx?Title=King%20Cat%20Screensaver%20&Sno=2516" target="_blank">click for source</a></p>
<p></p>
<p></p>
<p><span style="font-family: helvetica;" class="font-size-4"><b>8. Persian King Cat </b></span></p>
<p><span style="font-family: helvetica;"><a href="http://nationaltheatrewales.org/eflyers/sillykings/Persian.jpg" target="_blank"><img src="http://nationaltheatrewales.org/eflyers/sillykings/Persian.jpg?width=300" width="300" class="align-center"/></a></span></p>
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<p style="text-align: center;"><a href="http://www.templeofcats.com/photos/king-of-persia/" target="_blank">click for source</a></p>
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<p></p>
<p><span style="font-family: helvetica;" class="font-size-4"><strong>9. Disgruntled King Cat</strong></span></p>
<p><span style="font-family: helvetica;"><a href="http://nationaltheatrewales.org/eflyers/sillykings/Purple.jpg" target="_blank"><img src="http://nationaltheatrewales.org/eflyers/sillykings/Purple.jpg?width=300" width="300" class="align-center"/></a></span></p>
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<p style="text-align: center;"><a href="http://stylefrizz.com/201008/cats-fashion-show-good-or-bad/" target="_blank">click for source</a></p>
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<p></p>
<p><span style="font-family: helvetica;" class="font-size-4"><strong>10. "I am" King Cat</strong></span></p>
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<p><span style="font-family: helvetica;"><a href="http://nationaltheatrewales.org/eflyers/sillykings/KingCat.jpg" target="_blank"><img src="http://nationaltheatrewales.org/eflyers/sillykings/KingCat.jpg?width=300" width="300" class="align-center"/></a></span></p>
<p style="text-align: center;"><span style="font-family: helvetica;"><a href="http://www.catster.com/lifestyle/cat-names-guide" target="_blank">click for source</a></span></p>
<p></p>Open casting call in Bristol this weekend - major Disney filmtag:community.nationaltheatrewales.org,2013-11-06:3152760:BlogPost:1799122013-11-06T16:39:43.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>Actors! We've received the below from a Casting exec working for Disney. <a href="http://www.upi.com/Entertainment_News/Movies/2013/11/06/Star-Wars-open-casting-calls-announced-for-UK-Ireland/UPI-57561383755147/?utm_source=twitterfeed&utm_medium=twitter" target="_blank">The Internet</a> seems to be pretty sure this casting is for the new Star Wars film. </p>
<div>Please don't contact National Theatre Wales for more information about this, as we don't have any! The text and image below…</div>
<p>Actors! We've received the below from a Casting exec working for Disney. <a href="http://www.upi.com/Entertainment_News/Movies/2013/11/06/Star-Wars-open-casting-calls-announced-for-UK-Ireland/UPI-57561383755147/?utm_source=twitterfeed&utm_medium=twitter" target="_blank">The Internet</a> seems to be pretty sure this casting is for the new Star Wars film. </p>
<div>Please don't contact National Theatre Wales for more information about this, as we don't have any! The text and image below includes all the info supplied to us.</div>
<div style="text-align: center;"><div><b>-------</b></div>
<p><b> </b></p>
</div>
<div>Disney are launching a UK wide talent scout to find two brand new stars of tomorrow. We are looking for a young woman of about <b>17 - 18 years</b> old & a young man <b>18 - 23yrs</b> to star in leading roles of a new Disney Feature Film Franchise. </div>
<div>We are looking for unknowns. <b>Acting experience is not necessary.</b></div>
<div>We are coming to <b>BRISTOL next weekend</b> (9th & 10th November) and was hoping you would be kind enough to blast your facebook pages/Twitter/website and if you can <b>print attached notice</b> for all your common rooms/cafeterias/hang out areas...Basically spread the word! </div>
<div><span><b>We cannot disclose what the actual film will be but can guarantee it is going to be one of the biggest releases across the world in 2015. </b></span></div>
<div><font face="arial,sans-serif"><span><b> </b></span></font></div>
<div><font face="arial,sans-serif">I have attached our poster with more information covering all UK venues on this tour and more information on the two characters we are looking to cast. Please circulate as much as you can. We are looking forward to meeting lots of potential candidates from all over the South West.</font></div>
<div><font face="arial,sans-serif"> </font></div>
<div><font face="arial,sans-serif">Your local event will be:</font></div>
<div><font face="arial,sans-serif"><span><b> </b></span></font></div>
<div><font face="arial,sans-serif" color="#0000FF"><span><b>BRISTOL</b></span></font></div>
<div><font face="arial,sans-serif" color="#0000FF"><span><b>SATURDAY 9TH & SUNDAY 10TH NOVEMBER 2013</b></span></font></div>
<div><font face="arial,sans-serif" color="#0000FF"><span><b>DOORS OPEN 11AM UNTIL 3PM </b></span></font></div>
<div><font face="arial,sans-serif" color="#0000FF"><span><b>VENUE: ARNOLFINI ARTS CENTRE</b></span></font></div>
<div><font face="arial,sans-serif" color="#0000FF"><span><b>16 NARROW QUAY, BRISTOL, BS1 4QA</b></span></font></div>
<div><font face="arial,sans-serif"><span><b> </b></span></font></div>
<div><span><b><u>ABOVE 16 YEARS OLD ONLY </u></b></span><font face="arial,sans-serif"><span><b><br/></b></span></font></div>
<div><font face="arial,sans-serif"><span><b> </b></span></font></div>
<div><font face="arial,sans-serif"><span><b>PLEASE BRING A RECENT PICTURE (nothing professional just a snap shot for reference only)</b></span></font></div>
<div><span><b>PLEASE MAKE SURE YOU HAVE WATER & WARM CLOTHES incase there is waiting around out doors etc</b></span></div>
<div style="text-align: center;"><span><b>-------</b></span></div>
<div><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999388200?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999388200?profile=original" width="527" class="align-center"/></a> </div>PlayARK Games and Talks 2013tag:community.nationaltheatrewales.org,2013-11-04:3152760:BlogPost:1795482013-11-04T12:30:00.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>On Friday and Saturday I had a great time at <a href="http://www.playark.co.uk/" target="_blank">PlayARK</a>'s festival of Games and Talks. Friday was the 'Talks' part and Saturday the 'Games'. </p>
<p> </p>
<p>The Talks included thoughts and tales from a brilliant variety of people, covering everything from interactive pottery to participatory charity radio in Sweden. There were lots of thoughts throughout the day, and loads of interesting examples to share but I won't just regurgitate them…</p>
<p>On Friday and Saturday I had a great time at <a href="http://www.playark.co.uk/" target="_blank">PlayARK</a>'s festival of Games and Talks. Friday was the 'Talks' part and Saturday the 'Games'. </p>
<p> </p>
<p>The Talks included thoughts and tales from a brilliant variety of people, covering everything from interactive pottery to participatory charity radio in Sweden. There were lots of thoughts throughout the day, and loads of interesting examples to share but I won't just regurgitate them all in the form of a blog. </p>
<p>The theme of the day, broadly, was 'playfulness' but this took so many interesting and creative forms, from storytelling to the more literal gaming side and what playfulness and game theory teaches us about the rest of the world. Here are a few of the highlights: </p>
<p></p>
<p><strong>Reclaiming Storytelling</strong> (Talk by <a href="http://storycentraldigital.wordpress.com/" target="_blank">Alison Norrington</a>)</p>
<p>Top thought: actually, we never lost it. </p>
<p>My favourite example of collaborative storytelling was <a href="http://sverigesradio.se/sida/default.aspx?programid=3946" target="_blank">Musikhjälpen</a>. This is a charity radio event in Sweden, during which three well-known presenters broadcast from a glass box in a public square for several days. They can sleep and eat, but not leave the box. Members of the public donate money online to help choose the playlist, and people can volunteer to go into the box and show off their party piece/special skill/something funny. The radio show is telling its own story online, on the radio and through videos that are shared:<iframe width="560" height="315" src="//www.youtube.com/embed/Oc5rbn7HabU?wmode=opaque" frameborder="0"></iframe>
</p>
<p>(This is a pretty long video but it will give you a good idea of what's going on). </p>
<p> </p>
<p><strong>Artist <a href="http://ingridmurphy.wordpress.com/" target="_blank">Ingrid Murphy</a></strong> talked to us about her innovative and brilliant pottery. She looks at traditional sculptures and ceramics, and remixes them for the 21st century world. Some of them are just quirky and great within themselves, like traditional ceramic sculpted women modified to hold protest banners, appear in digital photographs, etc. Others are works of genius existing across multiple platforms. Some of Ingrid's sculptures feature a QR code which takes you to information about the piece, or an imagined history. She has also created, using 3D scanning technology, models of herself which exist in Geocaches around the world and can be tracked when they are found or relocated. Such a creative way to think about visual art in its future incarnations. </p>
<p> </p>
<p><a href="https://twitter.com/nickfortugno" target="_blank">Nick Fortugno</a> from New York-based <a href="http://www.comeoutandplay.org/" target="_blank">Come Out and Play</a> talked about <strong>gamifying education</strong>. This was a fascinating talk, live via Google Hangout from his base in New York City, in which he gave us new ways to think about education. School, tests and the like are actually quite a lot like games with two clear differences: it's not (always) fun, and you get penalised for failing. </p>
<p>Now, I'm just as much for teaching young people about how to deal with failure as the next person, but Nick's proposed alternative was also brilliant. He suggested that by using technology you can do away with the 'grades' system of school years and have every child work at their own pace and 'level up' when they're ready. If they fail at something it's like Mario falling down a hole. He goes a bit shiny and re-starts from the last checkpoint. It then doesn't really matter at what pace you level up - some children will fly through the educational levels and need more challenges; others may spend a year on the first level but the crucial thing is that doesn't matter. </p>
<p>It's also clear that we are born to play. Toddlers learn by playing all the time - it's not uncommon to see an 18-month old child spend hours at a time learning how to fit shapes into the right holes, or place coloured rings in a particular order but we lose the fun at school. Game theory can bring this back. </p>
<p>This is a massive topic which we're just scratching the surface of, but I'd love to see this sort of idea taken on by educators and used to make school better for everyone. </p>
<p> </p>
<p>On, then, to the <strong>games day</strong>. As you may remember from my <a href="http://community.nationaltheatrewales.org/profiles/blogs/hide-seek-weekender" target="_self">Hide & Seek Weekender blog post</a>, I quite like playing games. The more creative and the newer the better. </p>
<p>Saturday's Games day by PlayARK was a good opportunity to find out about some recently-created playful ideas, and play some new games. In the week leading up to the festival, PlayARK ran a hack week with some creative people. Out of that came a handful of projects, my favourite of which is probably <a href="http://www.playdance.me/" target="_blank">Playdance</a>. I've borrowed a couple of their Vines to demonstrate how the project works. In short, you film either your top half or bottom half dancing, and then use <a href="http://www.playdance.me/" target="_blank">the website</a> to swap around with other people's tops and bottoms to create a sort of dancing flip book. The team were demonstrating this with two big TVs on Saturday, but they're planning to get the site set so you can choose different pairs and play away.</p>
<p style="text-align: center;"><iframe width="480" height="480" src="https://vine.co/v/hDDtPDbW9jq/embed/simple" frameborder="0"></iframe>
<iframe width="480" height="480" src="https://vine.co/v/hDpHBTnhdwQ/embed/simple" frameborder="0"></iframe>
</p>
<p>I also really liked a new game by <a href="http://glitchnap.com/" target="_blank">Glitchnap</a> called Zumbie: Blind Rage, in which you need to shoot oncoming zombies with a Playstation Move controller. The only catch is you're blindfolded, so you need your friends to watch the screen and shout instructions. After a fairly shoddy first attempt, I somehow managed to get the highest score of the day, mostly due to excellent instructions from some bystanders. </p>
<p>Here's a picture of the gameplay: </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999388451?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999388451?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>
<p>And here I am, blindfolded, ready to start shooting zombies: </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999390232?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999390232?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>
<p> </p>
<p>Also using Playstation Move controllers is a game by <a href="http://gutefabrik.com/" target="_blank">Die Gute Fabrik</a> called Johann Sebastian Joust. This is a screenless game in which 8 players have a controller each, lit up in 8 different colours. If you move too quickly, or your controller is hit it turns red and you're out. The winner is the last person with a lit-up controller. Obviously the bulk of the game is spent trying to knock other people's controllers without moving your own too quickly. I played this last year in London and loved it, and I hope they release a commercial version at some point. What a great thing to do at your family Christmas party! </p>
<p>Amusing jousting poses: </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999390354?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999390354?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>
<p> </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999390357?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999390357?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>
<p>I feel like I should end with some profound thought about game theory and playfulness but I'm afraid I don't seem to have one at this point. Perhaps it is that a few years ago it turned out that grans really get on with the Wii, so perhaps more creative gaming is ready to be introduced at Christmas. </p>
