Giving myself a little time and distance to reflect on the realities of our run of Coriolan/us last month, I have been spending some of my days slowly reviewing and combining the continuous camera and headphone feeds that we generated and broadcast live within the work – and which were captured and recorded on the evening of our penultimate performance.
Revisiting the details of these mixes, as they formed and unfolded in real time, I have been consciously avoiding the…
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