Hi there, I was wondering if I could contact you over your project, 'SXTO' at Arad Goch as part of my research for my dissertation into exploring what makes TIE in Wales an effective tool for raising awareness of social issues. From my current research, I have a clear idea what the play is about, what sort of response it received and briefly how it was devised. My focus is looking at the structure, the presentation and the reinforcement of the programme that made it so effective. Also, the intentions behind the piece and how the piece came about, was it Arad Goch who wanted to produce it or another organisation/funder/supporter? And finally, who were the key theorists/practitioners that influenced the style of the programme.
Any help would be greatly appreciated and I look forward to hearing from you
Thanks
Dave Humphreys
3rd Year University of Chester student, Drama and Theatre Studies.
Dwy wedi bod yn ceisio danfon e byst gyda'm CV i ti ar gyfer cyfle perfformio yn eich sioe cerdd cwta yn y Gymraeg. Mae'n cadw bownsio nôl am bod y mailbox yn llawn. Oes dal cyfleoedd perfformio ar ôl.
Wel dwi o'r diwedd jest about wedi ymuno a'r ugeinfed ganrif. Fe aeth pethau'n dda iawn ddoe efo darlleniad To Kill a Machine yn Theatr Clwyd. Diolch I ti eto am y cyfarwyddo a'r ymarfer efo't cast.
Yeah Angharad definitely.
Am going to meet up with Chris and jennifer to debrief and see how we can make it work better. Maybe spend a couple of hours on each one keep it simpler - actors wear blacks and all script in hand. The director's job is to serve what they understand the writer has put on the paper. You up for that?
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Hi there, I was wondering if I could contact you over your project, 'SXTO' at Arad Goch as part of my research for my dissertation into exploring what makes TIE in Wales an effective tool for raising awareness of social issues. From my current research, I have a clear idea what the play is about, what sort of response it received and briefly how it was devised. My focus is looking at the structure, the presentation and the reinforcement of the programme that made it so effective. Also, the intentions behind the piece and how the piece came about, was it Arad Goch who wanted to produce it or another organisation/funder/supporter? And finally, who were the key theorists/practitioners that influenced the style of the programme.
Any help would be greatly appreciated and I look forward to hearing from you
Thanks
Dave Humphreys
3rd Year University of Chester student, Drama and Theatre Studies.
Helo Angharad,
S'iwmae.
Dwy wedi bod yn ceisio danfon e byst gyda'm CV i ti ar gyfer cyfle perfformio yn eich sioe cerdd cwta yn y Gymraeg. Mae'n cadw bownsio nôl am bod y mailbox yn llawn. Oes dal cyfleoedd perfformio ar ôl.
Diolch a chofion,
Heledd
Helo
Wel dwi o'r diwedd jest about wedi ymuno a'r ugeinfed ganrif. Fe aeth pethau'n dda iawn ddoe efo darlleniad To Kill a Machine yn Theatr Clwyd. Diolch I ti eto am y cyfarwyddo a'r ymarfer efo't cast.
Catrin
Thank, you it was excellent.
There was bubbles and cake involved.
Am going to meet up with Chris and jennifer to debrief and see how we can make it work better. Maybe spend a couple of hours on each one keep it simpler - actors wear blacks and all script in hand. The director's job is to serve what they understand the writer has put on the paper. You up for that?
S
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