<p>On the other hand perhaps it's that we should all start thinking a bit more playfully. How do you approach a challenge? How do you start a project? How do you work out and measure achievements? It's all a game really, so why not make it feel fun like one...</p>
<p></p>
<p>* Thanks to <a href="http://twitter.com/carrief7" target="_blank">Carrie</a> for most of the photos. </p>8 Things I Loved In Treorchytag:community.nationaltheatrewales.org,2013-10-31:3152760:BlogPost:1795172013-10-31T16:35:08.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>Our Made in Treorchy residency has now come to an end, so by way of a round-up (and with a nod to Buzzfeed) here are my favourite things about Treorchy, The Park & Dare and our month there: </p>
<p></p>
<p><span class="font-size-5"><strong>1. The Cafés</strong></span></p>
<p>Hot Gossip and Cosy Café are just two of the brilliant, friendly establishments on Treorchy's high street that serve excellent lunch. The town has a bustling, exciting high street and you can pop into any shop and…</p>
<p>Our Made in Treorchy residency has now come to an end, so by way of a round-up (and with a nod to Buzzfeed) here are my favourite things about Treorchy, The Park & Dare and our month there: </p>
<p></p>
<p><span class="font-size-5"><strong>1. The Cafés</strong></span></p>
<p>Hot Gossip and Cosy Café are just two of the brilliant, friendly establishments on Treorchy's high street that serve excellent lunch. The town has a bustling, exciting high street and you can pop into any shop and feel immediately welcome. </p>
<p></p>
<p><span class="font-size-5"><strong>2. A Fish Called Rhondda</strong></span></p>
<p>Chip shops are often bestowed with great pun names, but this has to be one of my favourites. The chips and hot wraps are also really good, so we found ourselves having more than a couple of portions while we were there. This is Simon and Me on our final night in Treorchy: </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999390252?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999390252?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>
<p></p>
<p><span class="font-size-5"><strong>3. The Rhondda Two-Step</strong></span></p>
<p>The Park & Dare's Assistant Manager Tom kindly agreed to be the online host for the Treorchy Assembly. During the broadcast he taught Simon Coates, Sarah Leigh and David Evans the Rhondda two-step. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999390206?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999390206?profile=original" width="500" class="align-center"/></a></p>
<p></p>
<p><span class="font-size-5"><strong>4. Simon, Tom and the staff of the Park & Dare</strong></span></p>
<p>I really enjoyed getting to know the staff at the Park & Dare during October. They're such a great bunch of enthusiastic people, working really hard to run the venue smoothly and make audiences and visitors feel very welcome. We came in, took over their building, turned the auditorium into something entirely different, arranged a day of new writing which used almost every space available and they rolled with it, got involved and did an amazing job of looking after the audience and making sure everybody had a great time. Thomas even <a href="http://community.nationaltheatrewales.org/profiles/blog/list?tag=TTJBlog" target="_self">wrote a couple of blog posts</a> about the residency. </p>
<p></p>
<p><span class="font-size-5"><strong>5. The Mountain</strong></span></p>
<p>When you get off the train at Treorchy, the first thing you see is a mountain reaching up above the town and marking out the edge of the Rhondda valley. I took loads of pictures of the mountain in all its seasonal appearances. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999391775?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999391775?profile=original" width="500" class="align-center"/></a></p>
<p></p>
<p><span class="font-size-5"><strong>6. Tonypandemonium</strong></span></p>
<p>The show at the centre of our residency. Rachel Trezise's play <a href="http://nationaltheatrewales.org/tonypandemonium" target="_blank">Tonypandemonium</a> turned the Park & Dare's auditorium on its head, rearranged the room and invited the audience to be between, within and around the action. Our fantastic creative team, cast, production and stage management brought together a fast, fun and powerful show that hundreds of people enjoyed every night. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999391941?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999391941?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999392230?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999392230?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>
<p></p>
<p><span class="font-size-5"><strong>7. The Rhondda Assembly</strong></span></p>
<p>Our final event of the residency was an Assembly performance-debate event, inviting people to think about the local area and what it means to them. Artists took over the building, creating interactive installations, and the audience were invited to go on a journey through each space and take part in the discussion. </p>
<p>Upstairs, from the circle of the auditorium, another group of people were dispatching camera operators, co-ordinating our on-screen talent (The Park & Dare's Thomas Tudor Jones and National Theatre Wales' Simon Coates) and streaming the event live to an online audience who joined in via live chat. You can watch the online version of the Assembly <a href="http://new.livestream.com/nationaltheatrewales/TreorchyAssembly" target="_blank">here</a>. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999392514?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999392514?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>
<p></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999392843?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999392843?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>
<p></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999393096?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999393096?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>
<p>and last but not least... </p>
<p></p>
<p><strong><span class="font-size-5">8. The Park & Dare Theatre</span></strong></p>
<p>The Park & Dare was built in the early 20th century by the local mining community. Each of the miners gave a penny for each pound of their salary to build the venue. It opened in 1913 (and our residency was part of the centenary celebrations) and has changed and adapted through the years to play host to a library, cinema screenings, amateur dramatic groups, a model railway society, music and dance classes, a bar, concerts and of course theatre performances in the magnificent auditorium. What a great place to spend a month! </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999394563?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999394563?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>Tiny Gamestag:community.nationaltheatrewales.org,2013-10-28:3152760:BlogPost:1790512013-10-28T13:19:16.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>In our first year, National Theatre Wales created a show called <a href="http://nationaltheatrewales.org/thebeach" target="_blank">The Beach</a> with <a href="http://hideandseek.net/" target="_blank">Hide & Seek</a>. Hide & Seek are a games company who make playful and interactive experiences ('games') for all sorts of different reasons, ranging from corporate development to pure and simple fun. </p>
<p>Earlier this year they…</p>
<p>In our first year, National Theatre Wales created a show called <a href="http://nationaltheatrewales.org/thebeach" target="_blank">The Beach</a> with <a href="http://hideandseek.net/" target="_blank">Hide & Seek</a>. Hide & Seek are a games company who make playful and interactive experiences ('games') for all sorts of different reasons, ranging from corporate development to pure and simple fun. </p>
<p>Earlier this year they <a href="http://www.kickstarter.com/projects/1755218595/tiny-games-hundreds-of-real-world-games-inside-you" target="_blank">used Kickstarter to crowdfund</a> their latest project, an app called <a href="https://itunes.apple.com/gb/app/tiny-games/id601369072?mt=8" target="_blank">Tiny Games</a>. Described as 'thousands of real-world games, inside your phone', the app contains instructions for loads of different little games to play at home, in the office, in queues and elsewhere. Each game has brief instructions and includes digital versions of any dice, spinners or similar things that you might need. </p>
<p>When the app launched last week Hide & Seek invited everyone to be part of the celebration by holding their own Tiny Launch Party. We were thin on the ground in the office last week but we did have a go, and we played a game in which you had to collect 5 things to help you survive on a desert island - but you can only collect things in the office and you only have 30 seconds in which to do so. </p>
<p>The results were fun, and I particularly enjoyed Michelle's multifunctional umbrella which we figured could be used as shelter, a float, visibility and a weapon: </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999388613?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999388613?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>
<p>In the evening I tried some of the 'in the home' games, including this rather entertaining one in which you have to try to knock your opponent's spoon off their hand using only your spoon-holding hand: </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999388766?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999388766?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>
<p>Anyway the app is lots of fun. It's free to download and play the 'Home' games and you can download the games for other places for a small charge. </p>
<p>Download the Tiny Games App <a href="https://itunes.apple.com/gb/app/tiny-games/id601369072?mt=8" target="_blank">here</a>. </p>National Stage Managers Daytag:community.nationaltheatrewales.org,2013-10-10:3152760:BlogPost:1775082013-10-10T14:58:53.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>Today is National Stage Managers Day, as <a href="http://stagemanagementday.wordpress.com/2013/08/19/the-overture/" target="_blank">designated by the Stage Management Association</a>. In honour of this day, I’ve been hanging out with our lovely Stage Managers on Tonypandemonium, which opens tonight. They’re all having a really busy – and long day – as it’s opening night.</p>
<p>Donna, our Company Stage Manager, started at 9am today, preparing the props and setting the stage for technical…</p>
<p>Today is National Stage Managers Day, as <a href="http://stagemanagementday.wordpress.com/2013/08/19/the-overture/" target="_blank">designated by the Stage Management Association</a>. In honour of this day, I’ve been hanging out with our lovely Stage Managers on Tonypandemonium, which opens tonight. They’re all having a really busy – and long day – as it’s opening night.</p>
<p>Donna, our Company Stage Manager, started at 9am today, preparing the props and setting the stage for technical rehearsals this morning. Rather than stop for lunch she’s carried on through, preparing props and re-setting for the afternoon dress rehearsal. She’ll be re-setting before the evening preview when the cast are on their dinner break too. This show has a lot of things to re-set, and hundreds of props so one of Donna’s jobs is making and placing loads of different drinks around the set:</p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999394176?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999394176?profile=original" width="500" class="align-center"/></a></p>
<p>Meanwhile downstairs Assistant Stage Manager Claire can be found in the production office cutting up pieces of coloured paper to make confetti. All the props and set pieces you see at the theatre are collected and lovingly crafted by the stage management team in collaboration with the show’s designer (in this case Jean Chan) so there’s a lot of work to do throughout the rehearsal process and into production. </p>
<p>In the auditorium Gemma, the Deputy Stage Manager, is sat in the circle with a computer and a headset. She’s working through lunch too, going through lighting cues with Ceri, the lighting designer, and director Mathilde. Gemma’s job during rehearsals is to sit in the room, take notes from each day and make sure the director’s requests are noted to pass on to the production team. She also makes ‘The Book’ – a meticulously organised copy of the script, annotated with cues for lighting and sound during the show. Each performance Gemma will call the show – making sure lighting and sound cues go at the right time.</p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999394488?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999394488?profile=original" width="500" class="align-center"/></a></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999394533?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999394533?profile=original" width="500" class="align-center"/></a></p>
<p>Stage Managers tend to love stationery (it helps keep the Book pristine) and are great at making sure there are plenty of sweets and refreshments in rehearsals to keep everyone going. This Stage Managers day we’re reversing the system. We’ve brought them a cake instead of demanding they make us one, and this blog post is mostly to say that we think they’re great. </p>Hello Treorchytag:community.nationaltheatrewales.org,2013-10-01:3152760:BlogPost:1763492013-10-01T15:30:00.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>Today is the first day of National Theatre Wales' Treorchy residency. We're spending the whole month at the Park & Dare Theatre - making Tonypandemonium (the first play by award-winning author, and Treorchy resident, Rachel Trezise), hosting an Assembly, joining forces with Dirty Protest to make a day-long celebration of Welsh theatre writing and creating events with local people and creators from all over Wales. …</p>
<p></p>
<p>Today is the first day of National Theatre Wales' Treorchy residency. We're spending the whole month at the Park & Dare Theatre - making Tonypandemonium (the first play by award-winning author, and Treorchy resident, Rachel Trezise), hosting an Assembly, joining forces with Dirty Protest to make a day-long celebration of Welsh theatre writing and creating events with local people and creators from all over Wales. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999392490?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999392490?profile=original" width="500" class="align-center"/></a></p>
