Hi everyone,

As one of the critics for National Theatre Wales, one of my duties is to thrust a load of reviews in your general direction and invite feedback. I hope that they're not torn apart too enthusiastically, in much the same way, I imagine, that others hope I don't slag off a play they've just spent months perfecting.

So here's a quick round-up:

A Kind Of Alaska had its first night at Chapter last night. I liked it very much.
If you haven't seen Julie's blog yet on NTW, it's worth a visit, if only for its Pinter-esque pauses...

I went to Matthew Bourne's Swan Lake on Tuesday night, which I thoroughly enjoyed.

Don't think I've mentioned Oedipus/Antigone from way back in February yet. A difficult one to review, and it's drawn mixed opinions.

You will be hearing my thoughts (whether you like it or not) on A Good Night Out In The Valleys later this week. So it had bloody well better be good...!

Ben




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Comment by Guy O'Donnell on March 13, 2010 at 8:12
Spot on Adele, and I think that is the point of discussion.
How do we develop their level of maturity and understanding of process, in order to engage with the criticism to hone their skills.
Comment by Guy O'Donnell on March 13, 2010 at 5:50
Hi I think this is a really interesting discussion. I think Youth Theatre should be reviewed in the same way as adult theatre . I am one of the Arts Officers in Bridgend and support Bridgend Youth Theatre , which is funded by the local authority and supported in turn by the members parents.
We strive with all BYT members to produce work of the highest standards and to be as professional as possible. I think it is important to give the young members critical feedback on their work in order for them to develop.
Obviously not all members will go onto a career in the creative industries and as we know benefit from the soft skills, team work , confidence. etc.
I think some of the Youth Theatre members would be unhappy to be described as 'fun runners' I think the real issue is how this type of work is actually reviewed, one of the reasons the new critics scheme was established was to promote theatrical criticism in Wales and I think its important for all work be reviewed be it , professional , script in hand , youth theatre or amateur to get access to a review makes a real difference to how individuals , companies and the work they create actually develop.
It would be interesting to hear what the other critics think and, as the work created by NTW during the next year may well involve young people who may be Welsh Youth members how an approach to criticsm/feedback develops.
Comment by Mike Smith on March 13, 2010 at 5:15
My review of A Good Night Out In The Valleys will be in Monday's Western Mail.
Comment by Ben Bryant on March 12, 2010 at 2:44
Hi Adele,

I get asked to review youth theatre sometimes, and this was the first time I've been and felt that it hasn't worked, so I wasn't sure how to respond. I would like to point out that I gave it an overall score 3/5, which is actually pretty good; however, I'm aware that the review itself wasn't particuarly sympathetic.

I think you misread a few parts of it, though. The 'gratuitous' comment wasn't so much a criticism of the actors as the direction. It was the blood and the screaming I took issue with. I liked a lot of the little scenes that were played out backstage.

But yes, looking back, I did lay into Oedipus, and I wish I hadn't. I thought he looked a bit older and I was frustrated by his performance.

I wouldn't usually do this in the face of criticism, but I loathe the idea that what I've written is putting kids off, so I've pulled the review. I'm sorry and I regret it.

I don't think it's my job to nurture youth theatre, exactly, and I'm not sure if I agree that youth theatre is beyond criticism. But I do agree that it was an error of judgement on my part not to be more sympathetic towards this play.
Comment by Julie Barclay on March 12, 2010 at 1:02
Thanks Ben, for the Blog plug... 'Blog Plug' - that sounds oddly like a blocked drain.Hopefully the blog doesnt read that way.

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