<p>This morning we arrived at the Park & Dare where we were welcomed by the lovely Tom, the building's Assistant Manager. After the standard health and safety briefing staff had a tour of the venue and set up our little home from home in the drama studio. At the moment we're sharing it with lots of chairs, which will be going off soon for a re-paint ready to appear in Tonypandemonium. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999392511?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999392511?profile=original" width="500" class="align-center"/></a></p>
<p>The views from the upper floors of the building are stunning, even on a misty day like today. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999392601?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999392601?profile=original" width="500" class="align-center"/></a><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999394417?profile=original" width="500" class="align-center"/></p>
<p>The Park & Dare is 100 years old this year, and our residency is part of the building's centenary celebrations. The building is fascinating both in its history and set-up. There's even a room on the top floor used exclusively by a model train society for an intricate set-up of miniature railways. The auditorium at the centre of the building is a beautiful space and much-loved by audiences who come to the building. For Tonypandemonium we'll be changing the space so you see it in a whole new way, but more on that later. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999394617?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999394617?profile=original" width="500" class="align-center"/></a></p>
<p>If you're in Treorchy - or anywhere in the Rhondda - let us know if you'd like to get involved with our residency, or just pop in to the Park & Dare and say hello. </p>
<p></p>
<p>(The top photo was taken by Jorge at <a href="http://studiocano.co.uk/" target="_blank">Studio Cano</a>, the rest by me)</p>World Stage Design Exhibitiontag:community.nationaltheatrewales.org,2013-09-11:3152760:BlogPost:1742042013-09-11T15:31:51.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>This afternoon I went to check out the World Stage Design 2013 exhibition, which is currently in Cardiff at the Royal Welsh College of Music & Drama. </p>
<p>Over 100 international designers from all over the world are represented in the exhibition, which includes designs (set, costume, lighting, sound and multimedia) for theatre, dance, opera and more in everything from theatre spaces to fields. </p>
<p>Simon Banham's design for National Theatre Wales' Coriolan/us from 2012 is featured…</p>
<p>This afternoon I went to check out the World Stage Design 2013 exhibition, which is currently in Cardiff at the Royal Welsh College of Music & Drama. </p>
<p>Over 100 international designers from all over the world are represented in the exhibition, which includes designs (set, costume, lighting, sound and multimedia) for theatre, dance, opera and more in everything from theatre spaces to fields. </p>
<p>Simon Banham's design for National Theatre Wales' Coriolan/us from 2012 is featured in a lovely display with a model box of the aircraft hangar, alongside video footage and photography. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999395150?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999395150?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>
<p>I love seeing model boxes, and there was no shortage of those to have a look at. A few of my favourites are below: </p>
<p>This one by Sophie Jump for an underwater dance piece watched live on iPod screens by the audience</p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999395093?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999395093?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>
<p></p>
<p>Lesley Travers's design for Malmo Opera's production of Jenufa</p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999395245?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999395245?profile=original" width="500" class="align-center"/></a></p>
<p>And this lovely piece set in a subway train carriage by Finnish designer Antti Mattila for Helsinki City Theatre</p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999395255?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999395255?profile=original" width="500" class="align-center"/></a></p>
<p>The methods of presentation were almost as interesting as the designs themselves in many cases, with work being shown immersively, as large moodboard-style wall panels, in their own little 'rooms' and as model boxes with surrounding image galleries. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999395269?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999395269?profile=original" width="500" class="align-center"/></a></p>
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<p style="text-align: center;">Wall display by Jesús Hernández</p>
<p></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999395286?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999395286?profile=original" width="500" class="align-center"/></a></p>
<p></p>
<p style="text-align: center;">Installation by Maria-Magdalena Wawrzynczyk</p>
<p>In addition to the main exhibition there are a number of 'carts' commissioned to be taken around the city and also stay on display in the foyer areas of the college during the event. These are mostly interactive, asking people a question, offering an experience or inviting contributions. Two of my favourites were the one asking people to confess their worst design decision, and the cartography cart which is documenting where visitors have come from. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999395367?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999395367?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>
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<p>There is so much to do during this event, and so much to see that you can't possibly be bored or not find something to be excited about. Go and see! </p>Edinburgh Fringe Festival 2013tag:community.nationaltheatrewales.org,2013-08-14:3152760:BlogPost:1691402013-08-14T10:30:00.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>As I'm sure you will have noticed, National Theatre Wales are re-staging The Radicalisation of Bradley Manning at this year's Edinburgh Fringe Festival. I had the great pleasure of looking after the show's marketing, and to be in Edinburgh with the team during tech week and the opening few nights of the show. </p>
<p><img class="align-center" src="http://storage.ning.com/topology/rest/1.0/file/get/2999397388?profile=RESIZE_480x480" width="400"></img></p>
<p>I'm sure you'll think I'm biased but I'll say this anyway: it's a really, genuinely brilliant show. I thought so the first time round, but the re-mounting,…</p>
<p>As I'm sure you will have noticed, National Theatre Wales are re-staging The Radicalisation of Bradley Manning at this year's Edinburgh Fringe Festival. I had the great pleasure of looking after the show's marketing, and to be in Edinburgh with the team during tech week and the opening few nights of the show. </p>
<p><img width="400" src="http://storage.ning.com/topology/rest/1.0/file/get/2999397388?profile=RESIZE_480x480" width="400" class="align-center"/></p>
<p>I'm sure you'll think I'm biased but I'll say this anyway: it's a really, genuinely brilliant show. I thought so the first time round, but the re-mounting, with its subtle script edits, re-staged scenes and incredible relevance (with Bradley's trial going on right now in the USA) is something else. The show has an urgency and a feeling about it that is really quite special. </p>
<p>The cast and crew had a very fast-paced tech 'week' (more like 36 hours) and they worked so hard to get the show up. This cast are six great actors, with an unfathomable amount of energy that they throw into the show every single performance. I'm sure I couldn't manage that! </p>
<p>If you are up in Edinburgh, the show runs until Sunday 25th August at St Thomas of Aquin's High School (Venue 17) and you can <a href="http://www.pleasance.co.uk/edinburgh/events/the-radicalisation-of-bradley-manning" target="_blank">book tickets here</a>.</p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999397595?profile=original" target="_self"><img width="400" src="http://storage.ning.com/topology/rest/1.0/file/get/2999397595?profile=RESIZE_480x480" width="400" class="align-center"/></a></p>
<p>If you can't make it to Edinburgh, or you just want to see the show again in a different way, you can watch every performance live online and join in with live chat around the themes in the play. There will be guest curators - ranging from campaigners to politicians to journalists - chatting online throughout the run, so join them. <a href="http://new.livestream.com/nationaltheatrewales" target="_blank">Watch online here</a>. The shows are at 7.30pm BST every night except Wednesdays, and there are 2.30pm BST shows on Saturdays and Sundays. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999397750?profile=original" target="_self"><img width="400" src="http://storage.ning.com/topology/rest/1.0/file/get/2999397750?profile=RESIZE_480x480" width="400" class="align-center"/></a></p>
<p style="text-align: left;">While I was up in Edinburgh I took the opportunity to see a few other shows. (No, I didn't really sleep. It didn't seem like a priority). Here are a few roundups and highlights: </p>
<p style="text-align: left;"></p>
<p><strong>Cinderella Lives!</strong></p>
<p>By Aisling Kiely, <a href="https://www.edfringe.com/whats-on/theatre/cinderella-lives" target="_blank">Venue 13 until 24th August</a></p>
<p>This is a one-woman show with feminist undertones, telling the story of a girl learning what it means to be a woman, and to be a rebel, or a feminist, or whatever that turns out to be. It's a creative journey and Aisling's physical appearance (in terms of costume/wig design) changes through the story to help create the narrative of her changing ideas. She's a great performer and the story is engaging. </p>
<p></p>
<p><strong>All That Malarkey Presents... </strong></p>
<p>Venue 13 - they were only in Edinburgh until 9th August but <a href="http://www.allthatmalarkey.com/" target="_blank">find them online here</a></p>
<p>Four recent singing graduates from the Royal Welsh College of Music & Drama, and one pianist/composer have created arrangements of popular songs, semi-staged them and made an hour of humorous performances ranging from The Ugly Duckling to Bruno Mars. It was really funny and creatively put together. All That Malarkey are based in Cardiff and will be performing in South Wales over the next few months. I highly recommend going to see them! </p>
<p></p>
<p><strong>Showstoppers Improvised Musical</strong></p>
<p><a href="https://www.edfringe.com/whats-on/comedy/showstoppers-improvised-musical" target="_blank">Gilded Balloon Teviot until 25th August</a></p>
<p>Yes, it's a musical, yes it's cheesy but I'm afraid I'm shameless on this one. My stomach hurt from laughing so much and in the brief moments when I stopped laughing for a second, it was only to appreciate the ability of this group of performers who created characters, a story and songs on the spot based on suggestions from the audience and on-stage director/dramaturg. </p>
<p></p>
<p><strong>35mm The Musical</strong></p>
<p>As Told By & Greenwich Theatre, <a href="https://www.edfringe.com/whats-on/musicals-and-operas/35mm-a-musical-exhibition" target="_blank">Bedlam Theatre until 24th August</a></p>
<p>This, I'm afraid, was my only disappointment of the week. The concept interested me: a musical based around a series of photographs, which would be projected on stage. I was hoping for some stunning photography and a narrative to match. What I saw, though, was some rather obscure props hanging from frames either side of the stage, a small projector screen with fairly unclear images on it, and a series of songs entirely unrelated to one another. It's a shame, because the concept itself has a fair amount of potential. </p>
<p></p>
<p><strong>Domestic Science</strong></p>
<p>Helen Arney & Rob Wells, <a href="https://www.edfringe.com/whats-on/comedy/domestic-science" target="_blank">The Canons' Gait until 25th August</a></p>
<p>Ok so it's not strictly theatre - in fact it's billed as the Fringe's lunchtime science party - but it's great. Really enjoyable. Real-life couple Helen and Rob are funny, and weave little narratives around their science experiments. They're all the sort of things you can do in your home, like using noodles as a pH indicator, and they're pretty funny. All good science parties involve audience participation, so I was dressed up like a flower and other audience members as the Hubble Telescope, the Sun and parts of a rainbow. </p>
<p></p>
<p><strong>Benjamin Partridge: An Audience with Jeff Goldblum</strong></p>
<p>Benjamin Partridge, <a href="https://www.edfringe.com/whats-on/comedy/benjamin-partridge-an-audience-with-jeff-goldblum" target="_blank">The Banshee Labyrinth until 24th August</a></p>
<p>Ben is a Cardiff-born comedian and comedy writer. In this show he 'is' Jeff Goldblum, using a powerpoint presentation, video content and props to tell his own life story, from the films he's appeared in to some deep life advice he received from other celebrities along the way. It's a great way to construct a comedy show, as there's a hook right from the start, and it benefits from being well-written and directed. If you're in Edinburgh you really should see this. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999398512?profile=original" target="_self"><img width="400" src="http://storage.ning.com/topology/rest/1.0/file/get/2999398512?profile=RESIZE_480x480" width="400" class="align-center"/></a></p>
<p>I also saw quite a lot of comedy over the weekend. I won't bore you with all of it, but I will say: see Gráinne Maguire (<a href="https://www.edfringe.com/whats-on/comedy/grainne-maguire-s-one-hour-all-night-election-special" target="_blank">Underbelly Wee Coo until 25th August</a>) if you like politics, James Acaster (<a href="https://www.edfringe.com/whats-on/comedy/james-acaster-lawnmower" target="_blank">Pleasance Courtyard until 25th August</a>) if you like slow-paced clever stand-up, and Nick Helm (<a href="https://www.edfringe.com/whats-on/comedy/nick-helm-one-man-mega-myth" target="_blank">Pleasance Courtyard until 26th August</a>) if you like c-bombs and shouting. </p>
<p>And finally... if you think I'm too wordy, Eve Nicol has been posting cat-based Fringe reviews. <a href="http://edinburghfuringe.tumblr.com/" target="_blank">See them here</a>. </p>The Radicalisation of Bradley Manning opens tonight!tag:community.nationaltheatrewales.org,2013-08-06:3152760:BlogPost:1677812013-08-06T14:26:50.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>We're up in Edinburgh at the moment, to open The Radicalisation of Bradley Manning at Edinburgh Fringe Festival 2013. The dress rehearsal is taking place as I type, and the first show is this evening at 7.30pm. It's been a fast and furious two weeks of rehearsal and for those behind the scenes - getting everything ready for Edinburgh, from costumes to posters, lighting rigs to train tickets and much more besides. The show is looking great, though, and I'm very excited for opening…</p>
<p>We're up in Edinburgh at the moment, to open The Radicalisation of Bradley Manning at Edinburgh Fringe Festival 2013. The dress rehearsal is taking place as I type, and the first show is this evening at 7.30pm. It's been a fast and furious two weeks of rehearsal and for those behind the scenes - getting everything ready for Edinburgh, from costumes to posters, lighting rigs to train tickets and much more besides. The show is looking great, though, and I'm very excited for opening night. </p>
<p>As before, we'll be streaming every performance live online, alongside an experience which includes live chat and links to further information. For the best experience, register in advance with livestream.com so you can just log in and get chatting when the show starts. </p>
<p><a href="http://nationaltheatrewales.org/BradleyLive" target="_blank">Click here</a> to go to the live stream page and find out more. </p>
<p>If you are up in Edinburgh, you can book tickets to see the show <a href="http://www.pleasance.co.uk/edinburgh/events/the-radicalisation-of-bradley-manning" target="_blank">here</a>. It's at St Thomas of Aquin's High School on Chalmers Street - there's a map <a href="http://nationaltheatrewales.org/NTWBradley#bookinginformationtheradicalisationofbradleymanning" target="_blank">here</a> - and tonight's show starts at 7.30pm. See you there! </p>
<p style="text-align: center;"><iframe width="560" height="315" src="//www.youtube.com/embed/_ELCQgg2kvs?wmode=opaque" frameborder="0"></iframe>
</p>Digital as a new Performance Spacetag:community.nationaltheatrewales.org,2013-07-15:3152760:BlogPost:1638612013-07-15T12:00:00.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>There's a lot of 'digital' going on in the arts at the moment - in productions, in communications, straddling the two, augmenting our live work and standing in and of itself. I read <a href="http://www.wired.com/design/2013/07/an-interactive-dance-routine-choreographed-for-the-ipad/" target="_blank">an article</a> earlier about an iPad app which has been created as an entirely different type of performance space for dance. Rather than trying to replicate or augment the experience of a…</p>
<p>There's a lot of 'digital' going on in the arts at the moment - in productions, in communications, straddling the two, augmenting our live work and standing in and of itself. I read <a href="http://www.wired.com/design/2013/07/an-interactive-dance-routine-choreographed-for-the-ipad/" target="_blank">an article</a> earlier about an iPad app which has been created as an entirely different type of performance space for dance. Rather than trying to replicate or augment the experience of a traditionally placed audience, this work is created just for the iPad and is interactive in its nature. </p>
<p>Called Dot Dot Dot, it is created by <a href="http://www.2wice.org/" target="_blank">2wice Arts Foundation</a> and features dancer and choreographer <span>Tom Gold. The app allows you to tap areas of the screen and 'create' your own version of the piece, which is made of pre-recorded segments of dance. The introductory video gives more of an insight: </span></p>
<p style="text-align: center;"><iframe width="500" height="281" src="http://player.vimeo.com/video/67459348" frameborder="0"></iframe>
</p>
<p style="text-align: center;"><a href="http://vimeo.com/67459348">Dot Dot Dot</a> from <a href="http://vimeo.com/2wice">2wice Arts Foundation</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
<p>It turns out this isn't the first iPad app 2wice Arts Foundation has created. Their previous effort, Fifth Wall, also uses the iPad as a new creative space for dance. This time a piece was filmed in a particular environment - a large rectangular frame - and the user can change the orientation of the frame, add multiple versions and resize each of them. The dance being performed doesn't change, but the user's experience of the piece is exactly as they determine it. You could watch it hundreds of times and each time get a totally different perspective on the work. </p>
<p>Here's the video for that one:</p>
<p style="text-align: center;"><iframe width="500" height="281" src="http://player.vimeo.com/video/44121614" frameborder="0"></iframe>
</p>
<p style="text-align: center;"><a href="http://vimeo.com/44121614">Fifth Wall</a> from <a href="http://vimeo.com/2wice">2wice Arts Foundation</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
<p><span>In other arts app news, I also read today (on <a href="http://www.classicfm.com/composers/britten/news/new-britten-app-launched-children/" target="_blank">ClassicFM's website</a>) about the launch of an app showcasing Benjamin Britten's orchestral work The Young Person's Guide to the Orchestra. For those unfamiliar, the work, written in 1946, showcases the different sections of the orchestra in 'variations' on a theme by Henry Purcell and is therefore a really important way for music learners to start to understand the complex workings of the symphony orchestra. </span></p>
<p><span>The app announced today is part of the Britten 100 centenary celebrations of the composer, and is <a href="https://itunes.apple.com/gb/app/young-persons-guide-to-orchestra/id665019589?mt=8" target="_blank">available free</a>. It uses a new recording of the piece, alongside games, quizzes and an interactive musical score to enhance learning and demonstrate the potential and complexities of the symphony orchestra to young people. </span></p>
<p><span>There are probably loads of examples of apps and other digital projects creating entirely new ways to experience and create different types of art. I particularly like that the examples above are not only pushing the boundaries of performing arts but also of the tablet as a device and an experience. I think the proliferation of tablet devices is going to turn out to be one of the most dramatic changes in the way people consume and interact with the content and the world, so it's definitely interesting to see how the performing arts fit into this. </span></p>
<p><span>Are there any other interesting apps I should be downloading or finding out more about? What are your favourites? </span></p>Lego Videostag:community.nationaltheatrewales.org,2013-07-10:3152760:BlogPost:1633132013-07-10T17:11:22.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>The Guardian's sports section have started creating little Lego animations of momentous occasions in sport. Here's their most recent one, Andy Murray winning Wimbledon: </p>
<p><a href="http://www.guardian.co.uk/sport/video/2013/jul/10/brick-by-brick-andy-murray-wins-at-wimbledon" target="_blank"><img class="align-center" src="http://storage.ning.com/topology/rest/1.0/file/get/2999380392?profile=RESIZE_480x480" width="350"></img></a></p>
<p></p>
<p>Which was preceded by the British and Irish Lions victory against Australia: …</p>
<p></p>
<p>The Guardian's sports section have started creating little Lego animations of momentous occasions in sport. Here's their most recent one, Andy Murray winning Wimbledon: </p>
<p><a href="http://www.guardian.co.uk/sport/video/2013/jul/10/brick-by-brick-andy-murray-wins-at-wimbledon" target="_blank"><img width="350" src="http://storage.ning.com/topology/rest/1.0/file/get/2999380392?profile=RESIZE_480x480" width="350" class="align-center"/></a></p>
<p></p>
<p>Which was preceded by the British and Irish Lions victory against Australia: </p>
<p><a href="http://www.guardian.co.uk/sport/video/2013/jul/07/british-and-irish-lions-third-test-triumph-brick-by-brick-video" target="_blank"><img width="350" src="http://storage.ning.com/topology/rest/1.0/file/get/2999380617?profile=RESIZE_480x480" width="350" class="align-center"/></a></p>
<p></p>
<p>I really like this sort of creativity, without necessarily having a deep and meaningful value beyond making people smile. </p>
<p>Of course, the concept isn't limited to sport, and there are plenty of examples from across the worlds of music and comedy too. </p>
<p></p>
<p>Ed Sheeran's Lego House: </p>
<p><a href="http://www.youtube.com/watch?v=NEqY0eY1_vQ" target="_blank"><img width="350" src="http://storage.ning.com/topology/rest/1.0/file/get/2999380681?profile=RESIZE_480x480" width="350" class="align-center"/></a></p>
<p>Eddie Izzard's 'Death Star Canteen':</p>
<p><a href="http://www.youtube.com/watch?v=Sv5iEK-IEzw" target="_blank"><img width="350" src="http://storage.ning.com/topology/rest/1.0/file/get/2999380763?profile=RESIZE_480x480" width="350" class="align-center"/></a></p>
<p>Only Men Aloud ft Bonnie Tyler - Total Eclipse of the Heart: </p>
<p><a href="http://www.youtube.com/watch?v=P9st2mBhG5g" target="_blank"><img width="350" src="http://storage.ning.com/topology/rest/1.0/file/get/2999380856?profile=RESIZE_480x480" width="350" class="align-center"/></a></p>
<p></p>
<p>Has anyone seen any other great examples that I should be watching? </p>
<p>Also if anyone has any animation skills and would like to teach me how to make my own Lego videos, do let me know. </p>My #NTWAnglesey So Fartag:community.nationaltheatrewales.org,2013-06-15:3152760:BlogPost:1596742013-06-15T08:30:00.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>I've been in Anglesey since Monday, promoting Things I Forgot I Remembered, talking to anyone I could find about National Theatre Wales, manning the Holyhead pop-up shop and welcoming people to Theatr Fach on opening night of the show. </p>
<p>The week started with a beautiful view from our cottage, which is just outside Llangefni: </p>
<p></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999380802?profile=original" target="_self"><img class="align-center" src="http://storage.ning.com/topology/rest/1.0/file/get/2999380802?profile=original" width="450"></img></a></p>
<p></p>
<p></p>
<p>In…</p>
<p>I've been in Anglesey since Monday, promoting Things I Forgot I Remembered, talking to anyone I could find about National Theatre Wales, manning the Holyhead pop-up shop and welcoming people to Theatr Fach on opening night of the show. </p>
<p>The week started with a beautiful view from our cottage, which is just outside Llangefni: </p>
<p></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999380802?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999380802?profile=original" width="450" class="align-center"/></a></p>
<p></p>
<p></p>
<p>In Llangefni, Lisa and Bianca worked with Hugh Hughes to create a Story Shop. Story Walks start from here, but there are plenty of chairs, cups of tea and a Hammond Organ so it's just a great place to hang out and have a chat. A visitor came in to the story shop to take part in a Story Walk on her birthday, so here we are singing Happy Birthday to her: </p>
<p></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999380774?profile=original" target="_self"><img width="450" src="http://storage.ning.com/topology/rest/1.0/file/get/2999380774?profile=RESIZE_480x480" width="450" class="align-center"/></a></p>
<p></p>
<p>There are lots of beautiful vintage furniture pieces and other curiosities in the Story Shop. Pop in any time at 6 Church Street, Llangefni to check it out. </p>
<p></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999380888?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999380888?profile=original" width="450" class="align-center"/></a></p>
<p></p>
<p>On Wednesday it was time for the first night of Things I Forgot I Remembered. Hugh created an installation in the foyer of Theatr Fach, showing some of the experiences he shares in the show: </p>
<p></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999380845?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999380845?profile=original" width="450" class="align-center"/></a></p>
<p></p>
<p>And here are the National Theatre Wales neon signs in the foyer of Theatr Fach: </p>
<p></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999381004?profile=original" target="_self"><img width="450" src="http://storage.ning.com/topology/rest/1.0/file/get/2999381004?profile=RESIZE_480x480" width="450" class="align-center"/></a></p>
<p></p>
<p>Friday evening was the beginning of the DIY Festival at Trearddur Bay. The first thing to do in preparation was putting up some tents to create the festival atmosphere: </p>
<p></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999381022?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999381022?profile=original" width="450" class="align-center"/></a></p>
<p></p>
<p>And no party is complete without balloons (here modelled by <a href="http://community.nationaltheatrewales.org/profile/KatherineJewkes718" target="_self">Katherine</a>): </p>
<p></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999380947?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999380947?profile=original" width="450" class="align-center"/></a></p>
<p></p>
<p>I'm stepping away from 'Communications Assistant' to be an artist for the entire weekend at the DIY Festival. I'm going to explore the feeling of being really alone even though there are loads of people around. I don't know how it's going to be presented yet, but I'm looking forward to finding out! </p>Job Opportunity with Making Musictag:community.nationaltheatrewales.org,2013-05-15:3152760:BlogPost:1567732013-05-15T15:22:58.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>I've been asked to share this opportunity with Making Music: </p>
<p></p>
<p align="right" style="text-align: left;"><b>Music Partnership Forum Wales</b></p>
<p align="right" style="text-align: left;">Projects and Partnerships Manager</p>
<p align="right" style="text-align: left;"> 4dpw, 12 month contract</p>
<p align="right" style="text-align: left;"> </p>
<p align="center"> This post mostly home-based, with travel around Wales. Fee: £24,000</p>
<p align="center">Making Music is the UK's…</p>
<p>I've been asked to share this opportunity with Making Music: </p>
<p></p>
<p align="right" style="text-align: left;"><b>Music Partnership Forum Wales</b></p>
<p align="right" style="text-align: left;">Projects and Partnerships Manager</p>
<p align="right" style="text-align: left;"> 4dpw, 12 month contract</p>
<p align="right" style="text-align: left;"> </p>
<p align="center"> This post mostly home-based, with travel around Wales. Fee: £24,000</p>
<p align="center">Making Music is the UK's leading organisation supporting and championing amateur music. This is an exciting opportunity for a dynamic individual to join our team, working with music organisations all around Wales, and beyond.</p>
<p align="center"> </p>
<p align="center">Download an application pack from <a href="http://www.makingmusic.org.uk/jobs" target="_blank">www.makingmusic.org.uk/jobs</a></p>
<p align="center">Applications by CV and covering letter (explaining how you meet the person spec) by email to <a href="mailto:vacancies@makingmusic.org.uk">vacancies@makingmusic.org.uk</a> by <b>28 May 2013</b>.</p>
<p align="center"> </p>
<p align="center">Interviews to be held in Cardiff on <b>Thursday 6 June 2013</b>.</p>
<p align="center"> </p>
<p align="center">Disabled candidates meeting the minimum criteria will be guaranteed an interview.</p>
<p align="center"></p>
<p align="center">-----</p>
<p align="center"></p>
<p align="right" style="text-align: left;"><b>Music Partnership Forum Wales</b></p>
<p align="right" style="text-align: left;">Rheolwr Partneriaethau a Prosiectau</p>
<p align="right" style="text-align: left;">4dyw, contract 12 mis</p>
<p style="text-align: left;"><b> </b></p>
<p align="center"> Bydd y swydd hon yn cael ei lleoli yn y cartref, gyda theithio ledled Cymru. Fii: £24,000.</p>
<p align="center"> </p>
<p align="center">Creu Cerdd yw’r corff cefnogi cenedlaethol ar gyfer cerddoriaeth wirfoddol ledled Prydain. Mae hwn yn gyfle cyffrous i unigolyn deinamig i ymuno â'n tîm, a gweithio gyda sefydliadau cerddoriaeth ledled Cymru, a thu hwnt.</p>
<p align="center"> </p>
<p align="center">Lawrlwythwch pecyn cais o <a href="http://www.makingmusic.org.uk/jobs">www.makingmusic.org.uk/jobs</a></p>
<p align="center"> </p>
<p align="center">Ceisiadau trwy CV a llythyr eglurhaol (yn esbonio sut rydych yn bodloni manyleb y person) drwy e-bost at <a href="mailto:vacancies@makingmusic.org.uk">vacancies@makingmusic.org.uk</a> erbyn <b>28 Mai 2013</b>.</p>
<p align="center"> </p>
<p align="center">Cyfweliadau yng Nghaerdydd ar <b>ddydd Iau 6 Mehefin, 2013</b>.</p>
<p align="center"> </p>
<p align="center">Bydd ymgeiswyr anabl sy'n bodloni'r meini prawf gofynnol yn cael cyfweliad.</p>Ululating Performer wanted for BBC Dramatag:community.nationaltheatrewales.org,2013-05-07:3152760:BlogPost:1560272013-05-07T15:45:31.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p class="p1">Little Monster Films Ltd are filming a new BBC 1, 13-part primetime drama series called Atlantis and we are looking to cast a woman who can ululate - the tongue trill often used in North African and Middle Eastern music cultures. This is for a short scene we are filming at our studio in Chepstow on Friday 10th May. This is an equity rate paid role and all transport would be organised and paid for through our production office. </p>
<p class="p2"></p>
<p class="p1">The performer…</p>
<p class="p1">Little Monster Films Ltd are filming a new BBC 1, 13-part primetime drama series called Atlantis and we are looking to cast a woman who can ululate - the tongue trill often used in North African and Middle Eastern music cultures. This is for a short scene we are filming at our studio in Chepstow on Friday 10th May. This is an equity rate paid role and all transport would be organised and paid for through our production office. </p>
<p class="p2"></p>
<p class="p1">The performer will be asked to perform an ululation on camera as part of a large tribal scene filmed in a studio. However, it is likely it will be dubbed in the edit – so no need for a perfect live performance! </p>
<p class="p2"></p>
<p class="p2">Contact Delyth: delyth@littlemonsterfilms.co.uk if this is you!</p>
<p class="p2"></p>
<p class="p2"></p>Pay What You Like... At the Endtag:community.nationaltheatrewales.org,2013-04-03:3152760:BlogPost:1525862013-04-03T15:37:13.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>When I was a teenager I played in a string quartet. We spent an afternoon once 'busking' in a local park near the tea shop. A few people dropped in some change and the occasional fiver while we were playing but when we'd finished, a lady who'd sat and listened for the full two hours came over and gave us £20. She explained that she'd pay at least that for a concert in a concert hall and that's what she thought her experience was worth. </p>
<p>I've just come across…</p>
<p>When I was a teenager I played in a string quartet. We spent an afternoon once 'busking' in a local park near the tea shop. A few people dropped in some change and the occasional fiver while we were playing but when we'd finished, a lady who'd sat and listened for the full two hours came over and gave us £20. She explained that she'd pay at least that for a concert in a concert hall and that's what she thought her experience was worth. </p>
<p>I've just come across <a href="http://www.springwise.com/entertainment/concert-lets-attendees-decide-ticket-price-leaving/" target="_blank">this report</a> about a concert in Spain this week, at which the promoters are giving concert-goers an opportunity to do exactly that: Pay what they choose to on leaving the gig, rather than in advance of it. </p>
<p>This can be seen as quite a brave move - What if no-one pays? What if they hate it? What if we can't cover the venue hire? </p>
<p>On the other hand it may be a way to raise much more in ticket revenue than you perhaps might have done by setting a ticket price. </p>
<p>It's becoming more common for theatres and arts venues to offer the 'pay what you can' model but I haven't heard of one letting people see the piece before they choose how much to pay. Do you think it would work for theatre? </p>
<p>I feel like it is a great idea but you do have to be really, really confident in the quality of your work. At least you'd know straight away whether people liked it or not! </p>
<p>Would you try it? Have you tried it? </p>Anglesey Adventures Part 2tag:community.nationaltheatrewales.org,2013-03-13:3152760:BlogPost:1500132013-03-13T11:00:00.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>It's now our third day in Anglesey, where we're meeting people, finding out more about the area and getting ready to share the month of June with the island in our third NTW Residency. This week we're here with the team from HoiPolloi, who are creating the Hugh Hughes production Things I Forgot I Remembered, and we've been to visit the two show venues - Theatr Fach and Ucheldre Arts Centre - to find out a bit more about how they work and how we can work with them. </p>
<p>Anglesey is also…</p>
<p>It's now our third day in Anglesey, where we're meeting people, finding out more about the area and getting ready to share the month of June with the island in our third NTW Residency. This week we're here with the team from HoiPolloi, who are creating the Hugh Hughes production Things I Forgot I Remembered, and we've been to visit the two show venues - Theatr Fach and Ucheldre Arts Centre - to find out a bit more about how they work and how we can work with them. </p>
<p>Anglesey is also completely beautiful so we've been getting very excited about that. Now, without further ado, here are some photos (varying in quality) of cool stuff we've seen here: </p>
<p style="text-align: center;"><strong>The costume store at Theatr Fach: </strong></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999381521?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999381521?profile=original" width="450" class="align-center"/></a></p>
<p style="text-align: center;"><strong>A collection of unusual teapots at Ucheldre Centre: </strong></p>
<p style="text-align: center;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999382010?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999382010?profile=original" width="450"/></a></p>
<p style="text-align: center;"><strong>A beautiful historic church in Holyhead, site of the fort from which the town takes its name </strong><strong>(Caergybi translates to English as Holy Fort): </strong></p>
<p style="text-align: center;"><strong><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999382126?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999382126?profile=original" width="450"/></a></strong></p>
<p style="text-align: center;"><strong>Some fantastic old shops, also in Holyhead: </strong></p>
<p style="text-align: center;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999382469?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999382469?profile=original" width="450"/></a></p>
<p style="text-align: center;"><strong>Roads like this with amazing views across to Snowdonia: </strong></p>
<p style="text-align: center;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999385045?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999385045?profile=original" width="450"/></a></p>
<p style="text-align: center;"><strong>Snowdonia as seen from the Beaumaris sea front: </strong></p>
<p style="text-align: center;"><strong><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999385185?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999385185?profile=original" width="450"/></a></strong></p>
<p style="text-align: center;"><strong>We always take it upon ourselves to really research and give an accurate assessment of the food available in a place when we go to visit it. This was no exception, so here we have: Local mussels, Salmon Wellington, classic omelette, egg & chips from a 'caff', chocolate fudge cake and massive hot chocolate. Anglesey does good food. </strong></p>
<p style="text-align: center;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999385234?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999385234?profile=original" width="400"/></a></p>Anglesey Adventures Part 1tag:community.nationaltheatrewales.org,2013-03-11:3152760:BlogPost:1491882013-03-11T16:11:51.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>This week the Comms team are joining HoiPolloi and producer Lisa in Anglesey for a research trip to find out more about the area in advance of <a href="http://www.nationaltheatrewales.org/ntwanglesey" target="_blank">Things I Forgot I Remembered</a>, our Hugh Hughes project which will be staged in Llangefni and Holyhead this June. <a href="http://community.nationaltheatrewales.org/profile/CatrinRogers" target="_self">Catrin</a> and I have just driven up, the 'pretty way', and spent the way…</p>
<p>This week the Comms team are joining HoiPolloi and producer Lisa in Anglesey for a research trip to find out more about the area in advance of <a href="http://www.nationaltheatrewales.org/ntwanglesey" target="_blank">Things I Forgot I Remembered</a>, our Hugh Hughes project which will be staged in Llangefni and Holyhead this June. <a href="http://community.nationaltheatrewales.org/profile/CatrinRogers" target="_self">Catrin</a> and I have just driven up, the 'pretty way', and spent the way reminding ourselves how beautiful Wales is and how much we enjoy the scenery on our adventures. </p>
<p>There have been blizzards and mini snow storms all over the country today and we've driven through at least four or five of them. And about a hundred sets of roadworks and temporary traffic lights. As per usual, I was busy with my camera while Catrin navigated the winding roads and blizzards of Snowdonia.</p>
<p>Here's a taster: </p>
<p><img width="450" src="http://storage.ning.com/topology/rest/1.0/file/get/2999382674?profile=RESIZE_480x480" width="450" class="align-center"/></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999382906?profile=original" target="_self"><img width="450" src="http://storage.ning.com/topology/rest/1.0/file/get/2999382906?profile=RESIZE_480x480" width="450" class="align-center"/></a></p>
<p></p>
<p style="text-align: center;">Blizzard! </p>
<p></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999382918?profile=original" target="_self"><img width="450" src="http://storage.ning.com/topology/rest/1.0/file/get/2999382918?profile=RESIZE_480x480" width="450" class="align-center"/></a></p>
<p></p>
<p style="text-align: center;">Another beautiful view. </p>
<p></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999385273?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2999385273?profile=original" width="400" class="align-center"/></a></p>
<p></p>
<p style="text-align: center;">The Menai Bridge joins Anglesey to the mainland. It's narrower than we remembered and slightly scary to drive across. </p>An Orchestral Concert for the Deaftag:community.nationaltheatrewales.org,2013-03-07:3152760:BlogPost:1487302013-03-07T13:00:00.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>What? That's a bit weird, no? Music for people who can't hear? </p>
<p>Well, no, actually. The BBC National Orchestra of Wales last week held a short series of concerts especially created for Deaf, deafened and hard of hearing audiences. I was delighted to be able to go to one of them and I had a really great experience.</p>
<p>I'm a classical musician by training, and I really like orchestras, so I go to a lot of concerts. I've never been to one like this before. I'd expected there would be…</p>
<p>What? That's a bit weird, no? Music for people who can't hear? </p>
<p>Well, no, actually. The BBC National Orchestra of Wales last week held a short series of concerts especially created for Deaf, deafened and hard of hearing audiences. I was delighted to be able to go to one of them and I had a really great experience.</p>
<p>I'm a classical musician by training, and I really like orchestras, so I go to a lot of concerts. I've never been to one like this before. I'd expected there would be a sign language interpreter, and perhaps some way to touch some of the instruments. Both of those things were included, but there was so much more to it. </p>
<p>The concert was presented by Dr Paul Whittaker, who is Artistic Director of an organisation called <a href="http://matd.org.uk/" target="_blank">Music and the Deaf</a>. He spoke and signed simultaneously, and started off by introducing the orchestra, creative musician <a href="http://www.twitter.com/andypidcock" target="_blank">Andy Pidcock</a> and conductor Grant Llewellyn. As many of the audience members (mostly groups from schools and day centres) had never experienced any kind of concert before there was a focus on explaining how an orchestra works and what to expect from a concert. </p>
<p>Each section of the orchestra was introduced, and played a range of different sounds - high, low, loud, quiet - and a 'showcase' piece to demonstrate the type of music they make. Everything was described as an opportunity to 'feel' the music rather than 'hear' it which, I reflected, is what we all do anyway when listening because there's much more to an orchestra than what you get through your ears. </p>
<p>Members of the audience were invited to sit within the orchestra and feel the vibrations of instruments as they were being played. The impact of this was obvious in smiling faces and expressions of wonder from people resting their hand on a violin, harp or double bass while it was being played. There were also large boxes at the front of the stage which amplified the 'feel' of the music and could accommodate 4 or 5 people sitting on them at a time to feel the music. </p>
<p>Alongside the orchestra, the concert included performances by a group of deaf and disabled pupils from local schools, and a song performed by <a href="http://www.llantarnamschool.net/school-information/departments/hearing-impaired-unit.htm" target="_blank">Llantarnam Deaf Choir</a>, who perform using British Sign Language. I've seen them perform before, and sung with them, at the BBC National Chorus of Wales Christmas concert, for which we learned a verse of 'Silent Night' in BSL. A BSL choir is a really beautiful thing to watch, and I highly recommend the experience if you get the opportunity. </p>
<p>There were plenty of opportunities to join in and make music too, from having a go at conducting the orchestra to playing percussion instruments alongside the rest of the audience. I really enjoyed being part of the experience, and watching the faces of children, many of whom were completely new to music, as they felt it all around them and started to love the sound. </p>
<p>As my colleagues will attest, I'm known for going to concerts and events and coming back to the office buzzing with ideas. This time was no exception. I'm now starting to have a think about ways to make theatrical experiences more accessible for people. At NTW we usually have a signed performance, and audio described performance, of our shows but I'm interested in what more we can do. How can we go beyond the 'bolt-on' approach and create something that's a great experience for everyone, no matter how they access words and images? </p>
<p>Watch my blog for more ideas in the coming months and, hopefully, some project updates and inventions later in the year! </p>
<p></p>
<p></p>De Gabay - Livetag:community.nationaltheatrewales.org,2013-03-03:3152760:BlogPost:1484032013-03-03T18:00:00.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>We are part of the way through De Gabay, the first show of National Theatre Wales' third season of work. </p>
<p>A group of young people from Butetown have spent the day reporting on the event and you can see their updates at <a href="http://www.cardiffbaynews.com" target="_blank">CardiffBayNews.com</a></p>
<p>They are also Tweeting @<a href="http://twitter.com/CardiffBayNews" target="_blank">CardiffBayNews</a></p>
<p>Right now you can watch, live, a parliament of poetry and debate taking…</p>
<p>We are part of the way through De Gabay, the first show of National Theatre Wales' third season of work. </p>
<p>A group of young people from Butetown have spent the day reporting on the event and you can see their updates at <a href="http://www.cardiffbaynews.com" target="_blank">CardiffBayNews.com</a></p>
<p>They are also Tweeting @<a href="http://twitter.com/CardiffBayNews" target="_blank">CardiffBayNews</a></p>
<p>Right now you can watch, live, a parliament of poetry and debate taking place at the Senedd Cardiff Bay. <a href="http://www.ustream.tv/channel/nationaltheatrewales" target="_blank">Click here to watch live</a>. </p>
<p></p>
<p></p>De Gabay - What to Expecttag:community.nationaltheatrewales.org,2013-01-29:3152760:BlogPost:1451272013-01-29T15:00:00.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>This is the first of a series of posts introducing our NTWY3 shows, answering your questions and telling you a bit more about what to expect from each one. If you have any questions that aren't answered here, comment on the post and we'll do our best to answer. </p>
<p>First up, De Gabay. …</p>
<p style="text-align: center;"></p>
<p>This is the first of a series of posts introducing our NTWY3 shows, answering your questions and telling you a bit more about what to expect from each one. If you have any questions that aren't answered here, comment on the post and we'll do our best to answer. </p>
<p>First up, De Gabay. </p>
<p style="text-align: center;"><strong><iframe width="500" height="281" src="http://player.vimeo.com/video/58047874?title=0&byline=0&portrait=0&color=ffffff" frameborder="0"></iframe>
</strong></p>
<p style="text-align: center;"><a href="http://vimeo.com/58047874">De Gabay</a> from <a href="http://vimeo.com/nationaltheatrewales">National Theatre Wales</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p style="text-align: center;"></p>
<p><strong>What is it? </strong></p>
<p>De Gabay is a site-specific piece (which means it's related to the place it is being held, rather than happening in a theatre). It's all about journeys, telling the story of a passage from Somalia to Butetown, Cardiff. </p>
<p>The idea for the show came from a group of young Somali men, living in Butetown, who were writing poetry together. The group approached National Theatre Wales to talk about making a show. </p>
<p>Director <strong>Jonathan Holmes</strong> introduces the project: </p>
<p style="text-align: center;"><iframe width="560" height="315" src="http://www.youtube.com/embed/DA0RGl7z--k?wmode=opaque" frameborder="0"></iframe>
</p>
<p></p>
<p><strong>When and Where?</strong></p>
<p>De Gabay is a one-day event in Butetown, Grangetown, Riverside and Cardiff Bay on Sunday 3rd March 2013. </p>
<p>There will be events all day from about 11am until 8pm. </p>
<p>Creative Associate <strong>Gavin Porter</strong> explains how he became involved in the project and what's exciting about it: </p>
<p style="text-align: center;"><iframe width="560" height="315" src="http://www.youtube.com/embed/e6zY6FHQbQA?wmode=opaque" frameborder="0"></iframe>
</p>
<p></p>
<p><strong>What's exciting about it?</strong></p>
<p>• De Gabay is completely rooted in its community and location, and the idea came from Butetown's poets. </p>
<p>• The show will take place in lots of different ways, and in different venues and locations all over south Cardiff. </p>
<p>• Somalia is thought of as a 'nation of poetry', a bit like Wales, so this is an opportunity to find out more about this tradition. </p>
<p>• Members of the local community have been involved in the entire process and are invited to take part in any way they can or would like to, right from generating ideas to performing in and working backstage on the show. </p>
<p>Poet <strong>Hassan Panero</strong> explains how the project came about: </p>
<p style="text-align: center;"><iframe width="560" height="315" src="http://www.youtube.com/embed/hMhdti3nCdo?wmode=opaque" frameborder="0"></iframe>
</p>
<p></p>
<p><strong>What should I expect?</strong></p>
<p>The show runs across lots of venues - from two large parades to a 'parliament' - so be prepared to move around Butetown. After you've booked, you'll be sent a passport in the post. This will act as your ticket, and give you more information about the day's events. Expect a celebratory atmosphere, two lively parades, small and intimate performances and a spectacular finale. </p>
<p></p>
<p><strong>Who is it for?</strong></p>
<p>Everyone! </p>
<p></p>
<p><strong>How do I get involved?</strong></p>
<p>As always, we love to get as many people involved in our work as possible. NTW TEAM, alongside Gavin (Creative Associate) and Yusuf (Community Engagement Associate) is running lots of open sessions and workshops for people to get involved with the project. You can find out more about this by joining the <a href="http://community.nationaltheatrewales.org/groups/degabay" target="_self">De Gabay group</a>. </p>
<p></p>
<p><strong>Book Tickets</strong></p>
<p>Tickets are priced 'pay what you can'. The minimum you can pay is £1, but if you would like to pay more please call the Ticket Office on 029 2063 6464. All money raised through the box office will go to funding future National Theatre Wales projects in Butetown. </p>
<p style="text-align: center;"><span class="font-size-5"><a href="http://nationaltheatrewales.org/degabay#bookinginformationdegabay" target="_blank">BOOK NOW</a></span></p>Launching NTWY3tag:community.nationaltheatrewales.org,2013-01-28:3152760:BlogPost:1447872013-01-28T10:30:00.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>On Thursday we launched NTWY3, our Third Year of productions. It was a really exciting day - starting with the website launch at midnight and running right through an afternoon event in our Butetown space and the online aftermath which is still going on. </p>
<p>There were loads of Tweets and other responses online, so we've collected some of the best in a <a href="http://storify.com/ntw/ntwy3-launch" target="_blank">Storify story</a> to tell the tale of the day. </p>
<p>Some highlights are…</p>
<p>On Thursday we launched NTWY3, our Third Year of productions. It was a really exciting day - starting with the website launch at midnight and running right through an afternoon event in our Butetown space and the online aftermath which is still going on. </p>
<p>There were loads of Tweets and other responses online, so we've collected some of the best in a <a href="http://storify.com/ntw/ntwy3-launch" target="_blank">Storify story</a> to tell the tale of the day. </p>
<p>Some highlights are below, or you can <a href="http://storify.com/ntw/ntwy3-launch" target="_blank">click here</a> to read the whole story. </p>
<p></p>
<p><a href="http://www.flickr.com/photos/21607251@N05/8408452929/" title="Jan 23rd - not long now until #NTWY3 launches by Carwyn Lloyd Jones - Dylunio Creadigol, on Flickr"><img src="http://farm9.staticflickr.com/8363/8408452929_38da7c19e0.jpg" width="500" height="499" alt="Jan 23rd - not long now until #NTWY3 launches" class="align-center"/></a></p>
<p></p>
<p>The <a href="https://twitter.com/search/%23NTWy3">#NTWy3</a> programme looks fun. Particularly looking forward to @<a href="https://twitter.com/racheltrezise">racheltrezise</a>'s, Gruff Rhys' and the Terry Jones Christmas show.</p>
<p>— Laura Cotton (@lalscotton) <a href="https://twitter.com/lalscotton/status/294238559890731008">January 24, 2013</a></p>
<p></p>
<p></p>
<p>bravo @<a href="https://twitter.com/ntwtweets">ntwtweets</a>. <a href="https://twitter.com/search/%23NTWY3">#NTWY3</a> launched. shakin' things up again with a new shiny <a href="http://t.co/PvZaC2mk" title="http://nationaltheatrewales.org">nationaltheatrewales.org</a>. Lovely!</p>
<p>— Richard Hawley (@rjphawley) <a href="https://twitter.com/rjphawley/status/294245908235812864">January 24, 2013</a></p>
<p style="text-align: center;"></p>
<p style="text-align: center;"></p>
<p style="text-align: left;">So we're launched! Hurrah! Well done all the @<a href="https://twitter.com/ntwtweets">ntwtweets</a> crew and especially <a href="https://twitter.com/search/%23NTWTEAM">#NTWTEAM</a> for a fantastic presentation! <a href="https://twitter.com/search/%23NTWY3">#NTWY3</a></p>
<p>— John McGrath (@john_ntw) <a href="https://twitter.com/john_ntw/status/294450714506305539">January 24, 2013</a></p>
<p></p>
<p></p>
<p style="text-align: left;">.@<a href="https://twitter.com/ntwtweets">ntwtweets</a> now that's how you launch an artistic season! Engaging exciting inspiring !</p>
<p>— rachael griffin (@RJGriffin12) <a href="https://twitter.com/RJGriffin12/status/294451118166142977">January 24, 2013</a></p>
<p></p>10 Newsletters Later...tag:community.nationaltheatrewales.org,2012-10-31:3152760:BlogPost:1385342012-10-31T15:48:17.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>A few months ago we launched a new weekly National Theatre Wales e-newsletter. The idea was created by the staff team, then I sketched it out with some felt tip pens and the lovely people at <a href="http://hoffi.com/" target="_blank">Hoffi</a> put together our template. </p>
<p>I've enjoyed delving into all our news and updates and putting them together to share with you each fortnight, so I really hope anyone who's been receiving the mailing has found it useful! </p>
<p>Thanks to everyone…</p>
<p>A few months ago we launched a new weekly National Theatre Wales e-newsletter. The idea was created by the staff team, then I sketched it out with some felt tip pens and the lovely people at <a href="http://hoffi.com/" target="_blank">Hoffi</a> put together our template. </p>
<p>I've enjoyed delving into all our news and updates and putting them together to share with you each fortnight, so I really hope anyone who's been receiving the mailing has found it useful! </p>
<p>Thanks to everyone who's commented and fed back so far, and if you have any other comments, suggestions or ideas for what would make the newsletter great for you, do let us know. </p>
<p>All great ideas start with felt tip pens...</p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999386058?profile=original" target="_self"><img width="600" src="http://storage.ning.com/topology/rest/1.0/file/get/2999386058?profile=RESIZE_1024x1024" width="600" class="align-center"/></a></p>Amsterdam: Multicultural Theatre, Goldie and assorted other thingstag:community.nationaltheatrewales.org,2012-10-18:3152760:BlogPost:1372572012-10-18T15:33:29.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p align="center" style="text-align: left;">Last week <a href="http://community.nationaltheatrewales.org/profile/gavinporter" target="_self">Gavin</a> and I went to Amsterdam for a few days to be part of <a href="http://www.mconline.nl/mconline/index.xql" target="_blank">MC Theater</a>’s <a href="http://www.mconline.nl/mconline/index.xql?id=/mc/producties/extern/rightaboutnowconference" target="_blank">New Realities Conference</a> and to meet people working in theatre in Holland.</p>
<p>The…</p>
<p align="center" style="text-align: left;">Last week <a href="http://community.nationaltheatrewales.org/profile/gavinporter" target="_self">Gavin</a> and I went to Amsterdam for a few days to be part of <a href="http://www.mconline.nl/mconline/index.xql" target="_blank">MC Theater</a>’s <a href="http://www.mconline.nl/mconline/index.xql?id=/mc/producties/extern/rightaboutnowconference" target="_blank">New Realities Conference</a> and to meet people working in theatre in Holland.</p>
<p>The Conference was about multicultural theatre: where we’re at in Europe, if the ways we plan, programme and make policy are right in a multi-cultural world, and what to do about it. The first thing I noticed was that this was the most diverse group of delegates I've ever seen at a conference. There were policy makers, theatre professionals, artistic directors, journalists, creators, performers, educators, students and a huge amount of them were young people. </p>
<p>The headline keynote speech was by <a href="http://www.goldie.co.uk/" target="_blank">Goldie</a>, the British drum 'n' bass musician. Goldie was brought up by foster carers, started his creative life as a graffiti writer and since achieving fame as one of the pioneers of drum 'n' bass music has also worked with orchestras, learned to conduct and shared his experiences with all sorts of people. He talked about the idea of how ‘art’ should be defined in the face of so many emerging varieties of artistic output from hip hop to the Venezuelan <a href="http://elsistemausa.org/el-sistema/venezuela/" target="_blank">El Sistema</a> music programme. Two things stuck with me from his talk: firstly the suggestion that El Sistema play ‘better than the London Symphony Orchestra’ because the young people are passionate and driven rather than ‘old and bored of it’; secondly that policy makers, governments and educators need to catch up with the art being made by young people and embrace it. ‘If Coca Cola can notice a movement and use hip hop in a commercial, governments should also be paying attention to these emerging art forms,’ was the sentiment. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999369555?profile=original" target="_self"><img width="600" src="http://storage.ning.com/topology/rest/1.0/file/get/2999369555?profile=RESIZE_1024x1024" width="600" class="align-center"/></a></p>
<p>Here are my two favourite quotes from Goldie’s talk:</p>
<p><em>“If a kid says ‘listen to my record’ we should f**king listen. How disheartening is it for a kid to know it will never be listened to?”</em></p>
<p><em>“All you have is now. So you guys, somehow, gotta change the world. Alright?”</em></p>
<p>Simple as that. </p>
<p><a href="http://contactmcr.com/staff/programming-projects/baba-israel/" target="_blank">Baba Israel</a>, Artistic Director of Manchester’s <a href="http://contactmcr.com/" target="_blank">Contact Theatre</a> also led a panel consisting of arts heads and policy makers from across Europe. Baba introduced the group and the subject by switching between freestyle spoken word and formal speech to make the point that there is often a distinction between the vernacular and communication style of young, emerging artists and the style of policy makers and funders. One of the more interesting elements of the debate was the question of whether young, emerging artists should be expected to speak the language of bureaucracy or whether arts councils and funding bodies should adjust to the communication style of the artists. I haven’t made my mind up about this yet but when I have some more concrete thoughts I’ll start a discussion in another post.</p>
<p>On Wednesday evening we saw a show called <a href="http://www.mconline.nl/mconline/index.xql?id=/mc/producties/voorstelling/ninasimonealive" target="_blank">Nina Simone (A)Live</a>, a biopic of the singer performed by a cast of 6 actor-musicians. Despite almost all the dialogue being in Dutch, I felt like I was involved in the narrative and having such an emphasis on music really made this accessible. The actors sang, played, or mixed all the music themselves on stage which was also brilliant to watch. I liked how a variety of music – from a young Nina’s classical piano practice to live multi-tracked vocals – was included rather than it just becoming a jukebox musical all in one style. </p>
<p>On Thursday we branched out from theatre and went to check <a href="http://www.eyefilm.nl/en" target="_blank">The Eye Film Museum</a>, a beautiful new building, the architecture of which is as exciting as the content. We saw an exhibition called ‘<a href="http://www.eyefilm.nl/en/exhibitions/from-sept-28-expanded-cinema/expanded-cinema-isaac-julien-fiona-tan-yang-fudong" target="_blank">Expanded Cinema</a>’ which showcased the work of three film makers who have moved beyond the single cinema screen to explore ways in which multiple screens and different spaces can make a different kind of film. Isaac Julien’s piece was the most interesting of these. He used a room the size of a school hall with 10 or 11 large projection screens around and across it. Each one had its own set of speakers and the film moved from screen to screen and using combinations of different screens at the same time, forcing you to keep moving around the space to see different angles and perspectives on the action.</p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999369770?profile=original" target="_self"><img width="600" src="http://storage.ning.com/topology/rest/1.0/file/get/2999369770?profile=RESIZE_1024x1024" width="600" class="align-center"/></a></p>
<p>We also ventured out to the north part of the city to a place where <a href="http://www.facebook.com/KosmopoliteArtTour?fref=ts" target="_blank">Kosmopolite</a> were creating a new mural. Kosmopolite, who also spoke at the conference the previous day, are a graffiti collective who have taken graffiti from an underground form to group artwork produced on a large scale, in public, often with permission and support of public authority. I love taking photographs of graffiti and street art wherever I go so getting the chance to actually see this work being created was really exciting. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999372766?profile=original" target="_self"><img width="600" src="http://storage.ning.com/topology/rest/1.0/file/get/2999372766?profile=RESIZE_1024x1024" width="600" class="align-center"/></a></p>Pointe Blank Exhibitiontag:community.nationaltheatrewales.org,2012-10-04:3152760:BlogPost:1356662012-10-04T11:00:00.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>A year or so ago I saw a tweet from <a href="http://www.twitter.com/Robintheoffice" target="_blank">Rob</a>, <a href="http://www.brb.org.uk/" target="_blank">Birmingham Royal Ballet</a>'s New Media Officer, announcing a new project, Pointe Blank, in which BRB had commissioned a number of illustrators and designers to respond to the plot and themes of the ballet Coppélia. The work was shown in Birmingham and also online, at …</p>
<p>A year or so ago I saw a tweet from <a href="http://www.twitter.com/Robintheoffice" target="_blank">Rob</a>, <a href="http://www.brb.org.uk/" target="_blank">Birmingham Royal Ballet</a>'s New Media Officer, announcing a new project, Pointe Blank, in which BRB had commissioned a number of illustrators and designers to respond to the plot and themes of the ballet Coppélia. The work was shown in Birmingham and also online, at <a href="http://www.pointeblank.co.uk/" target="_blank">pointeblank.co.uk</a>. </p>
<p>The work was wonderful, and showed a really interesting variety of responses to the brief. From a ballet marketing point of view, it opened up a new way to discuss the themes of the production and from a creative point of view gave the artists the opportunity to engage with a different creative form in a new way. </p>
<p>Following that exhibition, BRB repeated the project earlier this year, this time using their production of Hobson's Choice as inspiration. The images were again shown in a gallery and online. </p>
<p>Next month BRB are bringing their production of Swan Lake to <a href="https://www.wmc.org.uk/Productions/2012-2013/18959/BRBSwanLake/" target="_blank">Wales Millennium Centre</a>, so they decided to commission a new Pointe Blank collection, inviting illustrators and designers from Cardiff and South Wales to respond to the plot in the same way as before. On Monday I went to the opening of the exhibition at Milkwood Gallery in Roath, and it was great to see responses to the story by some artists I know, and others I don't. </p>
<p>One of the highlights is Laura Sorvola's <a href="http://www.pointeblank.co.uk/2012/laura-sorvala/" target="_blank">hand-drawn illustration</a> which depicts the entire plot of the ballet inside the lettering of its title. Laura has blogged creating this piece <a href="http://www.auralab.co.uk/swan-lake-illustrating-a-whole-story-in-the-name/" target="_blank">here</a>. I also really liked Matt Joyce's <a href="http://www.pointeblank.co.uk/2012/themeekshall-2/" target="_blank">graphic pattern piece</a>, and Joanne Hawker's <a href="http://www.pointeblank.co.uk/2012/joanne-hawker/" target="_blank">masked swan</a>. You can view the full Swan Lake collection <a href="http://www.pointeblank.co.uk/category/2012-swan-lake/" target="_blank">here</a>. </p>
<p>I really like the big idea behind this - inviting creatives from one artform to respond to another artform in their own way, and it has prompted me to think about ways in which visual artists could be invited to respond to theatre, or perhaps theatre makers respond to visual art or music. </p>
<p>The exhibition runs at <a href="http://milkwoodgallery.com/index.php" target="_blank">Milkwood Gallery</a> until 8 October, and is part of <a href="http://www.cardiffdesignfestival.org/2012/" target="_blank">Cardiff Design Festival</a>. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999369377?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999369377?profile=RESIZE_1024x1024" width="500" class="align-center"/></a></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999369396?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999369396?profile=RESIZE_1024x1024" width="500" class="align-center"/></a><em>Images by Claire Hartley. The full gallery is on the <a href="http://www.facebook.com/PointeBlank" target="_blank">Pointe Blank Facebook page</a>. </em></p>
<p></p>What are your earliest memories of theatre?tag:community.nationaltheatrewales.org,2012-09-28:3152760:BlogPost:1352162012-09-28T10:00:00.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>Theatre can be a powerful thing. Lots of people are also shaped by early childhood experiences. What happens when you combine both? </p>
<p>I think it's quite likely a lot of us are shaped by our early theatrical experiences. The other day we asked people on Facebook and Twitter to tell us about their first theatre experiences and we had some great responses. </p>
<p>In the spirit of sharing, I will tell you that I think the first time I ever went to the theatre was to see Aladdin the…</p>
<p>Theatre can be a powerful thing. Lots of people are also shaped by early childhood experiences. What happens when you combine both? </p>
<p>I think it's quite likely a lot of us are shaped by our early theatrical experiences. The other day we asked people on Facebook and Twitter to tell us about their first theatre experiences and we had some great responses. </p>
<p>In the spirit of sharing, I will tell you that I think the first time I ever went to the theatre was to see Aladdin the pantomime at the <a href="http://www.floralpavilion.com/" target="_blank">Floral Pavilion Theatre</a>, Wirral. I was about 5 years old at the time, and I can remember huge amounts of it in detail, particularly the amazing cave, which featured some great visual design of brightly coloured treasure and the like. Some years later I was to be found performing on that very stage as a teenager.</p>
<p>I also remember from my childhood seeing Darren Day in a musical adaptation of Great Expectations at <a href="http://www.clwyd-theatr-cymru.co.uk/" target="_blank">Theatre Clwyd</a>. This was <a href="http://www.guidetomusicaltheatre.com/shows_g/greatexpectations.htm" target="_blank">apparently</a> in 1993 when I was 8. What I find interesting about this memory is I can only visualise two scenes - one in a graveyard and the other the iconic cobweb-covered wedding feast - but I can remember one of the songs almost in its entirety. As a trained musician this sort of seems natural but it still surprises me that something from 20 years ago is still there in my head. </p>
<p>What are your earliest memories of theatre? Did they have an impact on your future direction? </p>
<p>Here are some of the responses from Twitter and Facebook: </p>
<p><em>Watching and then being a drunken pirate in a visiting theatre company play in first school aged 6. Despite rehearsing my line of being called "Peter the pirate" when asked, I still replied with "Matthew" in the show.......</em></p>
<p><span>- Matthew North, Facebook</span></p>
<p><em>Going to see the arse-end of variety in the Palldium, London starring Thora Hird and Freddie Frinton. In my parent's defence, they also took me to see Tommy Steele in Dick Whittington and then it was up to see Ryan & Ronnie at the Swansea Grand and ultimately to The New Theatre Cardiff for a touring production of A Midsummer Night's Dream as directed by Peter Brook.</em></p>
<p>- KJ Elsdon, Facebook</p>
<p><em>Going to see a small production of 'An Inspector Calls', aged 6, and being so confused that all I could say at the end was 'I liked the props'. Once a stage manager.....</em></p>
<p>- Maisie Baynham, Facebook</p>
<p><em>Norman Vaughan in Panto at The New Theatre - Cardiff</em></p>
<p>- Ieuan Rhys, Facebook</p>
<p><em>Panto at the Harlow Playhouse</em></p>
<p>- Darren Joyce, Facebook</p>
<p><span id=".reactRoot[3].[1][2][1]{comment10151044113121898_22658533}..[1]..[1]..[0].[1]"></span><em><span id=".reactRoot[3].[1][2][1]{comment10151044113121898_22658533}..[1]..[1]..[0].[2]">Being dragged from the circle of the Cambridge Arts Theatre crying because all the protagonists (all different types of nuts) were about to be fed into a chocolate coating machine by the bad guy. Think it was a Christmas show of some sort (either that or Ibsen) - one day I will have my revenge!</span></em></p>
<p><span>- Will Harding, Facebook</span></p>
<p><em><span>Just remembered MORECAMBE AND WISE at The Alhambra. Bradford with David Whitfield who dragged my little sister out of the audience, and sang Climb Upon My Knee Sonny Boy</span></em></p>
<p><span>- Sian Evans, Facebook</span></p>
<p><em><span>Panto at Swansea Grand on St David's Day. I was in my Welsh Costume and Benny from Crossroads called me up onstage to sing the audience song at the end.</span></em></p>
<p><span>- Jacqueline George, Facebook</span></p>
<p><em><span>Grand Abertawe hefyd. Panto gyda Stan Stenett. Legend.</span></em></p>
<p><span>- Janet Evans, Facebook</span></p>
<p><em><span>Panto at the New Theatre!</span></em></p>
<p><span>- David Rees, Facebook</span></p>
<p><em><span>Panto in Cardiff or Swansea. I was always fascinated with the wings and wanted to know what was back there - guess that was the early stirrings of what became a stage management career!</span></em></p>
<p><span>- Joanne Davies, Facebook</span></p>
<p><span><em>My dad in panto, My Mum in musicals. Pippy Longstockings at the Mermaid</em></span></p>
<p><span> @<a href="https://twitter.com/mat_fraser/status/250987242649161728" target="_blank">Mat_Fraser</a>, Twitter</span></p>
<p><em><span>Panto in P'boro early 70's, then All My Sons at the Theatre Royal Bury St Edmunds, beautiful theatre</span></em></p>
<p><span><span> @<a href="https://twitter.com/David_NTW/status/250987154677833729" target="_blank">David_ntw</a>, Twitter</span></span></p>
<p><em><span>Panto @ New Theatre - mid 60s. First proper play probably mid 70s with school - Sherman or RWCMD</span></em></p>
<p><span><span><span> @<a href="https://twitter.com/stephen_ntw/status/250984310549663744" target="_blank">Stephen_ntw</a>, Twitter</span></span></span></p>
<p><em><span>The Nutcracker at Sadlers Wells, or my appearance as Priscilla in the Chapel Panto</span></em></p>
<p> @<a href="https://twitter.com/Cariaddraig/status/250983314347925504" target="_blank">Cariaddraig</a>, Twitter</p>
<p><em>a panto at Loughborough town hall maybe 1980. Though the first play I saw wasn't till '92</em></p>
<p><span> @<a href="https://twitter.com/mattball_ntw/status/250979340324577281" target="_blank">mattall_ntw</a>, Twitter</span></p>
<p><em>playing the sheep role on my nursery school Christmas Belen. Around 3 years old.</em></p>
<p><span><span> @<a href="https://twitter.com/JorgeLizalde/status/250977134112284672" target="_blank">JorgeLizalde</a>, Twitter</span></span></p>
<p><em>beauty & the beast on broadway. 1994.</em></p>
<p> @<a href="https://twitter.com/MorningReverie/status/250976391229751296" target="_blank">MorningReverie</a>, Twitter</p>
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<p></p>Hide & Seek Weekendertag:community.nationaltheatrewales.org,2012-09-19:3152760:BlogPost:1344192012-09-19T21:00:00.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>This weekend I had the great pleasure of heading to London for the <a href="http://weekender.hideandseek.net/" target="_blank">Hide & Seek Weekender</a>. The Weekender is a four-day event (though I only made it to 2 days) run by <a href="http://www.hideandseek.net/" target="_blank">Hide & Seek</a>, a game design studio who, according to their website, are 'dedicated to inventing new kinds of play'. They worked with National Theatre Wales on …</p>
<p>This weekend I had the great pleasure of heading to London for the <a href="http://weekender.hideandseek.net/" target="_blank">Hide & Seek Weekender</a>. The Weekender is a four-day event (though I only made it to 2 days) run by <a href="http://www.hideandseek.net/" target="_blank">Hide & Seek</a>, a game design studio who, according to their website, are 'dedicated to inventing new kinds of play'. They worked with National Theatre Wales on <a href="http://nationaltheatrewales.org/whatson/performance/ntw05" target="_blank">The Beach in Y1</a> but also work with creative companies and businesses to make all sorts of games and experiences. The Weekender was an opportunity for games designers from across the UK and beyond to share and showcase new games and experiences that they've been working on. </p>
<p>Most of the events took place in the Southbank Centre's Clore Ballroom or outside on the terrace and it made for a great environment where people of all ages came together to play. I played games ranging from a quirky take on hopscotch to a two-hour theatrical street game and the variety was really what made the experience. Here are a few of my highlights: </p>
<p></p>
<p><strong>Scotch Hoppers</strong></p>
<p>So simple, so brilliant. Like hopscotch but with three different symbols - one for 'feet', one for 'hands' and one for 'head'. All you had to do was follow the steps and put your feet, hands or head on the relevant symbols. I couldn't quite manage the funky headstands that were being demonstrated but it was fun nonetheless. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999369027?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999369027?profile=RESIZE_1024x1024" width="500" class="align-full"/></a></p>
<p>(I failed to take a photo, so this one is from the <a href="http://weekender.hideandseek.net/games/scotch-hoppers/" target="_blank">Hide & Seek Weekender website</a> and was taken by Douglas Robertson)</p>
<p></p>
<p><b>Killer Queen</b></p>
<p>This was slightly more complicated and involved two teams, trying to get balls from a central row of buckets to their own teams base. This was made more difficult by the other team's 'Queen' trying to stab you with a foam sword, and the opportunity to become a soldier and take out members of the other team with your very own foam sword. Fast, fun and very entertaining. Here's a picture of me playing it: </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999369162?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999369162?profile=RESIZE_1024x1024" width="500" class="align-full"/></a></p>
<p>At the evening party the guys who designed this game also showcased Killer Queen Arcade, a digital version of the game. This used big-screen projection and 12 retro Nintendo NES controllers. The game concept and objectives were exactly the same but it was set up like a retro video game. I was really fascinated by the way they'd turned a concept into something so utterly analogue and something different that was completely digital. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999369268?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999369268?profile=RESIZE_1024x1024" width="500" class="align-full"/></a></p>
<p></p>
<p><strong>Discotect</strong></p>
<p>You're at a party. Everyone's wearing headphones. Half of them can hear music, half of them can't. As a discotective you need to identify who has music and who doesn't. The multiple challenges of this - working out who could hear music, managing to dance convincingly but not self-consciously - were great fun and worked really well with the evening party environment. </p>
<p></p>
<p><strong>Searchlight</strong></p>
<p>Again, a very simple concept but something that worked incredibly well. The playing space starts laid out with a number of different objects. The challenge is to collect all the objects in the shortest time possible. Added into the mix is the 'searchlight' which you must avoid. If you are standing in its path you must freeze or the light will go red and you've lost. This used projection technology similar to the interactive whiteboards used in schools and was one of the most popular games on the Saturday. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999369454?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999369454?profile=RESIZE_1024x1024" width="500" class="align-full"/></a></p>
<p><strong>Incitement</strong></p>
<p>This 2-hour theatrical street game was the weekend's headliner. Several days before the event I was sent the name of my 'Faction' and a location to meet on Saturday. I was told to bring my phone, a pen and to roll up my sleeves 'so we know you're one of us'. Turns out The Authority had stolen all our memories and we needed to beat the other factions in a game of stealth and creative thinking so we could use the 'Platform' to restore memories and freedom to the world's citizens. </p>
<p>We had to use a combination of problem solving (to locate the other factions' bases), stealth (to evade and sometimes lie to The Authority) and enthusiasm (to be an important part of our factions). We met some interesting people, and really enjoyed the mass end where all the factions came together to stand up against 'The Authority'. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999369509?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999369509?profile=RESIZE_1024x1024" width="500" class="align-full"/></a></p>
<p>(this image is from the <a href="http://www.facebook.com/PLAYINCITEMENT" target="_blank">Incitement Facebook Page</a>)</p>
<p>Edit: Here's <a href="http://lookrobot.co.uk/2012/09/18/incitement-hide-and-seek-weekender-2012/" target="_blank">a blog post</a> that explains Incitement a bit better than I did. </p>
<p></p>
<p>Another highlight of the evening party was Ross Sutherland and Tim Clare's performance <a href="http://www.rosssutherland.co.uk/main/shows/infinite-lives" target="_blank">Infinite Lives</a> - a combination of performance poetry, stand-up comedy, ukulele-playing, singing and storytelling all along the theme of gaming. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999369623?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999369623?profile=RESIZE_1024x1024" width="500" class="align-full"/></a></p>
<p>All in all I had an awesome weekend and I highly recommend checking out Hide & Seek's events. In addition to the Weekender they also run Sandpit events where games are tested and trialled. </p>
<p>This Monday Hide & Seek also organised a conference called <a href="http://weekender.hideandseek.net/conference/" target="_blank">Playing in Public</a>. You can find out more about that here. </p>
<p></p>AMA Conference 2012tag:community.nationaltheatrewales.org,2012-07-12:3152760:BlogPost:1279852012-07-12T23:10:52.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>This week I went to Brighton for the annual <a href="http://www.a-m-a.co.uk/index.aspx" target="_blank">Arts Marketing Association</a> Conference. I was joined by Mike, Devinda, Matt and Anna for what turned out to be a 5-hour train journey to Brighton during which it felt like we called at every station in southern England! </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999368903?profile=original" target="_self"><img class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2999368903?profile=RESIZE_1024x1024" width="500"></img></a></p>
<p>I will try to write in more depth…</p>
<p>This week I went to Brighton for the annual <a href="http://www.a-m-a.co.uk/index.aspx" target="_blank">Arts Marketing Association</a> Conference. I was joined by Mike, Devinda, Matt and Anna for what turned out to be a 5-hour train journey to Brighton during which it felt like we called at every station in southern England! </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999368903?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999368903?profile=RESIZE_1024x1024" width="500" class="align-full"/></a></p>
<p>I will try to write in more depth later about some of the themes and learnings from the conference but for now here are a few pictures and some flippant comments. That's what people really want anyway, right? </p>
<p>The title of the conference was Connect, Engage, Inspire. This goes quite well with the work we do at National Theatre Wales, taking 'engagement' away from being an isolated department and just turning our whole universe into a community of people who watch, make, do, learn, share and enjoy theatre and the arts together. </p>
<p>Particular conference highlights for me included Andy McKim from <a href="http://www.passemuraille.on.ca/" target="_blank">Theatre Passe Muraille</a> in Toronto, Canada. He spoke about organisational structure and allowing ideas to come from all parts of a company. </p>
<p>I also really enjoyed a two-hander session given by Ron Evans from <a href="http://www.groupofminds.com/" target="_blank">Group of Minds</a> and Roger Tomlinson of <a href="http://www.theticketinginstitute.com/" target="_blank">The Ticketing Institute</a>. Aside from the brilliant banter and audience involvement, they shook hands with and welcomed every person to their seminar, and put chocolates out in the front two rows to reward people who sat there.</p>
<p>Oddly I didn't feel that chocolate was enough to make me sit at the front, which is strange and possibly a subject for a whole other blog. The session itself explored social interaction and how this affects the culture consumption process. Do people feel the influence of others when making decisions about culture and ticket buying? Is the rise of Facebook ticketing apps a sign of social engagement? More to come on this too. </p>
<p>And now for the pictures and flippant comments: </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999369142?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999369142?profile=RESIZE_1024x1024" width="500" class="align-full"/></a>Yummy cupcakes - reward for listening to a sales pitch! </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999369185?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999369185?profile=RESIZE_1024x1024" width="500" class="align-full"/></a>The wall in the Pavillion Bar is pretty cool</p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2999369191?profile=original" target="_self"><img width="500" src="http://storage.ning.com/topology/rest/1.0/file/get/2999369191?profile=RESIZE_1024x1024" width="500" class="align-full"/></a>You know a conference is going to go well when there are really good pastries. </p>
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<p></p>The Brand New E-newslettertag:community.nationaltheatrewales.org,2012-06-28:3152760:BlogPost:1264832012-06-28T13:00:00.000ZJen Thorntonhttps://community.nationaltheatrewales.org/profile/JenThornton
<p>I'm just putting the finishing touches to National Theatre Wales' very first e-newsletter.</p>
<p></p>
<p>We'll be updating you every fortnight with the what we're up to, projects we're part of and any events we'd love you to join us for. </p>
<p></p>
<p>If you've received the first issue, it would be great to find out what you thought. What would you like more of? What's not so interesting? </p>
<p></p>
<p>If you haven't joined our mailing list yet but you'd like to receive news and…</p>
<p>I'm just putting the finishing touches to National Theatre Wales' very first e-newsletter.</p>
<p></p>
<p>We'll be updating you every fortnight with the what we're up to, projects we're part of and any events we'd love you to join us for. </p>
<p></p>
<p>If you've received the first issue, it would be great to find out what you thought. What would you like more of? What's not so interesting? </p>
<p></p>
<p>If you haven't joined our mailing list yet but you'd like to receive news and updates, <a href="http://forms.sign-up.to/signup.php?fid=3304&pid=10773" target="_blank">click here</a> to join now. </p>